Postblack aesthetics: the freedom to be black in contemporary African American fiction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg
Universitätsverlag Winter
2017
|
| Schriftenreihe: | American studies
Volume 256 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Beschreibung: | viii, 303 Seiten 210 mm x 135 mm |
| ISBN: | 9783825363802 |
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| 245 | 1 | 0 | |a Postblack aesthetics |b the freedom to be black in contemporary African American fiction |c Christian Schmidt |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
ACKNOWLEDGMENTS
....................................................................................
VII
1 INTRODUCTION: RACE AND POSTBLACK LITERATURE
..............................
1
2 POSTBLACK AESTHETICS
..................................................................
21
2.1 POSTBLACK ART, BLACK CULTURE, AND TRANSDIFFERENCE
...................
28
2.2 THE POST-SOUL GENERATION
...........................................................
35
2.3 SCRIPTS OF BLACKNESS AND THIN BLACKNESS
.................................
43
2.4 THE TROPE OF FREEDOM
................................................................
51
2.5 COSMOPOLITAN
ETHICS....................................................................58
2.6 TEXTS OF THE POSTBLACK
AESTHETICS...............................................66
3 RE-FORMING BLACK LITERATURE:
CHARLES JOHNSON*S OXHERDING TALE AND SHORT FICTION
.............
77
3.1 *CHINA**TAKING THE IMAGINATIVE LEAP
INTO THE LIBERATION OF
PERCEPTION...............................................85
3.2 FREEING THE FORM IN OXHERDING TALE
........................................
91
3.3 *PUT SIMPLY, YOUR TASK IS IMPOSSIBLE*:
THE RESPONSIBILITY OF AN *EXECUTIVE DECISION*
.....................
107
4 RE-WRITING THE TEXT OF BLACKNESS:
*MIMETIC HACKS* IN TREY ELLIS*S PLATITUDES AND
PERCIVAL EVERETT*S ERASURE
.......................................................
125
4.1 CULTURAL MULATTOES AND THE SCRIPT OF
AUTHENTIC BLACKNESS
.................................................................130
4.2 INTERTEXTUAL LOVE AND THE *COMMON VORLD*
OF
PLATITUDES..............................................................................
138
4.3 NO LOVE LOST FOR THE *REAL THING* IN ERASURE
.........................
149
5 POLITICAL NARRATIVES OF (THIN) BLACKNESS:
PAUL BEATTY*S THE WHITE BOY SHUFFLE AND
CHARLES JOHNSON*S DREAM
ER.....................................................171
5.1 THIN BLACKNESS AND POSTBLACKNESS
.
.........................................
173
5.2 FIGHTING THE ETERNAL WAR FOR CIVILITY*:
THE WHITE BOY
SHUFFLE..............................................................
178
5.3 IF WE STOP, WE*LL FALL AND BE TRAMPLED*:
DREAMER AND THE IMPERATIVE TO KEEP MOVING
......................
200
6 BEYOND THE INVISIBLE WALLS OF BLACKNESS:
COSMOPOLITAN THEMES IN ADAM MANSBACH*S
ANGRY
BLACK WHITE BOY AND PAUL BEATTY*S SLUMBERLAND
..................
223
6.1 COSMOPOLITAN CONVIVIALITY
......................................................
227
6.2 THE WHITE RACE TRAITOR IN ANGRY BLACK WHITE BOY
.............
.234
6.3 DECLARING BLACKNESS PASSE IN SLUMBERLAND
............................
249
7 EPILOGUE: IS POSTBLACKNESS THE END OF
AFRICAN AMERICAN
LITERATURE?..................................................269
8 WORKS C ITE D
..............................................................................
