China's iGeneration: cinema and moving image culture for the twenty-first century
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2014
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Film and media studies
|
| Schlagworte: | |
| Beschreibung: | XVI, 349 S. Ill. 24 cm |
| ISBN: | 9781623565954 9781623563127 9781623568474 |
Internformat
MARC
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| 245 | 1 | 0 | |a China's iGeneration |b cinema and moving image culture for the twenty-first century |c ed. by Matthew D. Johnson ; Keith B. Wagner ; Kiki Tianqi Yu ; and Luke Vulpiani |
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| 490 | 0 | |a Film and media studies | |
| 505 | 0 | |a Introcution: China's iGeneration cinema / Keith B. Wagner, Tianqi Yu, Luke Vulpiani -- New Technologies. Tianqi YU: Toward a Communicative Practice: Female First-Person Documentary in Twenty-first Century China -- Paola VOCI: Quasi-Documentary, Cellflix, and Web Spoofs: Chinese Movies? Other Visual Pleasures -- Weihua WU: Individuality, State Discourse, and Visual Representation: The Imagination and Practices of the iGeneration in Chinese Animation -- Bingfeng DONG: Cinema of Exhibition: Film in Chinese Contemporary Art -- Aesthetics. Luke VULPIANI: Goodbye to the Grim Real, Hello to What Comes Next: The Moment of Passage from the Sixth Generation to the iGeneration -- Ling ZHANG: Digitizing City Symphony, Stabilizing the Shadow of Time: Montage and Temporal-Spatial Construction in San Yuan Li -- Dan GAO: From Pirate to Kino-eye: A Genealogical Tale of Film Re-Distribution in China -- Keith B. WAGNER: Xue Jianqiang as Reckless Documentarian: Underdevelopment and Juvenile Crime in post-WTO China -- Social Engagement. Yiman WANG: Of Animals and Men: Toward A Theory of Docu-ani-mentary? -- Ying QIAN: Working with Rubble: Montage, Tweets, and the Reconstruction of an Activist Cinema -- Jia TAN: Provincializing the Chinese Mediascape: Cantonese Digital Activism in Southern China -- Platforms and Politics. Jeesoon HONG with Matthew D. JOHNSON: Shanghai Expo and Screen-Spaces: Big Screens and New Collectivity -- Ma RAN: Regarding the Grassroots Chinese Independent Film Festivals: Regional Assemblage and Abnormal Film Networking? -- Matthew D. JOHNSON: Wu Wenguang and the NGO Aesthetic -- Xiaomei CHEN: The Cinematic Deng Xiaoping: Reform or Restoration? -- Online Audiences -- Ralph parfect: you must believe there is such a person in this world: internet contention of Zhang Yimou's sexual storytelling in under the Hawthorn tree/Shanzhashu Zhi Lian -- | |
| 505 | 0 | |a Xiao LIU: From the glaring sun to the flying bullets: the dilemma of elliptical memories in "post-" era Chinese cinema | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-027518076 | ||
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Datensatz im Suchindex
| _version_ | 1804152525200293888 |
|---|---|
| any_adam_object | |
| author2 | Johnson, Matthew D. |
| author2_role | edt |
| author2_variant | m d j md mdj |
| author_facet | Johnson, Matthew D. |
| building | Verbundindex |
| bvnumber | BV042076942 |
| classification_rvk | AP 19620 |
| contents | Introcution: China's iGeneration cinema / Keith B. Wagner, Tianqi Yu, Luke Vulpiani -- New Technologies. Tianqi YU: Toward a Communicative Practice: Female First-Person Documentary in Twenty-first Century China -- Paola VOCI: Quasi-Documentary, Cellflix, and Web Spoofs: Chinese Movies? Other Visual Pleasures -- Weihua WU: Individuality, State Discourse, and Visual Representation: The Imagination and Practices of the iGeneration in Chinese Animation -- Bingfeng DONG: Cinema of Exhibition: Film in Chinese Contemporary Art -- Aesthetics. Luke VULPIANI: Goodbye to the Grim Real, Hello to What Comes Next: The Moment of Passage from the Sixth Generation to the iGeneration -- Ling ZHANG: