Verfügbarkeit: Songwriting strategies

Songwriting strategies: a 360° approach

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Bibliographische Detailangaben
1. Verfasser:	Simos, Mark (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Boston Berklee Press 2014
Schlagworte:	Popular music / Writing and publishing Composition (Music) Songwriting Ratgeber
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes index
Beschreibung:	X, 210 S. Notenbeisp. 31 cm

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MARC


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Datensatz im Suchindex

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adam_text	CONTENTS ACKNOWLEDGMENTS........................................................... vii INTRODUCTION ..................................................................ix CHAPTER 1. SONG SEEDS ......................................................1 Catching Seeds ....................................................... 2 Seeds and Personal Voice ........................................... 3 Seed vs. Filler ...................................................... 3 Varieties of Song Seeds ................................................ 5 Concept Seeds ..................................................... 5 Lyric Seeds ........................................................ 8 Musical Seeds .................................................... 12 The Art of Seed Catching ............................................. 15 Exercise 1.1. A Week of Song Seed Catching ..................... 18 Conclusion: Song Seeds and the Facets ................................20 CHAPTER 2. THE SONGWRITER S COMPASS ..................................21 The Four Facets .....................................................21 Words and Music ................................................. 21 Sound and Sense ..................................................22 The World ...........................................................23 Sound and Timbre ................................................24 Structure ...........................................................25 Traversing the Compass: Songwriting Strategies .......................26 Setting ...........................................................26 Casting and Framing ..............................................27 Structuring Strategies .............................................29 General Creative Strategies ........................................30 Summary of Compass Elements and Moves ............................32 Example: Hurricane Revisited ........................................33 Framing Hurricane ..............................................33 Setting Hurricane ...............................................35 EXERCISE 2.1. CAST FROM A CONCEPT SEED TO EACH FACET ..........39 On to the Facets .....................................................40 CHAPTER 3. RHYTHM ........................................................41 The Challenge of Rhythm in Songwriting ...............................41 Working with Rhythm ..............................................42 Dimensions of Rhythm in the Song ..................................43 Rhythmic Song Seeds ................................................44 Exercise 3.1. Compose a Dry rhythmic Phrase .................45 Notating Rhythms: Woodblocks and Bagpipes ......................46 exercise 3.2. write interlocking accompaniment and Vocal Rhythms ...........................................47 The Temporal Framework .............................................49 The Flow of Musical Time ..........................................49 Strict vs. Loose Time ...............................................49 Pulse ..............................................................50 Time Signature and Tempo .........................................51 Working with the Temporal Framework ..............................51 Exercise 3.3. Songwrite-Irama: Transform a rhythmic idea by altering tempo ........................................52 Accompaniment Rhythm .............................................53 Exercise 3.4. Cast from a Groove to a Lyric, Melody, Chords ... 54 The Rhythmic Phrase .................................................55 Attributes of Lyric Rhythm .........................................55 Exercise 3.5. Regular to Irregular Lyric Rhythm ...............58 Rhythmic Events ...................................................58 Rhythmic Pace ...................................................60 Rhythmic Patterns .................................................62 Working with the Rhythmic Phrase ................................63 Exercise 3.6. Write a rhythmic Song Section ....................63 CHAPTER 4. LYRICS ..........................................................65 Sound Aspects of Lyrics ..............................................65 Thought Phrase ...................................................66 Word Boundaries ..................................................67 Syllabic Stress Patterns .............................................67 Mapping Lyrics to Syllabic Rhythm ...................................69 Syllabic Rhythm Example ..........................................70 Exercise 4.1. Develop Alternate Syllabic Rhythmic Settings for a Lyric Line ......................................73 exercise 4.2. pivot: lyric line — syllabic setting — new line ... 