Bernstein meets Broadway: collaborative art in a time of war
When Leonard Bernstein first arrived in New York City, he was an unknown artist working with other brilliant twentysomethings, notably Jerome Robbins, Betty Comden, and Adolph Green. By the end of the 1940s, these artists were world famous. Their collaborations defied artistic boundaries and subtly...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY [u.a.]
Oxford Univ. Press
2014
|
| Schriftenreihe: | Broadway legacies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | When Leonard Bernstein first arrived in New York City, he was an unknown artist working with other brilliant twentysomethings, notably Jerome Robbins, Betty Comden, and Adolph Green. By the end of the 1940s, these artists were world famous. Their collaborations defied artistic boundaries and subtly pushed a progressive political agenda, altering the landscape of musical theater, ballet, and nightclub comedy. In Bernstein Meets Broadway: Collaborative Art in a Time of War, award-winning author and scholar Carol J. Oja examines the early days of Bernstein's career during World War II, centering around the debut in 1944 of the Broadway musical On the Town and the ballet Fancy Free. As a composer and conductor, Bernstein experienced a meteoric rise to fame, thanks in no small part to his visionary colleagues. Together, they focused on urban contemporary life and popular culture, featuring as heroes the itinerant sailors who bore the brunt of military service. They were provocative both artistically and politically. In a time of race riots and Japanese internment camps, Bernstein and his collaborators featured African American performers and a Japanese American ballerina, staging a model of racial integration. Rather than accepting traditional distinctions between high and low art, Bernstein's music was wide-open, inspired by everything from opera and jazz to cartoons. Oja shapes a wide-ranging cultural history that captures a tumultuous moment in time. Bernstein Meets Broadway is an indispensable work for fans of Broadway musicals, dance, and American performance history. (Klappentext) |
| Beschreibung: | XVI, 399 S. Ill. |
| ISBN: | 9780199862092 |
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| 505 | 0 | |a Introduction ; Section I: Ballet, Nightclubs, Broadway ; 1.Youthful Celebrity and Progressive Visions: Breaking Out with Fancy Free ; 2. From Nightclubs to Broadway: The Revuers, Comedy Skits, and Progressive Politics ; 3. Creating a Broadway Musical: The Conception and Debut of On the Town ; Section II: Staging Racial Politics ; 4. A Japanese American Star on Broadway: Sono Osato and <"Exotic Ivy Smith>" ; 5. Desegregating Broadway: On the Town and Race ; 6. Biographies on Stage: On the Town's Black Conductor, Dancers, and Singers ; Section III: Musical Style ; 7. Crossover Composition: The Musical Styles of On the Town ; 8. On the Town After Dark: The Nightclub Scene ; Section IV: Epilogue ; Appendices ; A. Discography and Videography of Fancy Free, On the Town, and The Revuers ; B. Scenario for Fancy Free ; C. Cast List for On the Town on Opening Night ; Index | |
| 520 | |a When Leonard Bernstein first arrived in New York City, he was an unknown artist working with other brilliant twentysomethings, notably Jerome Robbins, Betty Comden, and Adolph Green. By the end of the 1940s, these artists were world famous. Their collaborations defied artistic boundaries and subtly pushed a progressive political agenda, altering the landscape of musical theater, ballet, and nightclub comedy. In Bernstein Meets Broadway: Collaborative Art in a Time of War, award-winning author and scholar Carol J. Oja examines the early days of Bernstein's career during World War II, centering around the debut in 1944 of the Broadway musical On the Town and the ballet Fancy Free. As a composer and conductor, Bernstein experienced a meteoric rise to fame, thanks in no small part to his visionary colleagues. Together, they focused on urban contemporary life and popular culture, featuring as heroes the itinerant sailors who bore the brunt of military service. They were provocative both artistically and politically. In a time of race riots and Japanese internment camps, Bernstein and his collaborators featured African American performers and a Japanese American ballerina, staging a model of racial integration. Rather than accepting traditional distinctions between high and low art, Bernstein's music was wide-open, inspired by everything from opera and jazz to cartoons. Oja shapes a wide-ranging cultural history that captures a tumultuous moment in time. Bernstein Meets Broadway is an indispensable work for fans of Broadway musicals, dance, and American performance history. (Klappentext) | ||
