Watching Weimar dance:
"Watching Weimar Dance" asks what audiences saw in the peculiarly turbulent and febrile moment of the Weimar Republic. It closely analyses the reception of various performances, from cabaret to concert dance and experimental theatre, in their own time and place - at home in interwar German...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2014]
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| Schriftenreihe: | Oxford studies in dance theory
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| Schlagworte: | |
| Online-Zugang: | BSB01 FUBA1 UBT01 Volltext |
| Zusammenfassung: | "Watching Weimar Dance" asks what audiences saw in the peculiarly turbulent and febrile moment of the Weimar Republic. It closely analyses the reception of various performances, from cabaret to concert dance and experimental theatre, in their own time and place - at home in interwar Germany, on tour, and later returning from exile after World War II. Spectator reports that performers died or became half-machine archived not only the physicality of past performance, but also the ways audiences used the temporary world of the stage to negotiate pressing social issues, from female visibility within commodity culture to the functioning of human-machine hybrids in an era of increasing technologization. These accounts offer offer limit cases for the body on stage and, in so doing, speak to the preoccupations of the day. Approaching a range of performance artists, including Oskar Schlemmer, Valeska Gert, Kurt Jooss, Mary Wigman, Bertolt Brecht, Anita Berber, and the Tiller Girl troupes, through archives of watching, the reception of these performances also revises and complicates understandings of Ausdruckstanz as the representative dance of this moment in Germany. They further reveal how such practices came to be reconfigured and imbued with new significance in the post-war era. By bringing insights from theatre, dance, and performance studies to German cultural studies, and vice versa, Watching Weimar Dance develops a culturally-situated model of watching that not only offers a revisionist narrative, but also demonstrates new methods for dance scholarship to shape cultural history. (Klappentext) |
| Beschreibung: | 1 Online-Ressource (xxxv, 252 Seiten) Illustrationen |
| ISBN: | 9780199376056 |
| DOI: | 10.1093/acprof:oso/9780199844814.001.0001 |
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| 520 | |a "Watching Weimar Dance" asks what audiences saw in the peculiarly turbulent and febrile moment of the Weimar Republic. It closely analyses the reception of various performances, from cabaret to concert dance and experimental theatre, in their own time and place - at home in interwar Germany, on tour, and later returning from exile after World War II. Spectator reports that performers died or became half-machine archived not only the physicality of past performance, but also the ways audiences used the temporary world of the stage to negotiate pressing social issues, from female visibility within commodity culture to the functioning of human-machine hybrids in an era of increasing technologization. These accounts offer offer limit cases for the body on stage and, in so doing, speak to the preoccupations of the day. Approaching a range of performance artists, including Oskar Schlemmer, Valeska Gert, Kurt Jooss, Mary Wigman, Bertolt Brecht, Anita Berber, and the Tiller Girl troupes, through archives of watching, the reception of these performances also revises and complicates understandings of Ausdruckstanz as the representative dance of this moment in Germany. They further reveal how such practices came to be reconfigured and imbued with new significance in the post-war era. By bringing insights from theatre, dance, and performance studies to German cultural studies, and vice versa, Watching Weimar Dance develops a culturally-situated model of watching that not only offers a revisionist narrative, but also demonstrates new methods for dance scholarship to shape cultural history. (Klappentext) | ||
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Datensatz im Suchindex
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| era | Geschichte 1900-2000 Geschichte 1918-1933 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1918-1933 |
| format | Electronic eBook |
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| spelling | Elswit, Kate Verfasser (DE-588)1075218055 aut Watching Weimar dance Kate Elswit New York, NY Oxford University Press [2014] © 2014 1 Online-Ressource (xxxv, 252 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Oxford studies in dance theory "Watching Weimar Dance" asks what audiences saw in the peculiarly turbulent and febrile moment of the Weimar Republic. It closely analyses the reception of various performances, from cabaret to concert dance and experimental theatre, in their own time and place - at home in interwar Germany, on tour, and later returning from exile after World War II. Spectator reports that performers died or became half-machine archived not only the physicality of past performance, but also the ways audiences used the temporary world of the stage to negotiate pressing social issues, from female visibility within commodity culture to the functioning of human-machine hybrids in an era of increasing technologization. These accounts offer offer limit cases for the body on stage and, in so doing, speak to the preoccupations of the day. Approaching a range of performance artists, including Oskar Schlemmer, Valeska Gert, Kurt Jooss, Mary Wigman, Bertolt Brecht, Anita Berber, and the Tiller Girl troupes, through archives of watching, the reception of these performances also revises and complicates understandings of Ausdruckstanz as the representative dance of this moment in Germany. They further reveal how such practices came to be reconfigured and imbued with new significance in the post-war era. By bringing insights from theatre, dance, and performance studies to German cultural studies, and vice versa, Watching Weimar Dance develops a culturally-situated model of watching that not only offers a revisionist narrative, but also demonstrates new methods for dance scholarship to shape cultural history. (Klappentext) Geschichte 1900-2000 Geschichte 1918-1933 gnd rswk-swf Geschichte Politik Dance Germany History 20th century Arts and society Germany History 20th century Weimarer Republik (DE-588)4065109-5 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Deutschland Germany Intellectual life 20th century Germany Politics and government 1918-1933 Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Tanz (DE-588)4059028-8 s Geschichte 1918-1933 z SWB Weimarer Republik (DE-588)4065109-5 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-19-984481-4 (DE-604)BV041853857 Erscheint auch als Druck-Ausgabe, Paperback 978-0-19-984483-8 (DE-604)BV041853857 https://doi.org/10.1093/acprof:oso/9780199844814.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Elswit, Kate Watching Weimar dance Geschichte Politik Dance Germany History 20th century Arts and society Germany History 20th century Weimarer Republik (DE-588)4065109-5 gnd Tanz (DE-588)4059028-8 gnd |
| subject_GND | (DE-588)4065109-5 (DE-588)4059028-8 (DE-588)4011882-4 |
| title | Watching Weimar dance |
| title_auth | Watching Weimar dance |
| title_exact_search | Watching Weimar dance |
| title_full | Watching Weimar dance Kate Elswit |
| title_fullStr | Watching Weimar dance Kate Elswit |
| title_full_unstemmed | Watching Weimar dance Kate Elswit |
| title_short | Watching Weimar dance |
| title_sort | watching weimar dance |
| topic | Geschichte Politik Dance Germany History 20th century Arts and society Germany History 20th century Weimarer Republik (DE-588)4065109-5 gnd Tanz (DE-588)4059028-8 gnd |
| topic_facet | Geschichte Politik Dance Germany History 20th century Arts and society Germany History 20th century Weimarer Republik Tanz Deutschland Germany Intellectual life 20th century Germany Politics and government 1918-1933 |
| url | https://doi.org/10.1093/acprof:oso/9780199844814.001.0001 |
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