Experimental fiction: an introduction for readers and writers
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Bloomsbury
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | IX, 206 S. |
| ISBN: | 1441130578 1441189084 9781441130570 9781441189080 |
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Datensatz im Suchindex
| _version_ | 1804152450731474944 |
|---|---|
| adam_text | Experimental Fiction
An Introduction for Readers
and Writers
Julie Armstrong
BLOOMSBURY
LONDON • NEWDELHI • NEWYORK • SYDNEY
Preface and Contents
Who the book is intended for and why
This book is for writers and readers of fiction, especially those who are
studying, or have an interest in, experimental literary works The aim is
to enrich readers knowledge, understanding and appreciation of such
works and to enable writers to heighten their powers of imagination
whilst developing their craft
The history of experimental writing, from modernism to the Beats, to
postmodernism and beyond, will be traced In addition, Experimental
Fiction will analyse why the twenty-first century is a time ripe for
change for the reader and the writer
Experimental Fiction: An Introduction for Readers and Writers has an
Introduction, four sections - Modernism, Beats, Postmodernism,
A New Era Dawning - and a Conclusion
The introduction will pose, and hope to find answers to, the following
questions:
How the book is organized
Introduction
What does experimental mean?
What are the concerns of experimental writers?
What is experimental fiction?
What are the differences between traditional
realist fiction and experimental fiction?
Why read experimental fiction?
How does a reader approach experimental fiction?
Vlll Preface and Contents
What criteria can be used for reading as a writer
of experimental fiction?
At this moment in time, what criteria may writers
and readers consider when they are deconstructing
experimental fiction?
Alongside the historical discussion of each movement, at the end of
each chapter there are creative writing exercises designed to stimulate
writing experimentation and to introduce techniques which will help
learning in terms of the practice of creative writing References for
further reading are also listed Each section has an introduction
Section One When Was/What Was Modernity(ism)? 11
Followed by chapters:
Form and Fiction 25
t
Worldview and Fiction 29 -
Gender Crisis 35
The City and Fiction 41
Dreams, Philosophy, Science and Fiction 47
Followed by Further Reading 55
Section Two When Were/Who Were the Beats? 57
Followed by chapters:
Beat/Music 65
Spirituality and the Beats 69
Sexuality, Drug Culture and Fiction 79
On the Road 85
Followed by Further Reading 95
Preface and Contents ix
Section Three When Is/Was the Postmodern Era? 97
Followed by chapters:
Identity in Flux 109
The Fictiveness of Fiction 119
What Is True/What Is Not? 127
What Is Real/What Is Not? 139
Giving a Voice to Other 147
Followed by Further Reading 153
Section Four A New Era Is Dawning 155
Followed by chapters:
Beyond Postmodernism 165
Changing Perceptions of Reality 175
Anti-Novels Built from Scraps 181
Electronic/Hyper/Interactive Fiction 187
Followed by Further Reading 191
Conclusion 193
The conclusion will pose, and hope to find answers to, the following
questions:
How can writers engage in experimental writing practice? 193
What are the implications for the writer wishing
to experiment? 193
Can this contradictory, complex world be represented by
traditional-realist fiction? 194
Index 197
Having read Experimental Fiction: An Introduction for Readers and
Writers and completed the exercises, readers and writers will be better
informed and more skilful creative writing practitioners
|
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| isbn | 1441130578 1441189084 9781441130570 9781441189080 |
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