King of the rhythm - slave to the beat: representations of black masculinity in hip-hop videos
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Kristiansand
University of Agder
2012 [vielm.] 2014
|
| Schriftenreihe: | Doctoral dissertations at University of Agder
89 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 219 S. Ill. |
| ISBN: | 9788271177720 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804152678397247488 |
|---|---|
| adam_text | Contents
Acknowledgments
.........................................................................................................................................................
v
Summary
............................................................................................................................................................................
vu
1.
INTRODUCTION
..........................................................................................................................................1
Strategies in Audiovisual Analysis
........................................................................................................................5
The Music Video as Communication: Watching/Being Shown
...................................................................7
A Popular Musicological Approach to Hip-Hop Videos
.................................................................................9
Gender Research in Popular Music
......................................................................................................................11
Masculinity and Popular Music
.............................................................................................................................12
Hip-Hop and Gender
...................................................................................................................................................13
Queer Theory
.................................................................................................................................................................16
Music Signifies
..............................................................................................................................................................18
Musicai
Parameters
....................................................................................................................................................20
Hip-Hop History and Historical Context
.........................................................................................................25
African American Performance Tradition and Stock Types
.....................................................................29
Ethnicity and Agency in Hip-Hop Videos
...........................................................................................................33
Structure of the Thesis and Case Studies
.......................................................................................................35
2.
DEFINING KEY TERMS
............................................................................................................................40
Representations
..........................................................................................................................................................40
Personal Narrative
...................................................................................................................................................41
Masculinity, Black Masculinity and Hypermasculinity
............................................................................42
3.
WELCOME TO THE CANDY SHOP. : CONFLICTING
REPRESENTATIONS
OF BLACK
MASCULINITY
................................................................................................................................................48
The Hip-Hop Star
.........................................................................................................................................................51
Synopsis
...........................................................................................................................................................................56
Characters and Narrative
.....................................................................................................................................57
Vocal Style
....................................................................................................................................................................63
Framing the Exotic
Subiect
....................................................................................................................................6 7
Subject Positions
.........................................................................................................................................................75
Agency and Parody
.....................................................................................................................................................79
4.
TRACING THE DANDY AND THE PIMP IN AFRICAN AMERICAN POPULAR MUSIC HISTORY
............................................................................................................................................................................86
Painted Faces
................................................................................................................................................................88
The Minstrel Dandy
...................................................................................................................................................92
A NightATTHE Opera,
1001
Nights in Harlem
..............................................................................................102
MTV, Masculinity and Ethnicity
........................................................................................................................
Ill
Pimp and Circumstance
.........................................................................................................................................117
5.
SO, HAS HE REALLY GOT WHAT YOU NEED?: THE ROLE OF THE MUSIC PRODUCER AND
REPRESENTATIONS OF BLACK MASCULINITY IN PROMISCUOUS
...........................................125
Clarifications and Definitions
...........................................................................................................................127
A Revealing Music Lesson
......................................................................................................................................130
From Singer-Songwriter to Hip-Hop babe
....................................................................................................138
Naturalised Male Authority
..............................................................................................................................141
Big Papa on Display
..................................................................................................................................................145
Constructing Female Stars
..................................................................................................................................147
Male Producer-male Performer Relationships
........................................................................................155
Table of Contents for Promiscuous
...............................................................................................................162
Vili
6.
FLIP IT AND REVERSE IT!: FEMALE MASCULINITY IN MISSY ELLIOTT S VIDEO WORK IT
.........................................................................................................................................................................166
African American Male Impersonators
..........................................................................................................168
Vocal Style
..................................................................................................................................................................174
Female Producer and Instrumentalists
.........................................................................................................178
Butch not Bitch
.........................................................................................................................................................187
Queen Bee
.....................................................................................................................................................................190
7.
CONCLUDING COMMENTS
..................................................................................................................193
Candy Shop
.................................................................................................................................................................193
Promiscuous
..............................................................................................................................................................199
Work It
........................................................................................................................................................................205
Call for Further Research
..................................................................................................................................208
Outsider Perspective
..............................................................................................................................................209
references
...............................................................................................................................................214
ix
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| isbn | 9788271177720 |
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| spelling | Djupvik, Marita Buanes 1979- Verfasser (DE-588)1054242623 aut King of the rhythm - slave to the beat representations of black masculinity in hip-hop videos Marita Buanes Djupvik Kristiansand University of Agder 2012 [vielm.] 2014 X, 219 S. Ill. txt rdacontent n rdamedia nc rdacarrier Doctoral dissertations at University of Agder 89 Zugl.: Kristiansand, Univ., Diss., 2014 Männlichkeitskult (DE-588)4135766-8 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Hip-Hop (DE-588)4303517-6 gnd rswk-swf Musikvideo (DE-588)4492539-6 gnd rswk-swf Sänger (DE-588)4124099-6 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Musikvideo (DE-588)4492539-6 s Hip-Hop (DE-588)4303517-6 s Sänger (DE-588)4124099-6 s Schwarze (DE-588)4116433-7 s Männlichkeitskult (DE-588)4135766-8 s DE-604 Doctoral dissertations at University of Agder 89 (DE-604)BV036435420 89 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027612553&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Djupvik, Marita Buanes 1979- King of the rhythm - slave to the beat representations of black masculinity in hip-hop videos Doctoral dissertations at University of Agder Männlichkeitskult (DE-588)4135766-8 gnd Schwarze (DE-588)4116433-7 gnd Hip-Hop (DE-588)4303517-6 gnd Musikvideo (DE-588)4492539-6 gnd Sänger (DE-588)4124099-6 gnd |
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| title | King of the rhythm - slave to the beat representations of black masculinity in hip-hop videos |
| title_auth | King of the rhythm - slave to the beat representations of black masculinity in hip-hop videos |
| title_exact_search | King of the rhythm - slave to the beat representations of black masculinity in hip-hop videos |
| title_full | King of the rhythm - slave to the beat representations of black masculinity in hip-hop videos Marita Buanes Djupvik |
| title_fullStr | King of the rhythm - slave to the beat representations of black masculinity in hip-hop videos Marita Buanes Djupvik |
| title_full_unstemmed | King of the rhythm - slave to the beat representations of black masculinity in hip-hop videos Marita Buanes Djupvik |
| title_short | King of the rhythm - slave to the beat |
| title_sort | king of the rhythm slave to the beat representations of black masculinity in hip hop videos |
| title_sub | representations of black masculinity in hip-hop videos |
| topic | Männlichkeitskult (DE-588)4135766-8 gnd Schwarze (DE-588)4116433-7 gnd Hip-Hop (DE-588)4303517-6 gnd Musikvideo (DE-588)4492539-6 gnd Sänger (DE-588)4124099-6 gnd |
| topic_facet | Männlichkeitskult Schwarze Hip-Hop Musikvideo Sänger Hochschulschrift |
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