Digitizing City Symphony, Stabilizing the Shadow of Time: Montage and Temporal-Spatial Construction in San Yuan Li -- Dan GAO: From Pirate to Kino-eye: A Genealogical Tale of Film Re-Distribution in China -- Keith B. WAGNER: Xue Jianqiang as Reckless Documentarian: Underdevelopment and Juvenile Crime in post-WTO China -- Social Engagement. Yiman WANG: Of Animals and Men: Toward A Theory of Docu-ani-mentary? -- Ying QIAN: Working with Rubble: Montage, Tweets, and the Reconstruction of an Activist Cinema -- Jia TAN: Provincializing the Chinese Mediascape: Cantonese Digital Activism in Southern China -- Platforms and Politics. Jeesoon HONG with Matthew D. JOHNSON: Shanghai Expo and Screen-Spaces: Big Screens and New Collectivity -- Ma RAN: Regarding the Grassroots Chinese Independent Film Festivals: Regional Assemblage and Abnormal Film Networking? -- Matthew D. JOHNSON: Wu Wenguang and the NGO Aesthetic -- Xiaomei CHEN: The Cinematic Deng Xiaoping: Reform or Restoration? -- Online Audiences -- Ralph parfect: you must believe there is such a person in this world: internet contention of Zhang Yimou's sexual storytelling in under the Hawthorn tree/Shanzhashu Zhi Lian -- Xiao LIU: From the glaring sun to the flying bullets: the dilemma of elliptical memories in "post-" era Chinese cinema |
| ctrlnum | (OCoLC)915564435 (DE-599)BVBBV042076942 |
| discipline | Allgemeines |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV042076942 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:12:06Z |
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| isbn | 9781623565954 9781623563127 9781623568474 |
| language | English |
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| spelling | China's iGeneration cinema and moving image culture for the twenty-first century ed. by Matthew D. Johnson ; Keith B. Wagner ; Kiki Tianqi Yu ; and Luke Vulpiani 1. publ. New York, NY ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2014 XVI, 349 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Film and media studies Introcution: China's iGeneration cinema / Keith B. Wagner, Tianqi Yu, Luke Vulpiani -- New Technologies. Tianqi YU: Toward a Communicative Practice: Female First-Person Documentary in Twenty-first Century China -- Paola VOCI: Quasi-Documentary, Cellflix, and Web Spoofs: Chinese Movies? Other Visual Pleasures -- Weihua WU: Individuality, State Discourse, and Visual Representation: The Imagination and Practices of the iGeneration in Chinese Animation -- Bingfeng DONG: Cinema of Exhibition: Film in Chinese Contemporary Art -- Aesthetics. Luke VULPIANI: Goodbye to the Grim Real, Hello to What Comes Next: The Moment of Passage from the Sixth Generation to the iGeneration -- Ling ZHANG: Digitizing City Symphony, Stabilizing the Shadow of Time: Montage and Temporal-Spatial Construction in San Yuan Li -- Dan GAO: From Pirate to Kino-eye: A Genealogical Tale of Film Re-Distribution in China -- Keith B. WAGNER: Xue Jianqiang as Reckless Documentarian: Underdevelopment and Juvenile Crime in post-WTO China -- Social Engagement. Yiman WANG: Of Animals and Men: Toward A Theory of Docu-ani-mentary? -- Ying QIAN: Working with Rubble: Montage, Tweets, and the Reconstruction of an Activist Cinema -- Jia TAN: Provincializing the Chinese Mediascape: Cantonese Digital Activism in Southern China -- Platforms and Politics. Jeesoon HONG with Matthew D. JOHNSON: Shanghai Expo and Screen-Spaces: Big Screens and New Collectivity -- Ma RAN: Regarding the Grassroots Chinese Independent Film Festivals: Regional Assemblage and Abnormal Film Networking? -- Matthew D. JOHNSON: Wu Wenguang and the NGO Aesthetic -- Xiaomei CHEN: The Cinematic Deng Xiaoping: Reform or Restoration? -- Online Audiences -- Ralph parfect: you must believe there is such a person in this world: internet contention of Zhang Yimou's sexual storytelling in under the Hawthorn tree/Shanzhashu Zhi Lian -- Xiao LIU: From the glaring sun to the flying bullets: the dilemma of elliptical memories in "post-" era Chinese cinema Film (DE-588)4017102-4 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content China (DE-588)4009937-4 g Film (DE-588)4017102-4 s DE-604 Johnson, Matthew D. edt Erscheint auch als Online-Ausgabe China's iGeneration (DE-604)BV043032810 |