74 Syllabic Rhythm to Lyric Rhythm ......................................74 Anatomy of a Syllable .................................................76 Sound Color Aspects ...............................................76 Additional Rhythmic Aspects .......................................77 Sense/Sound Lyric Strategies ..........................................78 Lyric Sense to Sound: Paraphrasing .................................79 Lyric Sound to Sense ..............................................80 Lorem Ipsum: Dummies for Dummies ..............................80 Sense vs. Sound Approximations ...................................80 The Gibberish Scale: Seven Levels of Nonsense .......................82 Exercise 4.3. lyric-by-Sound Strategies .........................83 Sonic Contours ...................................................84 exercise 4.4. Match a Lyric Line s Sonic contour ................85 Setting from Rhythm to Lyric .........................................86 Rhythm to Lyric by Sound ..........................................87 Energy Contour of a Rhythmic Phrase .................................88 Vowel and Consonant Contours ....................................89 Syllable Buds to Words to Lyrics .....................................91 A Few Small Repairs ................................................92 CHAPTER 5. MELODY ........................................................95 Exercise 5.1. A Cappella, Rubato Melody ........................95 Challenges in Melody Writing ........................................96 Thinking Melody .................................................96 Melodic Memory ..................................................97 Exercise 5.2. Strengthening melodic memory ...................97 Melodic Design ......................................................98 Melodic Contour ..................................................99 Melodic Shape: Scales, Arpeggios, and Figures ......................99 EXERCISE 5.3. WRITE A MELODIC RlDGELINE ....................... 101 The Power of Pentatonics ......................................... 102 Melodic Transformations ......................................... 102 Shifting Figure and Field ......................................... 103 Melodic Range ................................................... 104 Melody/Rhythm Connections ....................................... 105 The Melody/Rhythm Continuum .................................. 105 Rhythm to Melody ............................................... 105 Melody to Rhythm ............................................... 106 Melody/Lyric Connections .......................................... 108 Lyric Sounds and Melody ......................................... 108 Natural Intonation and Speech Melody ............................ 109 Exercise 5.4. The Well. Transform a spoken line to vocal melody ................................. 109 Lyric Rhythm and Melodic Contour .................................. Ill Review of Syllabic and Lyric Rhythm .............................. Ill Melismas and Chanting Tones .................................... 112 Lyric Pace and Melodic Pace ...................................... 113 Redefining Melodic Rhythm ...................................... 114 Effects and Uses of Melodic Textures ................................. 117 Process Considerations ........................................... 117 Melismas and Chanting Tones in Revision ......................... 118 Melodic and Lyric Pace Relationships ............................. 119 EXERCISE 5.5. INDEPENDENCE IN LYRIC AND MELODIC PACE ........... 119 Comfort Zones in Melodic/Lyric Pace .............................. 120 Phrasing Templates .............................................. 120 Exercise 5.6. Phrasing Templates ............................... 121 Exercise 5.7. Altering the rhythm of a Chanting-Tone Melody. . 121 CHAPTER 6. HARMONY .....................................................123 Sound and Sense in Chords ..........................................123 Sound Aspects of Harmony ....................................... 124 Sense Aspects of Harmony ........................................ 124 Process Considerations ...........................................125 Chordal Song Seeds .................................................127 Chords as Sound, Shape, and Feel .................................127 Chords at Your Instrument .......................................128 EXERCISE 6.1. JACKSON POLLOCK ..................................128 Using Your Chord Seeds ...........................................131 Chord Seeds Away from Your Instrument ..........................132 Chord Progressions ................................................. 136 Simple Chords ...................................................136 Chord Roots as Scale Degrees .....................................137 Exercise 6.2. Six Chords in Search of a Composer .............138 Intervallic Motion in Chord Progressions .......................... 138 Directional Effects of Chord Root Movement .......................139 Rising and Falling Moves ..........................................141 Exercise 6.3. Analyze a Progression by Root Motion ...........144 Working with Root Tone Contours ..................................145 EXERCISE 6.4. WRITE A PROGRESSION USING Six Intervals of Root Motion ................................ 