Music publishing: the complete guide
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Van Nuys, Calif.
Alfred Music
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes glossary and index |
| Beschreibung: | X, 397 S. Ill. 28 cm |
| ISBN: | 0739096877 9780739096871 |
Internformat
MARC
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| 246 | 1 | 3 | |a Complete guide |
| 264 | 1 | |a Van Nuys, Calif. |b Alfred Music |c 2013 | |
| 300 | |a X, 397 S. |b Ill. |c 28 cm | ||
| 336 | |b txt |2 rdacontent | ||
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| 650 | 4 | |a Music publishing | |
| 650 | 4 | |a Copyright |x Music | |
| 650 | 4 | |a Copyright |x Performing rights | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Vil
TABLE OF CONTENTS
d
.!......
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..................<.........«........
.»Л
Chapter
1:
Copyright Basics
,♦♦♦♦♦♦♦.♦♦,♦♦.....,,,,.♦....♦♦..♦♦♦♦♦♦♦.♦♦«.♦..4♦♦♦♦,♦♦♦♦♦♦♦,♦♦♦♦«,,,♦♦, 3
Introduction
....................................................................................................3
The History of Copyright
................................................................,...............,........3
Copyright in the United States
..........................................,.....................................___4
The Copyright Act
...............................................................................................4
Term of Copyright
..................................................................................----,........5
Termination and Recapturing of Copyright
..........................................................,............... 7
Copyright Infringement
...................................................................,..,..----.,..,,....... 9
Damages for Infringement
..............,.,..,..,,...............................................................10
Exceptions to the Exclusive Rights of Copyright Owners
___.........................................___............11
Benefits of Registration
...............................___.......................................................12
Basic
Registr
ation Process.
....................................................................................... 13
Chapter
2:
Public Performing Rights Organizations: Inside the PROs
—
What They Do and How They Do It
♦ ♦, 15
Copyright Law Basics for Public Performance
...........................,...........................................15
Historical Perspective
...........................................................................................16
How to Join a PRO
.............................................................................................17
Case Study
#1..................................................................................................18
Registering Songs.
..............................................................................................18
Monitoring the Uses of Music
........................................___........................................19
Case Study
#2..................................................................................................19
Case Study
#3..................................................................................................20
Blanket vs. Per Program Licenses
.................................................................................20
Source Licensing or Direct Licensing
..,,..,...,...,...,..,........................................................21
Non-Broadcast Uses
....................................----....................................................22
Electronic Detection Methods
....................................................................................23
Performing Rights and the Internet.
...............,.............................,.................................24
Foreign Performance Royalties.
___........___........................................................___.......25
Chapter
3:
Mechanical Licensing for Audio-Only Product
.....,,,,,,,,,,,,,,,,,,,.,,,,,.,,,,............ 27
A Brief History of
Phonorecords
..................................................................................28
The Compulsory License
...................................................................,....................28
Negotiated Licenses
.......................-----................................................................. .30
Case Study
#1..................................................................................................31
Digital
Phonorecord
Delivery (DPDs)
.............................................................................33
The Controlled Composition Clause.
...........,..................................................................33
The Harry Fox Agency
......................................................................................... .36
How HFA Works
..............................................................................................37
Other Services and Licenses
..................................................................................... .37
Controlled Composition Clause
..................................................................................39
The Harry Fox Agency License
................................................,..................................41
VIU
Mechanical License (I)
..........................................................................................44
Mechanical License (II) Royalties Reduced Due to Controlled Compositions Clause
.................................... .49
Chapter
4:
Synchronization Licensing for Audio-Visual Productions
,»,,,,,,,,......
(
........t......,..,,,
57
Case Study
#1..............................................................................___................57
Copyright Law Basics for Sync Licensing
......----....,.,.,........,,,.........................,..........,...,.,, .58
Identifying the Owners
....................................,,.,.,,......,.........................,,,...,....,., ,58
Issues with Multiple Publishers
.............................----................................................. .59
Using Most Favored Nations Clauses
..............................................................................60
Key License Terms
..............___.....................,......,,,.....,......................................,60
Additional Information for a Publisher to Consider
.......,,....,,....,.....,,...................................... .62
Case Study
#2..................................................................................................63
The Quotation Process
..........................................................................................64
Motion Picture Licensing
........................................................................................64
Licensing for Television
.......................................................,,...,..,....,.................... .65
Licensing Terms for Television Programs
.......................................................................... .66
Licensing for Home Video
.......................................................................................67
Licensing for Commercials
.......................................................................................67
Case Study
#3................................................................................................. .68
Writer Approvals for Commercials
...........................,....................................................68
Collecting Public Performance Royalties
...............,,..,.,..,----,.,.,,,,,.,,..,.............................. .68
Common Music Licensing Problems
..................................,...........................................69
Case Study
#4..................................................................................................70
Case Study
#5.....................................................,....,..,.,.,...........,.................,. .71
Music Cue Sheet
...............................................................................................72
Motion Picture Synchronization and Performing Rights License
—
Producer s Version
................................... -73
Motion Picture Synchronization and Performing Rights License
—
Film Festivals
(with Step Deals for Further Rights) Publishers Version
........................................................----.78
Television Synchronization and Performance License (with Options)
........,......,.,,.............................. .84
Chapter
5:
Print Licensing.