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Datensatz im Suchindex
| _version_ | 1804152501303246848 |
|---|---|
| adam_text | CONTENTS
• afe-
-Љ-:
Foreword by Geoffrey Block
ix
Acknowledgments
xiii
Introduction
3
BALLET AND NIGHTCLUBS
ι
Youthful Celebrity and Personal Freedom: Breaking
Out with Fancy Free
11
2
From Nightclubs to Broadway: The Revuers,
Comedy Skits, and Left-Wing Politics
52
BROADWAY AND RACIAL POLITICS
3
Creating a Broadway Musical:
The Conception and Debut of On the Town
83
4
A Japanese American Star During World War II:
Sono Osato
and Exotic Ivy Smith
115
5
Desegregating Broadway: On the Town and Race
154
6
Biographies Onstage: On the Town s Black Conductor,
Dancers, and Singers
187
MUSICAL STYLE
7
Crossover Composition: The Musical Identities of On the Town
221
8
On the Town after Dark: The Nightclub Scene
270
Epilogue: Beyond Fancy Free and On the Town
293
Appendix: Selected Discography and Videography
for The Revuers, Fancy Free, and On the Town
297
Notes
30З
Permissions
375
Selected Bibliography
377
Index
381
|
| any_adam_object | 1 |
| author | Oja, Carol J. 1953- |
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| author_facet | Oja, Carol J. 1953- |
| author_role | aut |
| author_sort | Oja, Carol J. 1953- |
| author_variant | c j o cj cjo |
| building | Verbundindex |
| bvnumber | BV042062342 |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.B566 |
| callnumber-search | ML410.B566 |
| callnumber-sort | ML 3410 B566 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LP 91400 |
| contents | Introduction ; Section I: Ballet, Nightclubs, Broadway ; 1.Youthful Celebrity and Progressive Visions: Breaking Out with Fancy Free ; 2. From Nightclubs to Broadway: The Revuers, Comedy Skits, and Progressive Politics ; 3. Creating a Broadway Musical: The Conception and Debut of On the Town ; Section II: Staging Racial Politics ; 4. A Japanese American Star on Broadway: Sono Osato and <"Exotic Ivy Smith>" ; 5. Desegregating Broadway: On the Town and Race ; 6. Biographies on Stage: On the Town's Black Conductor, Dancers, and Singers ; Section III: Musical Style ; 7. Crossover Composition: The Musical Styles of On the Town ; 8. On the Town After Dark: The Nightclub Scene ; Section IV: Epilogue ; Appendices ; A. Discography and Videography of Fancy Free, On the Town, and The Revuers ; B. Scenario for Fancy Free ; C. Cast List for On the Town on Opening Night ; Index |
| ctrlnum | (OCoLC)892603108 (DE-599)BVBBV042062342 |
| dewey-full | 792.609747/109044 |
| dewey-hundreds | 700 - The arts |
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| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1940-1950 gnd |
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| format | Book |
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| series2 | Broadway legacies |
| spelling | Oja, Carol J. 1953- Verfasser (DE-588)1038697328 aut Bernstein meets Broadway collaborative art in a time of war Carol J. Oja New York, NY [u.a.] Oxford Univ. Press 2014 XVI, 399 S. Ill. txt rdacontent n rdamedia nc rdacarrier Broadway legacies Introduction ; Section I: Ballet, Nightclubs, Broadway ; 1.Youthful Celebrity and Progressive Visions: Breaking Out with Fancy Free ; 2. From Nightclubs to Broadway: The Revuers, Comedy Skits, and Progressive Politics ; 3. Creating a Broadway Musical: The Conception and Debut of On the Town ; Section II: Staging Racial Politics ; 4. A Japanese American Star on Broadway: Sono Osato and <"Exotic Ivy Smith>" ; 5. Desegregating Broadway: On the Town and Race ; 6. Biographies on Stage: On the Town's Black Conductor, Dancers, and Singers ; Section III: Musical Style ; 7. Crossover Composition: The Musical Styles of On the Town ; 8. On the Town After Dark: The Nightclub Scene ; Section IV: Epilogue ; Appendices ; A. Discography and Videography of Fancy Free, On the Town, and The Revuers ; B. Scenario for Fancy Free ; C. Cast List for On the Town on Opening Night ; Index When Leonard Bernstein first arrived in New York City, he was an unknown artist working with other brilliant twentysomethings, notably Jerome Robbins, Betty Comden, and Adolph Green. By the end of the 1940s, these artists were world famous. Their collaborations defied artistic boundaries and subtly pushed a progressive political agenda, altering the landscape of musical theater, ballet, and nightclub comedy. In Bernstein Meets Broadway: Collaborative Art in a Time of War, award-winning author and scholar Carol J. Oja examines the early days of Bernstein's