Harmonising copyright law and dealing with dissonance: a framework for convergence of US and EU law
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cheltenham [u.a.]
Elgar
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 195 S. Ill. |
| ISBN: | 1782544186 9781782544180 |
Internformat
MARC
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| 100 | 1 | |a Halpern, Sheldon W. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Harmonising copyright law and dealing with dissonance |b a framework for convergence of US and EU law |c Sheldon W. Halpern ; Philip Johnson |
| 264 | 1 | |a Cheltenham [u.a.] |b Elgar |c 2014 | |
| 300 | |a X, 195 S. |b Ill. | ||
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| 337 | |b n |2 rdamedia | ||
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Datensatz im Suchindex
| _version_ | 1820137582850211840 |
|---|---|
| adam_text |
Contents
CHAPTER
1 :
HARMONY, POLICY AND POWER
1
A. THE TANGLED ENTICEMENT OF
"HARMONISATION"
1
1.
The Reality of a Transnational Copyright World
1
2.
A Toolbox and Vocabulary for the New World
3
B. A CLOSER LOOK AT
HARMONISATION
AND
CULTURE
12
1. Why?
12
2.
Why Not?
14
3.
Nationalism and Culture
16
4.
The "Sanctity" of Copyright as Part of National
Culture
20
C. THE PERCEIVED DIVIDE: OF NATURAL RIGHTS,
AUTHORS' RIGHTS AND PROPERTY RIGHTS
25
1.
The United Kingdom and the United States
25
2.
The Authors' Rights States of the European Union
30
3.
The European Union
32
4.
A Bridge Too Far?
34
CHAPTER
2:
MINIMUM STANDARDS AND
INTERNATIONAL CODES
36
A. WHEN IS A STANDARD NOT A STANDARD?
36
B. UNIFORM LAWS
-
IT WAS ALL TRIED BEFORE
. 38
С
THE INTERNATIONAL TREATIES AND THE
MINIMUM STANDARDS THEY SET
41
1.
Subject Matter: Attempts at Uniformity of Definition
42
2.
Economic Rights: Attempts at Enumeration
42
3.
Exceptions and Limitations: The Law Giveth and
the Law Taketh Away
44
4.
Term
46
5.
Technical Protection Measures and Rights Management
46
6.
A Harmonisation
Mirage
47
viii
Harmonising copyright law and dealing with dissonance
D. TREATY INTERPRETATION: WITHIN THE
INTERNATIONAL SPHERE
47
1.
Vienna Convention: Clear Rules?
47
2.
An Elusive Search for Interpretive "Uniformity"
48
3.
Authoritative Interpretation: WIPO Conventions
50
4.
Authoritative Interpretation: WTO TRIPS
51
E. TREATY INTERPRETATION: WITHIN THE
DOMESTIC SPHERE
54
1.
Judicial Deference
55
2.
Legal Culture
58
3.
Language
59
F. NATIONAL COURTS AND NATIONAL VIEWS
62
1.
United States
62
2.
United Kingdom
64
3.
France
67
4.
Netherlands
69
G. WHAT DOES THIS ALL MEAN?
70
CHAPTER
3:
WHY WE DON'T PLAY WELL WITH OTHERS:
US CONSTITUTIONAL CONSTRAINTS ON
HARMONISATION
OF COPYRIGHT LAW
71
A. IN THE BEGINNING WAS THE WORD: AMERICAN
COPYRIGHT LAW AND THE US CONSTITUTION
71
1.
A Limited Power
71
2.
Down the Constitutional Rabbit Hole: "When is a
Raven
.
a Writing
. ?" 73
3.
Down the Constitutional Rabbit Hole: Originality,
Theme and Variations
77
4.
Down the Constitutional Rabbit Hole: What is the
Purpose of "Purpose"?
80
5.
Down the Constitutional Rabbit Hole: Freedom and
Limits of Speech
83
(i) Idea/expression: when is a dichotomy really a
spectrum?
84
(ii) Fair use and predictability
87
B. ATTEMPTS TO AVOID THE CONSTITUTIONAL
RABBIT HOLE: ALTERNATIVE SOURCES OF POWER
95
1.
The "Commerce Clause"
95
2.
The Treaty Power
96
C. THE ESSENTIALS
96
Contents ix
CHAPTER
4:
IF THERE IS A WILL, THERE IS A WAY
. :
THE
BROAD LEGISLATIVE COMPETENCE OF THE
EUROPEAN UNION
98
A. A HISTORY OF
HARMONISATION IN
THE
EUROPEAN UNION
98
1.
First Phase: An Attempt at Selective Uniformity
98
2.
Second Phase: More Specific Uniformity Directives
100
3.
Third Phase: The Unfulfilled Promise of the Lisbon
Agenda
101
4.
A Fourth Phase Emerges: The Hope of a Harmonised
Copyright Law
101
5.
The Role of the Court of Justice
102
B. INTERNATIONAL LAW AND THE
EU
LEGAL ORDER
103
1.
Of Power and Policy: The European Union and the
International Conventions
103
2.
International Conventions and Internal
Harmonisation
105
3.
