Using the video camera as a critic instrument to guide the public eye and to understand art. The critofilm are not documentaries, but a viaticum thought and realized for the artistic fruition through the cinematographic mean without being conceived as a product for the mass consumption. The art work...

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Bibliographic Details

Main Author:	Tommei, Tiziana (Author)
Format:	Book
Language:	Italian
Published:	Lucca Edizioni Fondazione Ragghianti Studi sull'Arte 2014 Pacini Fazzi
Series:	Scripta contemporanea 3
Subjects:	Ragghianti, Carlo Ludovico > 1910-1987 Geschichte 1948-1964 Kunstkritik Film
Summary:	Using the video camera as a critic instrument to guide the public eye and to understand art. The critofilm are not documentaries, but a viaticum thought and realized for the artistic fruition through the cinematographic mean without being conceived as a product for the mass consumption. The art work is the object of the research and the fundamental source to which we can appeal to catch its own value. It's up to the art historian to lead the observer in the journey among the stylistic, technical and formal aspects with examples or structural and modular models of reference, to mark the overcoming of the pure vision. Carlo Ludovico Ragghianti frees the creation from the historical background to analyse it in its own physicality, looking in this way both to ancient and contemporary art. True critic avant-gard
Physical Description:	158 S. zahlr. Ill.
ISBN:	9788889324356