Home on the stage: domestic spaces in modern drama
Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge Univ. Press
2014
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base "As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama"-- |
| Beschreibung: | Literaturverzeichnis S. 228 - 236 |
| Beschreibung: | X, 242 S. Ill. |
| ISBN: | 9781107078093 1107078091 |
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| 520 | |a Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base | ||
| 520 | |a "As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama"-- | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | HOME ON THE STAGE
Domestic Spaces in Modern Drama
NICHOLASGRENE
gg CAMBRIDGE
UNIVERSITY PRESS
Contents
List of illustrations page viii
Acknowledgements x
Introduction: Ibsen and after i
/• i A Doll s House-, the drama of the interior 14
2 The Cherry Orchard: ail Russia 37
3 Heartbreak House-, waiting for the Zeppelin 61
4 Long Day s Journey into Night-, the Tyrones at home in America 82
5 A Streetcar Named Desire: see-through representation 104
6 Endgame-, in the refuge 127
7 The Homecoming, men s room 145
8 Arcadia-, seeing double 166
9 Topdog/Underdog welcome to the family 185
Conclusion: home base 202
Notes 207
Bibliography 228
Lndex 237
vii
|
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| author | Grene, Nicholas 1947- |
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| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| edition | 1. publ. |
| era | Geschichte 1900-2000 Geschichte 1900-2000 gnd Geschichte 1879-2001 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1879-2001 |
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| spelling | Grene, Nicholas 1947- Verfasser (DE-588)135718570 aut Home on the stage domestic spaces in modern drama Nicholas Grene 1. publ. Cambridge Cambridge Univ. Press 2014 X, 242 S. Ill. txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis S. 228 - 236 Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base "As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama"-- Geschichte 1900-2000 Geschichte 1900-2000 gnd rswk-swf Geschichte 1879-2001 gnd rswk-swf Domestic drama / History and criticism Drama / History and criticism / 20th century Drama / History and criticism / 21st century Home in literature Families in literature DRAMA / English, Irish, Scottish, Welsh Domestic drama Drama Home in literature / Criticism, interpretation, etc Bühnenwerk (DE-588)4461958-3 gnd rswk-swf Privatheit Motiv (DE-588)4348339-2 gnd rswk-swf Zuhause Motiv (DE-588)4427443-9 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Haus Motiv (DE-588)4159222-0 gnd rswk-swf Haus Motiv (DE-588)4159222-0 s Zuhause Motiv (DE-588)4427443-9 s Privatheit Motiv (DE-588)4348339-2 s Bühnenwerk (DE-588)4461958-3 s Geschichte 1900-2000 z DE-604 Drama (DE-588)4012899-4 s Geschichte 1879-2001 z 1\p DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027586223&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Grene, Nicholas 1947- Home on the stage domestic spaces in modern drama Domestic drama / History and criticism Drama / History and criticism / 20th century Drama / History and criticism / 21st century Home in literature Families in literature DRAMA / English, Irish, Scottish, Welsh Domestic drama Drama Home in literature / Criticism, interpretation, etc Bühnenwerk (DE-588)4461958-3 gnd Privatheit Motiv (DE-588)4348339-2 gnd Zuhause Motiv (DE-588)4427443-9 gnd Drama (DE-588)4012899-4 gnd Haus Motiv (DE-588)4159222-0 gnd |
| subject_GND | (DE-588)4461958-3 (DE-588)4348339-2 (DE-588)4427443-9 (DE-588)4012899-4 (DE-588)4159222-0 |
| title | Home on the stage domestic spaces in modern drama |
| title_auth | Home on the stage domestic spaces in modern drama |
| title_exact_search | Home on the stage domestic spaces in modern drama |
| title_full | Home on the stage domestic spaces in modern drama Nicholas Grene |
| title_fullStr | Home on the stage domestic spaces in modern drama Nicholas Grene |
| title_full_unstemmed | Home on the stage domestic spaces in modern drama Nicholas Grene |
| title_short | Home on the stage |
| title_sort | home on the stage domestic spaces in modern drama |
| title_sub | domestic spaces in modern drama |
| topic | Domestic drama / History and criticism Drama / History and criticism / 20th century Drama / History and criticism / 21st century Home in literature Families in literature DRAMA / English, Irish, Scottish, Welsh Domestic drama Drama Home in literature / Criticism, interpretation, etc Bühnenwerk (DE-588)4461958-3 gnd Privatheit Motiv (DE-588)4348339-2 gnd Zuhause Motiv (DE-588)4427443-9 gnd Drama (DE-588)4012899-4 gnd Haus Motiv (DE-588)4159222-0 gnd |
| topic_facet | Domestic drama / History and criticism Drama / History and criticism / 20th century Drama / History and criticism / 21st century Home in literature Families in literature DRAMA / English, Irish, Scottish, Welsh Domestic drama Drama Home in literature / Criticism, interpretation, etc Bühnenwerk Privatheit Motiv Zuhause Motiv Haus Motiv |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027586223&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT grenenicholas homeonthestagedomesticspacesinmoderndrama |