Hrvatska - nacija kulture:
Naglasak je stavljen na promišljanje prepoznatljivosti nacije na temelju segmenta njezine glazbene kulture te redefiniranju hrvatskog kulturnog identiteta s pozicije glazbe. Propitivala se primjenjivost uspješnog austrijskog modela "nacije kulture" koji se potiče kao važna komponenta austr...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Croatian |
| Veröffentlicht: |
Zagreb
Leykam International
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Zusammenfassung: | Naglasak je stavljen na promišljanje prepoznatljivosti nacije na temelju segmenta njezine glazbene kulture te redefiniranju hrvatskog kulturnog identiteta s pozicije glazbe. Propitivala se primjenjivost uspješnog austrijskog modela "nacije kulture" koji se potiče kao važna komponenta austrijskog imidža na Hrvatsku. Prikazan je glazbeni segment u isticanju specifičnosti tijekom formiranja kulturnog identiteta nacije, a teorija o neapsolutnosti identiteta koji se konstituiraju novom uspostavom mjerila i granica, koristila se u prikazu mogućnosti redefiniranja hrvatskog kulturnog identiteta na primjerima festivalske politike. Brendiranje zemlje, proces u kojem se iskazuju i naglašavaju različitosti i jedinstvenosti države, upotrijebljen je kod prikaza načina postizanja prepoznatljivosti i modaliteta primjene u kulturnom segmentu. |
| Beschreibung: | Zsfassung in engl. Sparche |
| Beschreibung: | 375 S. Ill. |
| ISBN: | 9789533400044 |
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Datensatz im Suchindex
| _version_ | 1806961914965655552 |
|---|---|
| adam_text |
SADRŽAJ
RIJEČ UNAPRIJED
8
1.UVOD
12
2.
NACIJA I IDENTITET
16
2.1.
Kulturni identitet
21
3.
ULOGA GLAZBE U OBLIKOVANJU IDENTITETA
26
3.1.
"Ideologija nacionalnog smjera" u hrvatskoj glazbi
38
4.
"NACIJA KULTURE"
48
4.1.
Brendiranje nacije
52
4.1.1.
Kulturno brendiranje kao dio brendiranja nacije
62
4.2.
Austrija nakon raspada Monarhije i nakon
1945.
godine
68
4.3.
Hrvatska kultura u okviru bivše
SFRJ
74
5.
KULTURNA POLITIKA
78
5.1.
Definiranje ciljeva i zadataka kulturne politike
84
5.2.
Kulturna politika
s
ciljem stvaranja međunarodne prepoznatljivosti nacije
95
5.3.
Usporedni prikaz hrvatske i austrijske kulturne pofitike
101
6.
FESTIVALI KAO POSEBAN OBLIK KULTURNE MANIFESTACIJE
106
6.1.
Povijest nastanka festivala
111
6.1.1.
Novija povijest festivala nakon Drugoga svjetskog rata
118
6.2.
Festivalska politika
-
sredstvo postizanja međunarodne prepoznatljivosti
123
6.3.
Salzburské
svečane igre
130
6.3.1.
Povijest
130
6.3.2.
Koncepcije
145
6.3.3.
Programi
159
6.3.4.
Organizacijska struktura
173
6.3.5.
Politički utjecaji
177
6.4.
Splitsko ljeto
183
6.4.1.
Povijest
183
6.4.2.
Koncepcije
192
6.4.3.
Programi
200
6.4.4.
Organizacijska struktura
215
6.4.5.
Politički utjecaji
220
7.
RECEPCIJA
226
7.1.
Salzburské
svečane igre
-
recepcija na općem i kulturnom planu
233
7.2.
Splitsko ljeto
-
recepcija na općem i kulturnom planu
239
7.3.
Kvalitativna usporedba dobivenih rezultata
245
8.