„......,.....................................„................·.......
·89
Sheet Music License (with Folio Rights)
.....................................................................----. .90
Text and Magazine Print License (One-Time Fee)
...................................,.,....,....,...................95
Chapter
6:
Songwriter Agreements
...,..,...................,.,..........,,..,.....,.........,.*.... 97
Why Would a Songwriter Enter into These Agreements?
.............................................................97
Assignment of Rights
..,.,..,...........................,,,..,.,,,..,,.,.................,___..................98
Term of Services
............................----..........----..................................................98
Exercising the Options
...................,..................................................................... .98
Copyright Ownership
...........................................................................................99
Exclusivity of Services
...........................................................................................99
Minimum Delivery Commitment
.....................................................................,......... .100
Extension of Contract Periods
........___.......................................................................101
Royalties to the Writer
...........___..........................................................................101
Split Sheets
...................................................................................................103
Case Study
#1.................................................................................................103
Songwriting and Band Politics
...................................................................................104
Accountings
..................................................................................................105
Advances
........................................................................,............................105
їх
Foreign Sub-Publishing Fees
....................................................................................107
Retention of Rights
....................................................................................----... .107
Reversion of Unexploited Compositions
..........................................................................107
Warranty of Originality
.........................................................................................108
Indemnity
................................................................................................... .108
Approvals Over Exploitation
...............___.................................................................109
Ownership Splits
—
New Composition
...........................................................................110
Songwriter s Contract
—
Individual Composition
...................................................................
Ill
Publishing Agreement
..........................................................................................116
Assignment of Copyrights
.......,..............................................................................147
Letter of Direction
...........................................................,....,..........,,................149
Songwriter/Co-Publishing Agreement.
...........................................................................156
Letter of Direction to ASCAP
...................................................................................174
Letter of Direction to
BMI......................................................................................175
Work for Hire Clauses
.........................................................................................176
Delivery Commitment/Extension Clause
.....................................................,..,...,,...,.,.... .176
Chapter
7:
Publishing Administration.
.............................................................. 177
Administration Agreements
....___.............................................................................177
Foreign Sub-Publishing Agreements
............................................................................. .178
How Foreign Royalty Streams Are Paid and Distributed
................................................----........181
Music Created for Television and Film
...........,,.,.,.....................,..............,,,.......,........... .183
Black Box Income
............................................................................................185
Publishing Administration Agreement
............................................................................186
Chapter
8;
Composer Agreements
.................................................................. 209
Basic Terms
.................................................................................................. .209
Warranties and Indemnification
..............................................,...,..,,...,.,,,.,................212
Common Misconceptions in Composer Agreements
................................................................214
Short Form Composer Agreement
...............................................................................217
Composer Licensing Agreement
.....................----....................................................... .222
Long Form Composer Loanout Agreement
........................................................................226
Chapter
9;
Pitching and Placement Agreements.
.,.,.,,,.,,,,.,,,..,.,,,,,..,,,,,.............,....... 247
Introduction
................................................................................................. .247
What Does a Placement Company
Dof
.........................................,................................,248
The Placement Agreement
......................................................................................248
Benefits to the Artist
...........................................................................................250
Potential Pitfalls for the Company.
..................................................,...,..,..........----,......251
Conclusion
...................................................................................................251
Exclusive Representation Agreement
............................................................,............... .252
Chapter
10:
Production Music Libraries
„··......···............................·......····.........261
Introduction
...___.............................................................-----.___.....................261
Library Composer Agreements
..................................................................................262
Re-titling Agreements
..........................................................................................263
Library Licensing Agreements
.,..,...,.............,......,,.,..................................................264
Non-Exclusive Library Placement Agreement
......................................................................266
Representation and Administration Agreement
....................................................................274
Music Library Blanket License Agreement
.........................................................................283
Chapter
Ils
Sampling
............................................................................291
Case Study
#1.................................................................................................293
Case Study
#2.................................................................................................294
Case Study
#3.................................................................................................294
Sampling Co-Administration Agreement
..........................................................................295
Chapter
12;
Digital Media—Part
1................................................................. 301
Digital Delivery: Streaming and Downloading
................................-----.....................-----........301
A Brief History of Digital Delivery
.,,..,...,.,,,...................................-----......................... .302
The Illegal Downloading of Music
...............................................................................303
Legal Online Music Download Services
................,-----..................................................... .304
Conflicts Within the Music Industry
.............................................................................305
Artists vs. Record Companies
................................................................................. .305
Record Companies vs. Publishers
.............,....,,,....................................................,.,., .307
Copyright Owners vs. Consumers
.....................___.................___.................................307
Copyright Owners vs. Digital Services
...........................................................................308
Other Sources of Digital Revenue
.................................___...........................................309
Ringtones, Mastertones,
and
Ringbacks
..................................................___...........