International Conventions: Interpretative Aids
107
С
THE GENERAL APPROACH OF THE EUROPEAN
UNION TO
HARMONISATION
109
1.
An Expansive View of Authors' Rights: The Mantra
of a "High Level of Protection"
109
2.
European
Instrumentalism
and a "High Level of
Protection": Balance 111
D. LEGISLATIVE POWERS OF THE EUROPEAN UNION
112
1.
The Many Diverse Forms of Legislation
113
2.
Conferrai:
Differences and Similarities
119
3.
Types of Competence and Pre-emption
120
4.
The Competences Used to Harmonise Copyright
121
(i) A multitude of methods and powers
121
(ii) Article
114 122
(iii)
Articles
52
and
63 125
(iv)
Article
118 127
E. THE LIMITS OF
EU
POWER: RESTRICTIONS ON
COMPETENCE
128
1.
The "Culture Clause"
128
2.
The Principle of Subsidiarity
130
3.
The Principle of Proportionality
131
4.
The Rule on National Property
132
5.
The Protection of Fundamental Rights
133
F. HOW FREE IS FREE?
138
χ
Harmonising copyright law and dealing with dissonance
CHAPTERS: A FRAMEWORK FOR
HARMONIS
ATION
139
A. RECONCILING THE IRRECONCILABLE: BRIDGING
THE US/EU DIVIDE
139
1.
Deflating the "Cultural" Obstacles
140
2.
Of Fairness and Flexibility: The Role of Language and
the Conceptual Essence of "Fair Use"
141
(i) Flexibility and free expression: the United States
142
(ii) Free expression and flexibility: the European
Union
144
(iii)
Flexibility in the
EU in
general
147
3.
Flexibility: The Three-Step Test
148
(i) The WTO Panel Opinion
148
(ii) The attack on flexible exceptions
150
(iii)
The drafting history of the three-step test
152
(iv)
No exception is that "definite"
153
(v) Flexibility as an inherent part of copyright
154
(vi)
Judicial interpretation: legal certainty is not
merely the role of legislators
155
(vii)
State practice
156
4.
Avoiding Fixating on "Originality"
159
(i) The broadcast right: originality and fixation
160
(ii) Performance rights and performers' rights
162
5.
The Possible "Safe Harbours" of the Commerce
Clause and Treaty Powers
164
(i) The Commerce Clause
164
(ii) Treaty power
168
6.
Neighbouring Rights and Placeholders
170
B. A RECONCILED FRAMEWORK
170
1.
An International Code
-
Starting With Some Harmony
171
2.
National Decisions Having International Effect
173
3.
Judicial Co-operation and Law Reporting
175
4.
This is Not the End
.
But it Might be the End of
the Beginning
175
Bibliography
177
Index
191 |
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| spelling | Halpern, Sheldon W. Verfasser aut Harmonising copyright law and dealing with dissonance a framework for convergence of US and EU law Sheldon W. Halpern ; Philip Johnson Cheltenham [u.a.] Elgar 2014 X, 195 S. Ill. txt rdacontent n rdamedia nc rdacarrier Europäische Union (DE-588)5098525-5 gnd rswk-swf Rechtsvereinheitlichung (DE-588)4048849-4 gnd rswk-swf Urheberrecht (DE-588)4062127-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Europäische Union (DE-588)5098525-5 b Urheberrecht (DE-588)4062127-3 s Rechtsvereinheitlichung (DE-588)4048849-4 s DE-604 Johnson, Phillip Verfasser aut Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027599151&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Halpern, Sheldon W. Johnson, Phillip Harmonising copyright law and dealing with dissonance a framework for convergence of US and EU law Europäische Union (DE-588)5098525-5 gnd Rechtsvereinheitlichung (DE-588)4048849-4 gnd Urheberrecht (DE-588)4062127-3 gnd |
| subject_GND | (DE-588)5098525-5 (DE-588)4048849-4 (DE-588)4062127-3 (DE-588)4078704-7 |
| title | Harmonising copyright law and dealing with dissonance a framework for convergence of US and EU law |
| title_auth | Harmonising copyright law and dealing with dissonance a framework for convergence of US and EU law |
| title_exact_search | Harmonising copyright law and dealing with dissonance a framework for convergence of US and EU law |
| title_full | Harmonising copyright law and dealing with dissonance a framework for convergence of US and EU law Sheldon W. Halpern ; Philip Johnson |
| title_fullStr | Harmonising copyright law and dealing with dissonance a framework for convergence of US and EU law Sheldon W. Halpern ; Philip Johnson |
| title_full_unstemmed | Harmonising copyright law and dealing with dissonance a framework for convergence of US and EU law Sheldon W. Halpern ; Philip Johnson |
| title_short | Harmonising copyright law and dealing with dissonance |
| title_sort | harmonising copyright law and dealing with dissonance a framework for convergence of us and eu law |
| title_sub | a framework for convergence of US and EU law |
| topic | Europäische Union (DE-588)5098525-5 gnd Rechtsvereinheitlichung (DE-588)4048849-4 gnd Urheberrecht (DE-588)4062127-3 gnd |
| topic_facet | Europäische Union Rechtsvereinheitlichung Urheberrecht USA |
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