On a dramatic note: short essays on multiple plays, from Sophocles to Shakespeare and Molière to Mamet:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin
Logos
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | Literaturangaben |
| Beschreibung: | 239 S. 21 cm |
| ISBN: | 9783832536763 3832536760 |
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Datensatz im Suchindex
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TABLE OF CONTENTS
PREFACE 5
"THE CHORUS IN GREEK TRAGEDY . AND BEYOND, WITH SPECIAL REFERENCE TO
SOPHOCLES' OEDIPUS"TYRANNOS" 7
"FRIAR LAURENCE IN SHAKESPEARE'S ROMEO AND JULIEF' 11
"THE FATE OF JESSICA IN SHAKESPEARE'S THE MERCHANT OF VENICE" 13
"MUSIC IN SHAKESPEARE'S OTHELLO" 17
"LOVE AND DEATH IN LOPE DE VEGA'S THE KNIGHT OFOLMEDO" 19
"CONTEXT AND MEANING IN MOLIERE'S TARTUFFE" 23
"PARALLELISM AND DIVERGENCE: THE CASE OF GOLDSMITH'S SHE STOOPS TO
CONQUER AND O'NEILL'S LONG DAYS JOURNEY INTO NIGHT" 27
"THE ENDING OF BTLCHNER'S LEONCE AND LENA" 33
"IBSEN'S GHOSTS AND SOPHOCLES' OEDIPUS TYRANNOS" 37
"THE ENDINGS OF IBSEN'S HEDDA GABLER AND GHOSTS" 41
'TRANSFIGURATION AND ASCENT IN SHAW'S MAJOR BARBARA" 43
"APPEARANCE AND ESSENCE IN KAISER'S FROM MORN TO MIDNIGHT 49
"FUTURISM AND ONEILL'S THE HAIRY APE" 53
'THE PIOUS PEACOCKERY OF JOHNNY BOYLE IN O'CASEY'S JUNO AND THE PAYCOCK"
57
"BRECHT'S A MANS A MAN AND THE GROTESQUE" 61
"HECHT AND MACARTHUR'S THE FRONT PAGE AND FARCE" 63
"HECHT AND MACARTHUR'S THE FRONT PAGE AGAIN: A PIICE A CLEF' 65
"IN THE END IS THE BEGINNING: THE CONCLUSION OF ODETS'S AWAKE AND SING!"
67
'TRAGEDY IN STEINBECK'S OF MICE AND MEN" 71
"WHOSE TOWN?: WILDER'S OUR TOWN REVISITED" 79
"MARGUERITE IDA-HELENA ANNABEL IN STEIN'S DOCTOR FAUSTUS LIGHTS THE
LIGHTS" 87
"DREAMS OF JOURNEY: (WEILL'S LONG DAYS JOURNEY INTO NIGHT" 89
"SIMON HARFORD IN (WEILL'S A TOUCH OF THE POET AND MORE STATELY
MANSIONS" 93
"THROUGH THE LOOKING GLASS: THE ROLE OF MEMORY IN TENNESSEE WILLIAMS'S
THE GLASS MENAGERIE" 97
"TENNESSEE WILLIAMS REDUX: LIEBESTOD, ROMANTICISM, AND POETRY IN
THE GLASS MENAGERIE" 101
"SCENE 11 OF TENNESSEE WILLIAMS'S A STREETCAR NAMED DESIRE" 111
"REBOARDING STREETCAR: THE MEANING OF BELLE REVE IN TENNESSEE
WILLIAMS'S A STREETCAR NAMED DESIRE" 117
"THE JEW THAT MILLER DREW: RELIGION, ETHNICITY, AND MILLER'S DEATH OF
A SALESMAN" 121
"DRAMATIC METHOD IN INGE'S COME BACK, LITTLE SHEBA AND ANDERSON'S
I NEVER SANG FOR MY FATHER " 125
HTTP://D-NB.INFO/1048402134
"THOMAS'S UNDER MILK WOOD IN LIGHT OF WILDER'S OUR TOWN AND HARDY'S
UNDER THE GREENWOOD TREE" 127
"WALCOTT'S THE SEA AT DAUPHIN AND SYNGE'S RIDERS TO THE SEA: A
COMPARISON" 131
"TAKING ORDERS IN PINTER'S THE DUMB WAITER" 135
"COMEDY AND MEANING IN THE WORK OF PINTER, WITH SPECIAL REFERENCE TO
THE BIRTHDAY PARTY AND THE HOMECOMING" 137