ZAKLJUČAK
250
BIBLIOGRAFIJA
256
KOMPARATIVNA ANALIZA KULTURNIH POLITIKA HRVATSKE I AUSTRIJE
321
BILJEŠKA
О
AUTORICI
362
KAZALO OSOBNIH IMENA
364
KAZALO POJMOVA
371
11
SUMMARY
In this book emphasis is placed on the consideration of recognition of the nation,
based on the segment of its music culture and redefining Croatian cultural iden¬
tity in the position of music. Selfrealized national values are obtained through
clearer definition of the Croatian cultural identity. The applicability of success¬
ful Austrian model of "nation of culture", which is an important component of
Austria's image, to Croatia, was discussed. By using a segment of culture, due to
its characteristics of unity, a small country like Croatia can use its comparative
advantages to compete in the European context. A music segment in putting
forward specific quality of the formation of cultural identity of the nation is
shown, and a theory of non-absolute identity that constitute the establishment
of new standards and limits, was used to show the possibilities of redefining the
Croatian cultural identity from the position of music on festival policy examples.
To prove the link between national identity and music, the importance of know¬
ing the musical expression in the interaction with social phenomena is pointed
out. In this process the authenticity is particularly emphasized as a hypothesis
for the existence of unity and diversity of a particular identity in relation to oth¬
ers. Branding the country, is a process in which the diversity and uniqueness of
the country are shown and highlighted. That was used to show how to achieve
recognition and implementation modalities in the cultural segment. Cultural
branding, as a component of the complete process, is shown in the example of
the festival impact on the country's cultural tourism. The importance of using
the nation's identity homogenization by using cultural factor was elaborated in
detail. The historical development of the Croatian and Austrian cultural and
general-political aspect were also pointed out. By reviewing the cultural policy at
a general level and through the strategic documents of the Croatian cultural poli¬
cy, the options by which it is possible to redefine the Croatian cultural identity
and cultural development possibilities as its basic determination, were indicated.
The role of cultural diplomacy, as an important subject in the process of achiev¬
ing international recognizability of the nation, is especially stressed. Connecting
the image and identity of the country with cultural policy the aspects of its
application are shown in achieving the recognition in the international context.
In a comparative analysis of Croatian and Austrian cultural policy, differences
in the historical development of these two countries were found. The need for
reorganization of the Croatian model of international cultural co-operation,
with the aim of positioning culture as one of the most important factors in
building the country's image, was noticed.
The analysis of the festival phenomenon as a specific mode of articulation
of artistic expression was evaluated in gaining cultural recognizability in wider
context. Development of the festival segments, especially music, the possibilities
of expanding the dialogue on national and international level were summed up.
Musical segment in the festival's policy is presented as particularly suitable in the
process of internationalization of the festival's content that allows its durability
and visibility on the international level. Studying the structures of the Salzburg
Festival and Split Summer Festival in the historical, organizational and
recep¬
ţionai
perspective and analysis of the festival concept development and program
settings were used for the purpose of presenting the creation of "a nation of
culture" on the Austrian example and considering the possibility of applying a
similar model on Croatia. The possibility of exploiting the potential of the Split
Summer Festival, trying to assume the same aim, more precise festival concept
and the involvement of all factors in the process of a clear cultural-political
positioning of the festival, as well as possible cultural brand, is indicated. Setting
aside some Croatian festivals in the relevant scientific edition indicates the im¬
portance of Croatian artistic achievements, which have the ability, through well
thought-out and defined cultural policy, of articulated national achievements in
European and global context with the aim of reaching an attribute of "nation of
culture", which proves the existence of the possibility of using Croatian culture
in country's international ranking.
RIJEČ UNAPRIJED
Na samom početku, srdačno i duboko zahvaljujem svojim mentorima,
prof.
dr.
se. Evi
Sedák i
prof. dr.
se. Petru Selemu na
beskrajnom strpljenju, ne¬
prestanom usmjeravanju i znanju koje su sa mnom podijelili, kao i voditelju
Doktorskoga studija hrvatske kulture,
prof. dr.
se. Stipi Botici
na velikoj po¬
dršci i susretljivosti. Na nesebičnoj pomoći u prikupljanju stručne literature,
korisnim savjetima te neuobičajenoj požrtvovnosti zahvaljujem
doc. dr.
se.