146 Harmonic Rhythm ...................................................147 Cyclic vs. Narrative Progressions ......................................149 Cyclic Progressions ...............................................149 Narrative Progressions ........................................... 150 Motivic Progressions .................................................151 Exercise 6.5. Unwinding a Chord Cycle to a Narrative Progression ...................................... 153 CHAPTER 7. MELODY/HARMONY CONNECTIONS ............................155 Independence of Melody and Harmony ............................... 156 Melody/Harmony Counterpoint ......................................157 Species Counterpoint in Melody/Harmony .........................158 Contrapuntal Motion in Melody/Harmony ..........................159 Melody/Harmony Contrapuntal Textures ..............................159 Pedal-Point Melodies ..............................................159 Ostinato Melodies ............................................... 160 Parallel Textures ..................................................161 Lazy Melodic Lines against Chords ................................ 163 EXERCISE 7.1. LAZY MELODY OVER CRAZY CHORDS .................. 164 Chord-Driven Melodies ............................................165 Independent Tonal Melody ........................................167 Modal Melody/Harmony .............................................169 Expanding the Songbook..........................................170 Counterpoint in Modal Melody/Harmony ...........................170 Modal Palettes and Mosaics .......................................172 CHAPTER 8. STRUCTURE ....................................................175 Structure in the Song .............................................. 175 Starting from Structure ..........................................176 Structural Challenges ............................................177 Phrase Structure ....................................................177 Exercise 8.1. Shift a Lyric Line against the Phrase .............. 178 Independence in Phrase Structure ................................178 Exercise 8.2. Shift a Chord Sequence against a Structural phrase ................................ 18O Motivic Structure ...................................................181 Motives vs. Song Seeds ...........................................181 Unfolding: Motives into Structure ................................181 Exercise 8.3. Answer the Question, Question the answer! ..... 183 Fulfilling: Structure into Motives ................................ 183 Exercise 8.4. juggle Phrases in a Section ......................187 Counterpoint in Motivic Structure ..................................188 Counterpoint within Facets ..................................... 188 Exercise 8.5. Contrapuntal Strategies in a Lyric Section .......190 Counterpoint Across Facets .......................................191 CHAPTER 9. USING THE COMPASS: FURTHER STEPS ........................193 Revisiting the Compass ............................................. 193 The Compass as a Unity ...........................................193 From Compass to Tetrahedron ....................................194 Facets: From Vertices to Edges .................................... 195 Facets as Faces: Facet Triads ...................................... 196 From Counterpoint to Irony: Back to the World ....................... 198 Sound and Sense: Facets, World, and Structure .......................200 CONCLUSION: FROM A SONG TO THE WORLD ...................................201 ABOUT THE AUTHOR ...........................................................203 INDEX .........................................................................204
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spelling	Simos, Mark Verfasser (DE-588)1059357461 aut Songwriting strategies a 360° approach Mark Simos Boston Berklee Press 2014 X, 210 S. Notenbeisp. 31 cm txt rdacontent n rdamedia nc rdacarrier Includes index Popular music / Writing and publishing Composition (Music) Popular music / Writing and publishing fast Songwriting (DE-588)1042957274 gnd rswk-swf (DE-588)4048476-2 Ratgeber gnd-content Songwriting (DE-588)1042957274 s DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027528238&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Simos, Mark Songwriting strategies a 360° approach Popular music / Writing and publishing Composition (Music) Popular music / Writing and publishing fast Songwriting (DE-588)1042957274 gnd
subject_GND	(DE-588)1042957274 (DE-588)4048476-2
title	Songwriting strategies a 360° approach
title_auth	Songwriting strategies a 360° approach
title_exact_search	Songwriting strategies a 360° approach
title_full	Songwriting strategies a 360° approach Mark Simos
title_fullStr	Songwriting strategies a 360° approach Mark Simos
title_full_unstemmed	Songwriting strategies a 360° approach Mark Simos
title_short	Songwriting strategies
title_sort	songwriting strategies a 360° approach
title_sub	a 360° approach
topic	Popular music / Writing and publishing Composition (Music) Popular music / Writing and publishing fast Songwriting (DE-588)1042957274 gnd
topic_facet	Popular music / Writing and publishing Composition (Music) Songwriting Ratgeber
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027528238&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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