| spellingShingle | China's iGeneration cinema and moving image culture for the twenty-first century Introcution: China's iGeneration cinema / Keith B. Wagner, Tianqi Yu, Luke Vulpiani -- New Technologies. Tianqi YU: Toward a Communicative Practice: Female First-Person Documentary in Twenty-first Century China -- Paola VOCI: Quasi-Documentary, Cellflix, and Web Spoofs: Chinese Movies? Other Visual Pleasures -- Weihua WU: Individuality, State Discourse, and Visual Representation: The Imagination and Practices of the iGeneration in Chinese Animation -- Bingfeng DONG: Cinema of Exhibition: Film in Chinese Contemporary Art -- Aesthetics. Luke VULPIANI: Goodbye to the Grim Real, Hello to What Comes Next: The Moment of Passage from the Sixth Generation to the iGeneration -- Ling ZHANG: Digitizing City Symphony, Stabilizing the Shadow of Time: Montage and Temporal-Spatial Construction in San Yuan Li -- Dan GAO: From Pirate to Kino-eye: A Genealogical Tale of Film Re-Distribution in China -- Keith B. WAGNER: Xue Jianqiang as Reckless Documentarian: Underdevelopment and Juvenile Crime in post-WTO China -- Social Engagement. Yiman WANG: Of Animals and Men: Toward A Theory of Docu-ani-mentary? -- Ying QIAN: Working with Rubble: Montage, Tweets, and the Reconstruction of an Activist Cinema -- Jia TAN: Provincializing the Chinese Mediascape: Cantonese Digital Activism in Southern China -- Platforms and Politics. Jeesoon HONG with Matthew D. JOHNSON: Shanghai Expo and Screen-Spaces: Big Screens and New Collectivity -- Ma RAN: Regarding the Grassroots Chinese Independent Film Festivals: Regional Assemblage and Abnormal Film Networking? -- Matthew D. JOHNSON: Wu Wenguang and the NGO Aesthetic -- Xiaomei CHEN: The Cinematic Deng Xiaoping: Reform or Restoration? -- Online Audiences -- Ralph parfect: you must believe there is such a person in this world: internet contention of Zhang Yimou's sexual storytelling in under the Hawthorn tree/Shanzhashu Zhi Lian -- Xiao LIU: From the glaring sun to the flying bullets: the dilemma of elliptical memories in "post-" era Chinese cinema Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4009937-4 (DE-588)4143413-4 |
| title | China's iGeneration cinema and moving image culture for the twenty-first century |
| title_auth | China's iGeneration cinema and moving image culture for the twenty-first century |
| title_exact_search | China's iGeneration cinema and moving image culture for the twenty-first century |
| title_full | China's iGeneration cinema and moving image culture for the twenty-first century ed. by Matthew D. Johnson ; Keith B. Wagner ; Kiki Tianqi Yu ; and Luke Vulpiani |
| title_fullStr | China's iGeneration cinema and moving image culture for the twenty-first century ed. by Matthew D. Johnson ; Keith B. Wagner ; Kiki Tianqi Yu ; and Luke Vulpiani |
| title_full_unstemmed | China's iGeneration cinema and moving image culture for the twenty-first century ed. by Matthew D. Johnson ; Keith B. Wagner ; Kiki Tianqi Yu ; and Luke Vulpiani |
| title_short | China's iGeneration |
| title_sort | china s igeneration cinema and moving image culture for the twenty first century |
| title_sub | cinema and moving image culture for the twenty-first century |
| topic | Film (DE-588)4017102-4 gnd |
| topic_facet | Film China Aufsatzsammlung |
| work_keys_str_mv | AT johnsonmatthewd chinasigenerationcinemaandmovingimagecultureforthetwentyfirstcentury |