Aural skills in context: a comprehensive approach to sight-singing, ear training, keyboard harmony, and improvisation
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY [u.a.]
Oxford Univ. Press
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | XX, 842 S. Ill., zahlr. Notenbeisp. 28 cm |
| ISBN: | 9780199943821 9780199337316 |
Internformat
MARC
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| 100 | 1 | |a Jones, Evan |e Verfasser |0 (DE-588)1038486017 |4 aut | |
| 245 | 1 | 0 | |a Aural skills in context |b a comprehensive approach to sight-singing, ear training, keyboard harmony, and improvisation |c Evan Jones and Matthew Shaftel with Juan Chattah |
| 264 | 1 | |a New York, NY [u.a.] |b Oxford Univ. Press |c 2014 | |
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| 500 | |a Includes bibliographical references | ||
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| 650 | 4 | |a Sight-singing | |
| 650 | 4 | |a Harmony | |
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Datensatz im Suchindex
| _version_ | 1804152455915634688 |
|---|---|
| adam_text | Contents
Preface:
Pedagogical Approach,
Curricular
Planning, Practicalities
xiii
The Foundations of Aural Skills
1
Introduction/or the Student
Major and Minor Scales with Solmization Syllables
Dotted Rhythms and Basic Syncopations
Meter: Conducting Simple Meters
Melodic Hierarchy: Neighbor Tones and Passing Tones
Harmony, Triads, and Arpeggiation
Practice with Multiple Clefs
SmartMusk
The Six-Step Method of Dictation
Unit
1:
The Diatonic Scale Degrees
35
Chapter
1:
The Tonic Triad and Its Melodies
35
Examples from the Repertoire
Tonic
Triadas
Melodic Basis
Major and Minor Scales in Context
First Five Notes of the Scale
Chapter
2:
The Submediant Scale Degree and the Major Pentatonic
59
Submediant Scale Degree
The I-V-I Harmonic Paradigm
vi
CONTENTS
Major Pentatonic Scale
Introduction to Compound Meter
Chapter
3:
Seventh Scale Degree and Minor Pentatonic
103
Minor Pentatonic Scale
Compound Meter
Leading Tone and Subtonk Scale Degree
Subdominant
Harmony
Chapter
4:
Piagai
Melodies I
107
Upper and Lower Dominant Scale Degrees
First Inversion Triads
Expanding the Melodic Range Beyond the Octave
Chapter
5:
Piagai
Melodies II
129
Syncopation
Changing Meters
Harmonic Study of Tonic Prolongation
Chapter
6:
The Octave and Beyond
155
Excerpts That Span the Entire Octave and Beyond
Periodic Structures (Parallel Period)
Inconclusive and Conclusive Cadences
Chapter
7:
Complete Examples from the Repertoire
185
Reviewing Unit I Through Complete Works
Focus on Rhythm in a Nonpitched Work
CONTENTS
Unit II: Diatonic Contexts and Introduction to Chromatic Pitches
205
Chapter
8:
Diatonic Sequences
205
Ascending and Descending Fifths Sequence
Descending Thirds Sequence
Ground Bass
Harmonic Study of Tonic Prolongation:
vii 6,
Passing
6/4,
and Inversions of Vі
Chapter
9:
Diatonic Sequences II and New Rhythmic
Configurations
229
Ascending Seconds Sequence
Quasi-sequential Progressions
Four-part Schemata of Sequences
Chapter
10:
Motivic Development and the Sentence
251
Sentence Structure
Expansions and Extensions of Sentences
Harmonic Study of Tonic Prolongation: Combination ofPre-dminants
with Inversions of
vii0
and V7
Chapter
11:
Chromatic Neighbor Tones
279
Chromatic Neighbor Tones as Surface-level Embellishments
Resolution of Chromatic-altered Pitches
Chromatic Solmization Syllables (Ascending:
di,
ri,
fi, si, li;
Descending:
te, le, se, me)
Cadential Progressions with
vi
and ii
Cadential
6/4
CONTENTS
Chapter
12:
Chromatic Passing Tones
301
Chromatic Passing Tones as Surface-level Embellishments
Harmonic Study of Mediant and Subtonk Triads
Chapter
13:
Beyond the Stepwise Context
323
Delayed Resolutions of Chromatic Pitches
Harmonic Study ofTonicization via —y
Chapter
14:
Complete Examples from the Repertoire
345
Reviewing Unit II Through Complete Works
Focus on Rhythm in a Nonpitched Work
Unit III: Advanced Melodies, Modulation, and Introduction
to Musical Form
381
Chapter
15:
Melodic Chromaticism
381
Chromatic Melodies and Bass Lines
Singing Complete Musical Forms
Extended Melodic Range
Lowered Supertonic Scale Degree
Harmonic Study of Tonicization via ~
Chapter
16:
Modulation
403
Tonicization vs. Modulation
Modulation to the Dominant
Harmonic Study ofTonicization via
—
Chapter
17:
Simple Binary Form
429
Categories and Classification of Binary Forms Based
on Harmonic Design
CONTENTS
Harmonic Study ofTonicization via
—-
Chapter
