Shakespeare's stage traffic: imitation, borrowing and competition in Renaissance theatre
"Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2014
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | "Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he moulded and converted them to his own use. The book challenges the critical stance that views the Shakespeare canon as essentially self-contained, moves beyond the limitations of generic studies and argues for a more conjoined critical study of early modern plays. Each chapter focuses on specific plays and examines the networks of influence, exchange and competition which characterised stage traffic between playwrights, including Marlowe, Jonson and Fletcher. Overall, the book addresses multiple perspectives relating to authorship and text, performance and reception".. |
| Beschreibung: | 1 Online-Ressource (XI, 305 S.) |
| ISBN: | 9781139626934 |
| DOI: | 10.1017/CBO9781139626934 |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| id | DE-604.BV042145024 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:13:48Z |
| institution | BVB |
| isbn | 9781139626934 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027584923 |
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| physical | 1 Online-Ressource (XI, 305 S.) |
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| publishDate | 2014 |
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| publisher | Cambridge Univ. Press |
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| spelling | Clare, Janet 1954- Verfasser (DE-588)140949844 aut Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre Janet Clare 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2014 1 Online-Ressource (XI, 305 S.) txt rdacontent c rdamedia cr rdacarrier "Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he moulded and converted them to his own use. The book challenges the critical stance that views the Shakespeare canon as essentially self-contained, moves beyond the limitations of generic studies and argues for a more conjoined critical study of early modern plays. Each chapter focuses on specific plays and examines the networks of influence, exchange and competition which characterised stage traffic between playwrights, including Marlowe, Jonson and Fletcher. Overall, the book addresses multiple perspectives relating to authorship and text, performance and reception".. Shakespeare, William, 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English drama Early modern and Elizabethan, 1500-1600 History and criticism Influence (Literary, artistic, etc.) Imitation in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Drama (DE-588)4012899-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Intertextualität (DE-588)4114051-5 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Intertextualität (DE-588)4114051-5 s Renaissance (DE-588)4049450-0 s Theater (DE-588)4059702-7 s Englisch (DE-588)4014777-0 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-107-04003-8 https://doi.org/10.1017/CBO9781139626934 Verlag Volltext |
| spellingShingle | Clare, Janet 1954- Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre Shakespeare, William, 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English drama Early modern and Elizabethan, 1500-1600 History and criticism Influence (Literary, artistic, etc.) Imitation in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd Renaissance (DE-588)4049450-0 gnd Englisch (DE-588)4014777-0 gnd Intertextualität (DE-588)4114051-5 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4012899-4 (DE-588)4059702-7 (DE-588)4049450-0 (DE-588)4014777-0 (DE-588)4114051-5 |
| title | Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre |
| title_auth | Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre |
| title_exact_search | Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre |
| title_full | Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre Janet Clare |
| title_fullStr | Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre Janet Clare |
| title_full_unstemmed | Shakespeare's stage traffic imitation, borrowing and competition in Renaissance theatre Janet Clare |
| title_short | Shakespeare's stage traffic |
| title_sort | shakespeare s stage traffic imitation borrowing and competition in renaissance theatre |
| title_sub | imitation, borrowing and competition in Renaissance theatre |
| topic | Shakespeare, William, 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English drama Early modern and Elizabethan, 1500-1600 History and criticism Influence (Literary, artistic, etc.) Imitation in literature LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd Renaissance (DE-588)4049450-0 gnd Englisch (DE-588)4014777-0 gnd Intertextualität (DE-588)4114051-5 gnd |
| topic_facet | Shakespeare, William, 1564-1616 Criticism and interpretation Shakespeare, William 1564-1616 LITERARY CRITICISM / European / English, Irish, Scottish, Welsh English drama Early modern and Elizabethan, 1500-1600 History and criticism Influence (Literary, artistic, etc.) Imitation in literature Drama Theater Renaissance Englisch Intertextualität |
| url | https://doi.org/10.1017/CBO9781139626934 |
| work_keys_str_mv | AT clarejanet shakespearesstagetrafficimitationborrowingandcompetitioninrenaissancetheatre |