,
......
,
.309
Apps
......................................................................................................309
Online Video Services
.....................................................,..................................310
Audio
Greeting Cards
.,...,....,..___.......................................................................310
Micro
Licensing
...,.,.,,........,......................___...___..................................___... .310
Digital
Rights Agreements
___...............................,...,.........,....,.,.....,,....,___.............311
Chapter
13;
Digital Media—Part
2.......................,,.......,.,____................____.-----.317
Performing Rights License Rates
....................,,...........................................................317
SESAC
....................................................................................................318
BMI......................................................................................................318
ASCAP
...................................................................................................319
Recent Negotiated Settlements and Digital Rates Under Section
115.................................................320
Calculating Rates under the
2008
Settlement
......................................................................321
The
2012
Settlement
...........................................................................................322
Are You In or Out?
.............................................................................................323
The Future of Digital Delivery
.......................................___.............................___.......324
Storage vs. Access
..............................................................................................325
Survival Strategies
................................,.............,.........,................................... .325
Royalty Rates for the Use of Musical Works in Services Providing Interactive Streaming and Limited Downloads
...........328
Summary Sheet of
2012
Section
115
CRB Settlement
............................................................. .329
Electronic Code of Federal Regulations
................,....,..,...,.,...........,,.,....,.....,..,...............332
Appendix A; Excerpts of the Copyright Act of
1976................................................... 349
Appendix B; Internet Copyright and Publishing Resources
,.........,..,.......,.,..,,,...,,.,...,.,.,. 373
Appendix C; List of Foreign Performing and Mechanical Rights Societies.
,.,......,..,,,,....,..,........ 377
Glossary.
.........................................................____..................,.......389
Index
...........................................................................................393
About the Author
.....,.....,..,,,.......,....,...............,,,,,,,,.............,.....,,,...,.397
|
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| discipline | Allgemeines |
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| isbn | 0739096877 9780739096871 |
| language | English |
| lccn | 009440776 |
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| physical | X, 397 S. Ill. 28 cm |
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| publisher | Alfred Music |
| record_format | marc |
| spelling | Winogradsky, Steve Verfasser (DE-588)1058690167 aut Music publishing the complete guide Steve Winogradsky Complete guide Van Nuys, Calif. Alfred Music 2013 X, 397 S. Ill. 28 cm txt rdacontent n rdamedia nc rdacarrier Includes glossary and index Musik Music publishing Copyright Music Copyright Performing rights Aufführungsrecht (DE-588)4003517-7 gnd rswk-swf Veröffentlichung (DE-588)4187925-9 gnd rswk-swf Verlag (DE-588)4063004-3 gnd rswk-swf Urheberrecht (DE-588)4062127-3 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf (DE-588)4048476-2 Ratgeber gnd-content Musik (DE-588)4040802-4 s Veröffentlichung (DE-588)4187925-9 s Verlag (DE-588)4063004-3 s Neue Medien (DE-588)4196910-8 s Urheberrecht (DE-588)4062127-3 s Aufführungsrecht (DE-588)4003517-7 s DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027484043&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Winogradsky, Steve Music publishing the complete guide Musik Music publishing Copyright Music Copyright Performing rights Aufführungsrecht (DE-588)4003517-7 gnd Veröffentlichung (DE-588)4187925-9 gnd Verlag (DE-588)4063004-3 gnd Urheberrecht (DE-588)4062127-3 gnd Neue Medien (DE-588)4196910-8 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4003517-7 (DE-588)4187925-9 (DE-588)4063004-3 (DE-588)4062127-3 (DE-588)4196910-8 (DE-588)4040802-4 (DE-588)4048476-2 |
| title | Music publishing the complete guide |
| title_alt | Complete guide |
| title_auth | Music publishing the complete guide |
| title_exact_search | Music publishing the complete guide |
| title_full | Music publishing the complete guide Steve Winogradsky |
| title_fullStr | Music publishing the complete guide Steve Winogradsky |
| title_full_unstemmed | Music publishing the complete guide Steve Winogradsky |
| title_short | Music publishing |
| title_sort | music publishing the complete guide |
| title_sub | the complete guide |
| topic | Musik Music publishing Copyright Music Copyright Performing rights Aufführungsrecht (DE-588)4003517-7 gnd Veröffentlichung (DE-588)4187925-9 gnd Verlag (DE-588)4063004-3 gnd Urheberrecht (DE-588)4062127-3 gnd Neue Medien (DE-588)4196910-8 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik Music publishing Copyright Music Copyright Performing rights Aufführungsrecht Veröffentlichung Verlag Urheberrecht Neue Medien Ratgeber |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027484043&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT winogradskysteve musicpublishingthecompleteguide AT winogradskysteve completeguide |