Hani
Breko Kustura. Želim zahvaliti na potpori u prikupljanju referentne
literature dr. se.
Boži
Skoki.
Upućujem svoje iskrene zahvale mom veleposla¬
niku
prof. dr.
se. Zoranu Jašiću koji je tijekom mog boravka u Beču iskazao
veliko razumijevanje za moj znanstveni rad, kao i na brojnim nadahnjujućim
razgovorima koje sam imala privilegij voditi. Na nebrojenim iskustvima u
okruženju austrijske "nacije kulture" koja me inspirirala na moje istraživanje
zahvaljujem dr.
Alfredu
Brogyányiu, prof.
Herbertu
Lachmayeru,
brojnim
umjetnicima i voditeljima kulturnih institucija te diplomatima i djelatnici¬
ma austrijskih Ministarstva obrazovanja, kulture i umjetnosti i Ministarstva
vanjskih i europskih poslova. Ljubaznim djelatnicima Instituta
für Musik¬
soziologie an der Universität für Musik und darstellende Kunst Wien
i Arhiva
Salzburger Festspiele
zahvaljujem na susretljivosti prigodom korištenja građe
koju su mi učinili dostupnom. Dodatno provjeravanje opstojnosti mojih teza
i pristupa ne bi bilo moguće bez iskrena zanimanja kolega i prijatelja iz Ve¬
leposlanstva RH u Beču te Ministarstva kulture RH. Zahvalnost dugujem
NJ. E.
mag. Andrei Ikic-Böhm,
veleposlanici Republike Austrije u Republici
Hrvatskoj i
mag. Georgu
Lacku, direktoru Austrijskog kulturnog foruma
u Zagrebu za sav interes koji su iskazali za moj rad na daljnjem zbližavanju
hrvatske i austrijske kulture. Mom kolegi Davoru Merkašu upućujem svoju
zahvalu za mnoge sate provedene u
inspirativním
razgovorima, a zahvalno¬
šću za dugogodišnju suradnju
s
Hrvatskim centrom u Beču zaokružujem
svoj austrijski ciklus iskustava. Za prijateljsku pomoć i zanimanje za moj
znanstveni i pedagoški rad zahvalnost dugujem
prof. dr.
se.
Darku Lukiću
і
prof. dr.
se. Snježani Banović. Bez svesrdne pomoći Hrvatskoga narodnog ka¬
zališta Split kao i splitskih fotografa
Matka
Biljka i Ante Verzottija ova knjiga
bila bi mnogo siromašnija. Na golemom trudu zahvaljujem svojim naklad¬
nicima iz
Leykam
internaţionala
Eugeniji Ehgartner
і
Jürgenu Ehgartneru,
8
kao i lektorici
Neh
Mindoljević. Na podršci i pomoći tijekom nastajanja rada
srdačno zahvaljujem svojoj široj obitelji i prijateljima. I na kraju, od srca za¬
hvaljujem svojoj obitelji, koja je u svakom poglavlju moga života čvrsto stajala
iza mojih leđa: suprugu Zrinku i sinu Lovri, mom lektoru njemačkog jezika,
na razumijevanju, tati, za trud oko mojih prvih znanstvenih koraka i mami
za neuvj eto
vanu
ljubav. |
| any_adam_object | 1 |
| author | Hraste-Sočo, Iva 20./21. Jh |
| author_GND | (DE-588)1056894717 |
| author_facet | Hraste-Sočo, Iva 20./21. Jh |
| author_role | aut |
| author_sort | Hraste-Sočo, Iva 20./21. Jh |
| author_variant | i h s ihs |
| building | Verbundindex |
| bvnumber | BV042041034 |
| ctrlnum | (OCoLC)890431689 (DE-599)GBV770073050 |
| format | Book |
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| geographic | Kroatien (DE-588)4073841-3 gnd |
| geographic_facet | Kroatien |
| id | DE-604.BV042041034 |
| illustrated | Illustrated |
| indexdate | 2024-08-10T01:26:08Z |
| institution | BVB |
| isbn | 9789533400044 |