"MULLEADY, PRINCESS GRACE, AND RIO RITA IN BEHAN'S THE HOSTAGE" 141
"ANONYMITY AND INSCRUTABILITY IN PINTER'S THE BIRTHDAY PARTY" 143
"THE ENDING OF BEHAN'S THE HOSTAGE" 147
"NICK IN ALBEE'S WHO'S AFRAID OF VIRGINIA WOOL/?" 149
"CONCEPTION IN ORTON'S ENTERTAINING MR. SLOANE" 151
"ORTON'S LOOT AND SHAKESPEARE'S HAMLET" 153
"NAMES AND TITLES IN BARAKA'S DUTCHMAN" 155
"THE LOVE OF MONEY IS THE ROOT OF ALL EVIL: ORTON'S LOOT" 161
"UNCLE SAM IN PINTER'S THE HOMECOMING 163
"THE NIGHTMARISH QUALITY OF PINTER'S THE HOMECOMING AND ALBEE'S
A DELICATE BALANCE" 165
"HARE'S THE GREAT EXHIBITION AND SHAKESPEARE'S KING LEAR''' 167
"SALVATION IN BOND'S SAVED" 169
"THE LOCAL STIGMATIC IN HEATHCOTE WILLIAMS'S THE LOCAL STIGMATIC" 173
"TIME AND MYSTERY IN FUGARD'S PEOPLE ARE LIVING THERE" 175
"IN CELEBRATION, IN SORROW: A NOTE ON THE STOREY PLAY" 179
"HARE'S SLAG AND BRACKENHURST" 183
"THE GHOST IN BOND'S LEAR" 185
"COMEDY AND MAMET'S SEXUAL PERVERSITY IN CHICAGO" 189
"THE EAGLE AND THE CAT STORY IN SHEPARD'S CURSE OF THE STARVING CLASS"
191
"CURSE EXTENDED: SLEEP AND SHEPARD'S CURSE OF THE STARVING CLASS" 193
"PINTER'S BETRAYAL: PLAY AND FILM" 195
"LIGHT, DARKNESS, AND SOUND IN HARE'S PLENTY" 199
"LITERARY ALLUSIONS IN SHEPARD'S BURIED CHILD" 201
"TITLE AND ASIDE IN BRENTON'S SORE THROATS" 203
"A SOLDIERS PLAY, A SOLDIERS PROBLEMS: NOTES ON THE FULLER PLAY" 205
"MAMET'S EDMOND AND GERMAN EXPRESSIONISM" 211
"MAMET'S GLENGARRY GLEN ROSS AND SELLING IN AMERICAN DRAMA" 217
BIBLIOGRAPHICAL RESOURCES 223
INDEX 231 |
| any_adam_object | 1 |
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| ctrlnum | (OCoLC)894498650 (DE-599)DNB1048402134 |
| dewey-full | 809.2 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.2 |
| dewey-search | 809.2 |
| dewey-sort | 3809.2 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| title | On a dramatic note: short essays on multiple plays, from Sophocles to Shakespeare and Molière to Mamet |
| title_auth | On a dramatic note: short essays on multiple plays, from Sophocles to Shakespeare and Molière to Mamet |
| title_exact_search | On a dramatic note: short essays on multiple plays, from Sophocles to Shakespeare and Molière to Mamet |
| title_full | On a dramatic note: short essays on multiple plays, from Sophocles to Shakespeare and Molière to Mamet by Robert Cardullo |
| title_fullStr | On a dramatic note: short essays on multiple plays, from Sophocles to Shakespeare and Molière to Mamet by Robert Cardullo |
| title_full_unstemmed | On a dramatic note: short essays on multiple plays, from Sophocles to Shakespeare and Molière to Mamet by Robert Cardullo |
| title_short | On a dramatic note: short essays on multiple plays, from Sophocles to Shakespeare and Molière to Mamet |
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