career during World War II, centering around the debut in 1944 of the Broadway musical On the Town and the ballet Fancy Free. As a composer and conductor, Bernstein experienced a meteoric rise to fame, thanks in no small part to his visionary colleagues. Together, they focused on urban contemporary life and popular culture, featuring as heroes the itinerant sailors who bore the brunt of military service. They were provocative both artistically and politically. In a time of race riots and Japanese internment camps, Bernstein and his collaborators featured African American performers and a Japanese American ballerina, staging a model of racial integration. Rather than accepting traditional distinctions between high and low art, Bernstein's music was wide-open, inspired by everything from opera and jazz to cartoons. Oja shapes a wide-ranging cultural history that captures a tumultuous moment in time. Bernstein Meets Broadway is an indispensable work for fans of Broadway musicals, dance, and American performance history. (Klappentext) Bernstein, Leonard, 1918-1990 Criticism and interpretation Bernstein, Leonard, 1918-1990 Bernstein, Leonard 1918-1990 (DE-588)118510002 gnd rswk-swf Bernstein, Leonard 1918-1990 On the Town (DE-588)300200013 gnd rswk-swf Geschichte 1900-2000 Geschichte 1940-1950 gnd rswk-swf Musicals New York (State) New York 20th century History and criticism Musical (DE-588)4040801-2 gnd rswk-swf Broadway New York, NY (DE-588)4075359-1 gnd rswk-swf Bernstein, Leonard 1918-1990 (DE-588)118510002 p Broadway New York, NY (DE-588)4075359-1 g Musical (DE-588)4040801-2 s Geschichte 1940-1950 z DE-604 Bernstein, Leonard 1918-1990 On the Town (DE-588)300200013 u Äquivalent Druck-Ausgabe, Paperback 978-0-19-046758-6 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027503200&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Oja, Carol J. 1953- Bernstein meets Broadway collaborative art in a time of war Introduction ; Section I: Ballet, Nightclubs, Broadway ; 1.Youthful Celebrity and Progressive Visions: Breaking Out with Fancy Free ; 2. From Nightclubs to Broadway: The Revuers, Comedy Skits, and Progressive Politics ; 3. Creating a Broadway Musical: The Conception and Debut of On the Town ; Section II: Staging Racial Politics ; 4. A Japanese American Star on Broadway: Sono Osato and <"Exotic Ivy Smith>" ; 5. Desegregating Broadway: On the Town and Race ; 6. Biographies on Stage: On the Town's Black Conductor, Dancers, and Singers ; Section III: Musical Style ; 7. Crossover Composition: The Musical Styles of On the Town ; 8. On the Town After Dark: The Nightclub Scene ; Section IV: Epilogue ; Appendices ; A. Discography and Videography of Fancy Free, On the Town, and The Revuers ; B. Scenario for Fancy Free ; C. Cast List for On the Town on Opening Night ; Index Bernstein, Leonard, 1918-1990 Criticism and interpretation Bernstein, Leonard, 1918-1990 Bernstein, Leonard 1918-1990 (DE-588)118510002 gnd Bernstein, Leonard 1918-1990 On the Town (DE-588)300200013 gnd Musicals New York (State) New York 20th century History and criticism Musical (DE-588)4040801-2 gnd |
| subject_GND | (DE-588)118510002 (DE-588)300200013 (DE-588)4040801-2 (DE-588)4075359-1 |
| title | Bernstein meets Broadway collaborative art in a time of war |
| title_auth | Bernstein meets Broadway collaborative art in a time of war |
| title_exact_search | Bernstein meets Broadway collaborative art in a time of war |
| title_full | Bernstein meets Broadway collaborative art in a time of war Carol J. Oja |
| title_fullStr | Bernstein meets Broadway collaborative art in a time of war Carol J. Oja |
| title_full_unstemmed | Bernstein meets Broadway collaborative art in a time of war Carol J. Oja |
| title_short | Bernstein meets Broadway |
| title_sort | bernstein meets broadway collaborative art in a time of war |
| title_sub | collaborative art in a time of war |
| topic | Bernstein, Leonard, 1918-1990 Criticism and interpretation Bernstein, Leonard, 1918-1990 Bernstein, Leonard 1918-1990 (DE-588)118510002 gnd Bernstein, Leonard 1918-1990 On the Town (DE-588)300200013 gnd Musicals New York (State) New York 20th century History and criticism Musical (DE-588)4040801-2 gnd |
| topic_facet | Bernstein, Leonard, 1918-1990 Criticism and interpretation Bernstein, Leonard, 1918-1990 Bernstein, Leonard 1918-1990 Bernstein, Leonard 1918-1990 On the Town Musicals New York (State) New York 20th century History and criticism Musical Broadway New York, NY |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027503200&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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