287
Contents
Acknowledgments ..................................................vii
1 Introduction: Race and Postblack Literature................1
2 Postblack Aesthetics......................................21
2.1 Postblack Art, Black Culture, and Transdifference.........28
2.2 The Post-Soul Generation..................................35
2.3 Scripts of Blackness and Thin Blackness...................43
2.4 The Trope of Freedom......................................51
2.5 Cosmopolitan Ethics.......................................58
2.6 Texts of the Postblack Aesthetics.........................66
3 Re-Forming Black Literature:
Charles Johnson’s Oxherding Tale and Short Fiction.......77
3.1 “China”—Taking the Imaginative Leap
into the Liberation of Perception........................85
3.2 Freeing the Form in Oxherding Tale........................91
3.3 “Put simply, your task is impossible”:
The Responsibility of an “Executive Decision”...........107
4 Re-Writing the Text of Blackness:
“Mimetic hacks” in Trey Ellis’s Platitudes and
Percival Everett’s Erasure..............................125
4.1 Cultural Mulattoes and the Script of
Authentic Blackness .....................................130
4.2 Intertextual Love and the “common vorld”
of Platitudes...........................................138
4.3 No Love Lost for the “real thing” in Erasure.............149
5 Political Narratives of (Thin) Blackness:
Paul Beatty’s The White Boy Shuffle and
Charles Johnson’s Dreamer...............................171
5.1 Thin Blackness and Postblackness ........................173
5.2 Fighting “the eternal war for civility”:
The White Boy Shuffle...................................178
5.3 “If we stop, we’ll fall and be trampled”:
Dreamer and the Imperative to Keep Moving .................200
6 Beyond the Invisible Walls of Blackness:
Cosmopolitan Themes in Adam Mansbach’s Angry
Black White Boy and Paul Beatty’s Slumberland...........223
6.1 Cosmopolitan Conviviality ...............................227
6.2 The White Race Traitor in Angry Black White Boy .........234
6.3 Declaring Blackness Passé in Slumberland.................249
7 Epilogue: Is Postblackness the End of
African American Literature? ............................269
8 Works Cited .............................................287
^ ostblack Aesthetics investigates the changing
yj contours of contemporary African American
fiction. It argues that the novels and short stories
bv Paul Beattv, Trcv Ellis, Percival Everett, Charles
Johnson (but also white author Adam Vlansbach)
continue the African American literarv tradition even
*
if they do so in satirical, parodic, and highly self-
reflexive ways. Through rigorous close readings, the
study analyzes form and themes of this fiction as
postblack (Thelma Golden). Postblack art engages in
complex redefinitions of blackness that transcend
confining notions of mimetic literary representation
while being aware of continuing social discrimination.
In their respective attempts to re-write black fiction,
these texts revolve around the central topos of free-
dom - a freedom from, first and foremost, confining
notions of literary blackness. Among the crucial
questions discussed are: What is a (post)black text?
What is a black author? How does blackness figure
in contemporary literature?
|
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1988-2009 gnd |
| era_facet | Geschichte 1988-2009 |
| format | Thesis Book |
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| spelling | Schmidt, Christian Verfasser (DE-588)1132533295 aut Postblack aesthetics the freedom to be black in contemporary African American fiction Christian Schmidt Heidelberg Universitätsverlag Winter 2017 viii, 303 Seiten 210 mm x 135 mm txt rdacontent n rdamedia nc rdacarrier American studies Volume 256 Dissertation Friedrich-Alexander-Universität Erlangen Nürnberg 2014 Geschichte 1988-2009 gnd rswk-swf Ethnische Identität Motiv (DE-588)4543530-3 gnd rswk-swf Prosa (DE-588)4047497-5 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content USA (DE-588)4078704-7 g Prosa (DE-588)4047497-5 s Schwarze (DE-588)4116433-7 s Ethnische Identität Motiv (DE-588)4543530-3 s Geschichte 1988-2009 z DE-604 American studies Volume 256 (DE-604)BV000005812 256 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027597195&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027597195&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027597195&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Schmidt, Christian Postblack aesthetics the freedom to be black in contemporary African American fiction American studies Ethnische Identität Motiv (DE-588)4543530-3 gnd Prosa (DE-588)4047497-5 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4543530-3 (DE-588)4047497-5 (DE-588)4116433-7 (DE-588)4078704-7 (DE-588)4113937-9 |
| title | Postblack aesthetics the freedom to be black in contemporary African American fiction |
| title_auth | Postblack aesthetics the freedom to be black in contemporary African American fiction |
| title_exact_search | Postblack aesthetics the freedom to be black in contemporary African American fiction |
| title_full | Postblack aesthetics the freedom to be black in contemporary African American fiction Christian Schmidt |
| title_fullStr | Postblack aesthetics the freedom to be black in contemporary African American fiction Christian Schmidt |
| title_full_unstemmed | Postblack aesthetics the freedom to be black in contemporary African American fiction Christian Schmidt |
| title_short | Postblack aesthetics |
| title_sort | postblack aesthetics the freedom to be black in contemporary african american fiction |
| title_sub | the freedom to be black in contemporary African American fiction |
| topic | Ethnische Identität Motiv (DE-588)4543530-3 gnd Prosa (DE-588)4047497-5 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | Ethnische Identität Motiv Prosa Schwarze USA Hochschulschrift |
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