| language | Croatian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027482289 |
| oclc_num | 890431689 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 375 S. Ill. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Leykam International |
| record_format | marc |
| spelling | Hraste-Sočo, Iva 20./21. Jh. Verfasser (DE-588)1056894717 aut Hrvatska - nacija kulture Iva Hraste-Sočo Zagreb Leykam International 2013 375 S. Ill. txt rdacontent n rdamedia nc rdacarrier Zsfassung in engl. Sparche Naglasak je stavljen na promišljanje prepoznatljivosti nacije na temelju segmenta njezine glazbene kulture te redefiniranju hrvatskog kulturnog identiteta s pozicije glazbe. Propitivala se primjenjivost uspješnog austrijskog modela "nacije kulture" koji se potiče kao važna komponenta austrijskog imidža na Hrvatsku. Prikazan je glazbeni segment u isticanju specifičnosti tijekom formiranja kulturnog identiteta nacije, a teorija o neapsolutnosti identiteta koji se konstituiraju novom uspostavom mjerila i granica, koristila se u prikazu mogućnosti redefiniranja hrvatskog kulturnog identiteta na primjerima festivalske politike. Brendiranje zemlje, proces u kojem se iskazuju i naglašavaju različitosti i jedinstvenosti države, upotrijebljen je kod prikaza načina postizanja prepoznatljivosti i modaliteta primjene u kulturnom segmentu. Kulturpolitik (DE-588)4033581-1 gnd rswk-swf Kulturnation (DE-588)4129681-3 gnd rswk-swf Musikfestspiel (DE-588)4170821-0 gnd rswk-swf Kulturelle Identität (DE-588)4033542-2 gnd rswk-swf Kroatien (DE-588)4073841-3 gnd rswk-swf Kroatien (DE-588)4073841-3 g Kulturnation (DE-588)4129681-3 s Kulturpolitik (DE-588)4033581-1 s Kulturelle Identität (DE-588)4033542-2 s DE-604 Musikfestspiel (DE-588)4170821-0 s Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027482289&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027482289&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Hraste-Sočo, Iva 20./21. Jh Hrvatska - nacija kulture Kulturpolitik (DE-588)4033581-1 gnd Kulturnation (DE-588)4129681-3 gnd Musikfestspiel (DE-588)4170821-0 gnd Kulturelle Identität (DE-588)4033542-2 gnd |
| subject_GND | (DE-588)4033581-1 (DE-588)4129681-3 (DE-588)4170821-0 (DE-588)4033542-2 (DE-588)4073841-3 |
| title | Hrvatska - nacija kulture |
| title_auth | Hrvatska - nacija kulture |
| title_exact_search | Hrvatska - nacija kulture |
| title_full | Hrvatska - nacija kulture Iva Hraste-Sočo |
| title_fullStr | Hrvatska - nacija kulture Iva Hraste-Sočo |
| title_full_unstemmed | Hrvatska - nacija kulture Iva Hraste-Sočo |
| title_short | Hrvatska - nacija kulture |
| title_sort | hrvatska nacija kulture |
| topic | Kulturpolitik (DE-588)4033581-1 gnd Kulturnation (DE-588)4129681-3 gnd Musikfestspiel (DE-588)4170821-0 gnd Kulturelle Identität (DE-588)4033542-2 gnd |
| topic_facet | Kulturpolitik Kulturnation Musikfestspiel Kulturelle Identität Kroatien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027482289&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027482289&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hrastesocoiva hrvatskanacijakulture |