Narrating poverty and precarity in Britain:
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
Berlin [u.a.]
De Gruyter
2014
|
Schriftenreihe: | Culture & conflict
5 |
Schlagworte: | |
Online-Zugang: | Inhaltstext Inhaltsverzeichnis Klappentext |
Beschreibung: | VI, 232 S. 230 mm x 155 mm |
ISBN: | 3110367939 9783110367935 |
Internformat
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Datensatz im Suchindex
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adam_text |
TABLE OF CONTENTS
ACKNOWLEDGMENTS VII
BARBARA KORTE
NARRATING POVERTY AND PRECARITY IN BRITAIN: AN INTRODUCTION 1
CAROLYN BETENSKY
ENVYING THE POOR: CONTEMPORARY AND NINETEENTH-CENTURY FANTASIES OF
VULNERABILITY 19
JOANNA ROSTEK
MANAGING THE UNMANAGEABLE: PARADOXES OF POVERTY IN HARRIET MARTINEAU'S
ILLUSTRATIONS OF POLITICAL ECONOMY (1832-1834) 35
JOACHIM FRENK
"WE HAVE LEARNED THE VALUE OF POVERTY": (RE-)PRESENTATIONS OF THE POOR
IN
NINETEENTH-CENTURY MELODRAMAS 57
FREDERIC REGARD
THE SEXUAL EXPLOITATION OF THE POOR IN W. T. STEAD'S 'NEW JOURNALISM':
HUMANITY,
DEMOCRACY AND THE TABLOID PRESS 75
MARINA REMY ABRUNHOSA
"THE AMATEUR CASUALS": IMMERSION AMONG THE POOR FROM JAMES GREENWOOD
TO GEORGE ORWELL 93
MARIE-LUISE EGBERT
FLANN O'BRIEN'S THE POOR MOUTH AND THE DECONSTRUCTION OF STEREOTYPES
ABOUT
IRISH POVERTY * 111
EVELINE KILIAN
FRAMES OF RECOGNITION UNDER GLOBAL CAPITALISM: EASTERN EUROPEAN MIGRANTS
IN
BRITISH FICTION 131
ROMAIN NGUYEN VAN
"THE LAST VOICE OF DEMOCRACY": PRECARITY, COMMUNITY AND FICTION IN ALAN
WARNER'S MORVERN COLLAR (1995) 151
HTTP://D-NB.INFO/1050361059
VI *
TABLE OF CONTENTS
GEORG ZIPP
LIFE ON THE STREETS: PARALLACTIC WAYS OF SEEING HOMELESSNESS IN JOHN
BERGER'S
KING: A STREET STORY (1999) 167
BARBARA KORTE
POVERTY ON THE MARKET: PRECARIOUS LIVES IN POPULAR FICTION 187
HELEN HESTER
WEAPONIZING PRURIENCE 205
BIOGRAPHIES OF THE CONTRIBUTORS 225
INDEX 227
Poverty and precarity have gained a new societal and political presence in
the twenty-first century's advanced economies. This is reflected in cultural
production, which this book discusses for a wide range of media and genres
from the novel to reality television. With a focus on Britain, its chapters
divide their attention between current representations of poverty and
important earlier narratives that have retained significant relevance today.
Culture and conflict unavoidably go together. The very idea of culture is
marked by the notion of difference and creative, i.
e. confi
ictual, interaction
that inevitably support the key themes of the study of culture such as
identity and diversity, memory and trauma, the translation of cultures and
globalization, dislocation and emplacement, mediation and exclusion.
This series publishes theoretically informed original scholarship from
the fields of literary and cultural studies as well as media, visual and film
studies, fostering a plural disciplinary dialogue on the multiple ways in
which conflict supports and constrains the production of meaning in
modernity, how the representation of conflict works, how it relates to the
past and projects the present and how it frames scholarship within the
humanities. |
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era_facet | Geschichte 1800-2000 |
format | Book |
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title | Narrating poverty and precarity in Britain |
title_auth | Narrating poverty and precarity in Britain |
title_exact_search | Narrating poverty and precarity in Britain |
title_full | Narrating poverty and precarity in Britain ed. by Barbara Korte ... |
title_fullStr | Narrating poverty and precarity in Britain ed. by Barbara Korte ... |
title_full_unstemmed | Narrating poverty and precarity in Britain ed. by Barbara Korte ... |
title_short | Narrating poverty and precarity in Britain |
title_sort | narrating poverty and precarity in britain |
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