18:
Rounded and Balanced Binary Form
459
Categories and Classification of Binary Forms Based
on Motivic Design
Harmonic Study ofTonicization via Krr and ~
III VI
Chapter
19:
Modal Mixture
489
Coloristk Use of Modal Mixture Chords
Tendency of Tones in Modal Mixture Chords
Tonkization of Modal Mixture Chords
Modulation to Modally Mixed Tonal Areas
Chapter
20:
Ternary Form
521
Categories and Classification of Ternary Forms
Harmonic Study of Chromatic Third Relations
Chapter
21:
The Neapolitan Triad and Common-tone
Diminished Seventh
551
Neapolitan as Pre-dominant Harmony
Uses of Common-tone Diminished Seventh
Focus on Rhythm in a Nonpitched Work
Unit IV: Advanced Chromaticism and Larger Forms
591
Chapter
22:
Introduction to Augmented-sixth Chords
591
Augmented-sixth Chords as Pre-Dominant Harmonies
The
Trìtone
Substitution in Jazz and Popular Music
Harmonic Study of the Common-tone Diminished Seventh
CONTENTS
Chapter
23: Rondo Form 623
Five-part and Seven-part Rondos
Harmonic Study of Augmented Sixth Chords
Chapter
24:
Further Uses of Augmented-sixth Chords
661
Use ofAugmented-sixth Chords in Larger Forms
Advanced Uses of Augmented-sixth Chords
Chapter
25:
Sonata Form
699
Basic Harmonic andMotivic Traits of Sonata Forms
Introduction and Coda in Sonata Forms
Harmonic Study of Complex Chromatic Progressions
Chapter
26:
Advanced Melodic and Harmonic Chromaticism
755
Equal Division of the Octave
Complex Melodic Chromaticism
Chapter
27:
Later Tonal Styles
799
Post-Romantic, Impressionist, and Contemporary Tonal Styles
Index
837
|
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| spelling | Jones, Evan Verfasser (DE-588)1038486017 aut Aural skills in context a comprehensive approach to sight-singing, ear training, keyboard harmony, and improvisation Evan Jones and Matthew Shaftel with Juan Chattah New York, NY [u.a.] Oxford Univ. Press 2014 XX, 842 S. Ill., zahlr. Notenbeisp. 28 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references Ear training Sight-singing Harmony Gehörbildung (DE-588)4156331-1 gnd rswk-swf A-prima-vista-Singen (DE-588)4142827-4 gnd rswk-swf Harmonielehre (DE-588)4129028-8 gnd rswk-swf (DE-588)4123623-3 Lehrbuch gnd-content Gehörbildung (DE-588)4156331-1 s DE-604 A-prima-vista-Singen (DE-588)4142827-4 s Harmonielehre (DE-588)4129028-8 s Shaftel, Matthew R. ca. 20./21. Jh. Verfasser (DE-588)1032786558 aut Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027475109&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Jones, Evan Shaftel, Matthew R. ca. 20./21. Jh Aural skills in context a comprehensive approach to sight-singing, ear training, keyboard harmony, and improvisation Ear training Sight-singing Harmony Gehörbildung (DE-588)4156331-1 gnd A-prima-vista-Singen (DE-588)4142827-4 gnd Harmonielehre (DE-588)4129028-8 gnd |
| subject_GND | (DE-588)4156331-1 (DE-588)4142827-4 (DE-588)4129028-8 (DE-588)4123623-3 |
| title | Aural skills in context a comprehensive approach to sight-singing, ear training, keyboard harmony, and improvisation |
| title_auth | Aural skills in context a comprehensive approach to sight-singing, ear training, keyboard harmony, and improvisation |
| title_exact_search | Aural skills in context a comprehensive approach to sight-singing, ear training, keyboard harmony, and improvisation |
| title_full | Aural skills in context a comprehensive approach to sight-singing, ear training, keyboard harmony, and improvisation Evan Jones and Matthew Shaftel with Juan Chattah |
| title_fullStr | Aural skills in context a comprehensive approach to sight-singing, ear training, keyboard harmony, and improvisation Evan Jones and Matthew Shaftel with Juan Chattah |
| title_full_unstemmed | Aural skills in context a comprehensive approach to sight-singing, ear training, keyboard harmony, and improvisation Evan Jones and Matthew Shaftel with Juan Chattah |
| title_short | Aural skills in context |
| title_sort | aural skills in context a comprehensive approach to sight singing ear training keyboard harmony and improvisation |
| title_sub | a comprehensive approach to sight-singing, ear training, keyboard harmony, and improvisation |
| topic | Ear training Sight-singing Harmony Gehörbildung (DE-588)4156331-1 gnd A-prima-vista-Singen (DE-588)4142827-4 gnd Harmonielehre (DE-588)4129028-8 gnd |
| topic_facet | Ear training Sight-singing Harmony Gehörbildung A-prima-vista-Singen Harmonielehre Lehrbuch |
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