Sound unseen: acousmatic sound in theory and practice
Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to...
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| Format: | Buch |
| Sprache: | English |
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New York, NY
Oxford University Press
[2014]
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| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music. Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrete music Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives-historical, cultural, philosophical and musical-and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases-from Bayreuth to Kafka's "Burrow," Apollinaire to Zizek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. Brian Kane is Assistant Professor of Music at Yale University and a founding editor of the journal nonsite.org. His research specializes in contemporary music, sound art, sound studies/auditory culture, histories of listening, and intersections between music and philosophy. |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | xii, 318 Seiten Illustrationen 25 cm |
| ISBN: | 9780199347841 9780190632212 |
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| 505 | 8 | |a Pierre Schaeffer, the sound object and the acousmatic reduction -- Myth and the origin of the Pythagorean veil -- The baptism of the acousmate -- Acousmatic phantasmagoria and the problem of technê -- Kafka and the ontology of acousmatic sound -- The acousmatic voice -- Acousmatic fabrications : Les Paul and the 'Les Paulverizer' | |
| 520 | |a Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music. Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrete music Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives-historical, cultural, philosophical and musical-and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases-from Bayreuth to Kafka's "Burrow," Apollinaire to Zizek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. | ||
| 520 | |a Brian Kane is Assistant Professor of Music at Yale University and a founding editor of the journal nonsite.org. His research specializes in contemporary music, sound art, sound studies/auditory culture, histories of listening, and intersections between music and philosophy. | ||
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Datensatz im Suchindex
| _version_ | 1804152553241313280 |
|---|---|
| adam_text | SOUND UNSEEN
/ KANE, BRIAN 1973-
: 2014
TABLE OF CONTENTS / INHALTSVERZEICHNIS
PIERRE SCHAEFFER, THE SOUND OBJECT AND THE ACOUSMATIC REDUCTION
MYTH AND THE ORIGIN OF THE PYTHAGOREAN VEIL
THE BAPTISM OF THE ACOUSMATE
ACOUSMATIC PHANTASMAGORIA AND THE PROBLEM OF TECHNA
KAFKA AND THE ONTOLOGY OF ACOUSMATIC SOUND
THE ACOUSMATIC VOICE
ACOUSMATIC FABRICATIONS : LES PAUL AND THE LES PAULVERIZER
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Kane, Brian 1973- |
| author_GND | (DE-588)102879441X |
| author_facet | Kane, Brian 1973- |
| author_role | aut |
| author_sort | Kane, Brian 1973- |
| author_variant | b k bk |
| building | Verbundindex |
| bvnumber | BV042093970 |
| callnumber-first | M - Music |
| callnumber-label | ML3805 |
| callnumber-raw | ML3805 |
| callnumber-search | ML3805 |
| callnumber-sort | ML 43805 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 53559 LR 56820 LR 57790 |
| contents | Pierre Schaeffer, the sound object and the acousmatic reduction -- Myth and the origin of the Pythagorean veil -- The baptism of the acousmate -- Acousmatic phantasmagoria and the problem of technê -- Kafka and the ontology of acousmatic sound -- The acousmatic voice -- Acousmatic fabrications : Les Paul and the 'Les Paulverizer' |
| ctrlnum | (OCoLC)892920616 (DE-599)BVBBV042093970 |
| dewey-full | 781.2/3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.2/3 |
| dewey-search | 781.2/3 |
| dewey-sort | 3781.2 13 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
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| indexdate | 2024-07-10T01:12:32Z |
| institution | BVB |
| isbn | 9780199347841 9780190632212 |
| language | English |
| lccn | 013037100 |
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| physical | xii, 318 Seiten Illustrationen 25 cm |
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| spelling | Kane, Brian 1973- Verfasser (DE-588)102879441X aut Sound unseen acousmatic sound in theory and practice Brian Kane New York, NY Oxford University Press [2014] © 2014 xii, 318 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Pierre Schaeffer, the sound object and the acousmatic reduction -- Myth and the origin of the Pythagorean veil -- The baptism of the acousmate -- Acousmatic phantasmagoria and the problem of technê -- Kafka and the ontology of acousmatic sound -- The acousmatic voice -- Acousmatic fabrications : Les Paul and the 'Les Paulverizer' Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music. Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrete music Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives-historical, cultural, philosophical and musical-and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases-from Bayreuth to Kafka's "Burrow," Apollinaire to Zizek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. Brian Kane is Assistant Professor of Music at Yale University and a founding editor of the journal nonsite.org. His research specializes in contemporary music, sound art, sound studies/auditory culture, histories of listening, and intersections between music and philosophy. Schaeffer, Pierre 1910-1995 (DE-588)11917989X gnd rswk-swf Musik Music Acoustics and physics Musique concrete History and criticism Music Philosophy and aesthetics Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf Konkrete Musik (DE-588)4165034-7 gnd rswk-swf Schaeffer, Pierre 1910-1995 (DE-588)11917989X p Konkrete Musik (DE-588)4165034-7 s Experimentelle Musik (DE-588)4153365-3 s DE-604 Erscheint auch als Online-Ausgabe, 978-0-19-934787-2 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027534774&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027534774&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kane, Brian 1973- Sound unseen acousmatic sound in theory and practice Pierre Schaeffer, the sound object and the acousmatic reduction -- Myth and the origin of the Pythagorean veil -- The baptism of the acousmate -- Acousmatic phantasmagoria and the problem of technê -- Kafka and the ontology of acousmatic sound -- The acousmatic voice -- Acousmatic fabrications : Les Paul and the 'Les Paulverizer' Schaeffer, Pierre 1910-1995 (DE-588)11917989X gnd Musik Music Acoustics and physics Musique concrete History and criticism Music Philosophy and aesthetics Experimentelle Musik (DE-588)4153365-3 gnd Konkrete Musik (DE-588)4165034-7 gnd |
| subject_GND | (DE-588)11917989X (DE-588)4153365-3 (DE-588)4165034-7 |
| title | Sound unseen acousmatic sound in theory and practice |
| title_auth | Sound unseen acousmatic sound in theory and practice |
| title_exact_search | Sound unseen acousmatic sound in theory and practice |
| title_full | Sound unseen acousmatic sound in theory and practice Brian Kane |
| title_fullStr | Sound unseen acousmatic sound in theory and practice Brian Kane |
| title_full_unstemmed | Sound unseen acousmatic sound in theory and practice Brian Kane |
| title_short | Sound unseen |
| title_sort | sound unseen acousmatic sound in theory and practice |
| title_sub | acousmatic sound in theory and practice |
| topic | Schaeffer, Pierre 1910-1995 (DE-588)11917989X gnd Musik Music Acoustics and physics Musique concrete History and criticism Music Philosophy and aesthetics Experimentelle Musik (DE-588)4153365-3 gnd Konkrete Musik (DE-588)4165034-7 gnd |
| topic_facet | Schaeffer, Pierre 1910-1995 Musik Music Acoustics and physics Musique concrete History and criticism Music Philosophy and aesthetics Experimentelle Musik Konkrete Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027534774&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027534774&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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