Post-soul satire: black identity after civil rights
"From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expr...
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Jackson, Miss.
Univ. Press of Mississippi
2014
|
Ausgabe: | 1. print. |
Schlagworte: | |
Online-Zugang: | Cover image |
Zusammenfassung: | "From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip hop albums, this satirical impulse has found a receptive audience both within and outside the black community. Such works have been variously called "post-black," "post-soul," and examples of a "New Black Aesthetic." Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness. Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Touré, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community".. |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XXIII, 316 S. |
ISBN: | 9781496804563 9781617039973 9781617039980 |
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520 | |a "From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip hop albums, this satirical impulse has found a receptive audience both within and outside the black community. Such works have been variously called "post-black," "post-soul," and examples of a "New Black Aesthetic." Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness. Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Touré, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community".. | ||
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Datensatz im Suchindex
_version_ | 1804152435650854912 |
---|---|
any_adam_object | |
author2 | Maus, Derek C. |
author2_role | edt |
author2_variant | d c m dc dcm |
author_GND | (DE-588)1014948401 |
author_facet | Maus, Derek C. |
building | Verbundindex |
bvnumber | BV042018989 |
callnumber-first | P - Language and Literature |
callnumber-label | P94 |
callnumber-raw | P94.5.A372 |
callnumber-search | P94.5.A372 |
callnumber-sort | P 294.5 A372 |
callnumber-subject | P - Philology and Linguistics |
classification_rvk | HU 1728 |
ctrlnum | (OCoLC)891448866 (DE-599)BVBBV042018989 |
dewey-full | 302.2308996073 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 302 - Social interaction |
dewey-raw | 302.2308996073 |
dewey-search | 302.2308996073 |
dewey-sort | 3302.2308996073 |
dewey-tens | 300 - Social sciences |
discipline | Soziologie Anglistik / Amerikanistik |
edition | 1. print. |
format | Book |
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id | DE-604.BV042018989 |
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isbn | 9781496804563 9781617039973 9781617039980 |
language | English |
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publisher | Univ. Press of Mississippi |
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spelling | Post-soul satire black identity after civil rights ed. by Derek C. Maus ... 1. print. Jackson, Miss. Univ. Press of Mississippi 2014 XXIII, 316 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip hop albums, this satirical impulse has found a receptive audience both within and outside the black community. Such works have been variously called "post-black," "post-soul," and examples of a "New Black Aesthetic." Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness. Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Touré, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community".. SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh SOCIAL SCIENCE / Popular Culture bisacsh LITERARY CRITICISM / American / African American bisacsh Schwarze. USA African Americans in mass media African Americans Race identity Satire, American History and criticism African Americans in literature African Americans in motion pictures African Americans in popular culture African Americans Intellectual life SOCIAL SCIENCE / Ethnic Studies / African American Studies SOCIAL SCIENCE / Popular Culture LITERARY CRITICISM / American / African American Massenmedien (DE-588)4037877-9 gnd rswk-swf Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf Satire (DE-588)4051752-4 gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Satire (DE-588)4051752-4 s Massenmedien (DE-588)4037877-9 s Schwarze Motiv (DE-588)4116434-9 s Identität (DE-588)4026482-8 s DE-604 Maus, Derek C. (DE-588)1014948401 edt http://www.netread.com/jcusers/1343/2849664/image/lgcover.9781617039973.jpg Cover image |
spellingShingle | Post-soul satire black identity after civil rights SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh SOCIAL SCIENCE / Popular Culture bisacsh LITERARY CRITICISM / American / African American bisacsh Schwarze. USA African Americans in mass media African Americans Race identity Satire, American History and criticism African Americans in literature African Americans in motion pictures African Americans in popular culture African Americans Intellectual life SOCIAL SCIENCE / Ethnic Studies / African American Studies SOCIAL SCIENCE / Popular Culture LITERARY CRITICISM / American / African American Massenmedien (DE-588)4037877-9 gnd Schwarze Motiv (DE-588)4116434-9 gnd Satire (DE-588)4051752-4 gnd Identität (DE-588)4026482-8 gnd |
subject_GND | (DE-588)4037877-9 (DE-588)4116434-9 (DE-588)4051752-4 (DE-588)4026482-8 (DE-588)4078704-7 (DE-588)4143413-4 |
title | Post-soul satire black identity after civil rights |
title_auth | Post-soul satire black identity after civil rights |
title_exact_search | Post-soul satire black identity after civil rights |
title_full | Post-soul satire black identity after civil rights ed. by Derek C. Maus ... |
title_fullStr | Post-soul satire black identity after civil rights ed. by Derek C. Maus ... |
title_full_unstemmed | Post-soul satire black identity after civil rights ed. by Derek C. Maus ... |
title_short | Post-soul satire |
title_sort | post soul satire black identity after civil rights |
title_sub | black identity after civil rights |
topic | SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh SOCIAL SCIENCE / Popular Culture bisacsh LITERARY CRITICISM / American / African American bisacsh Schwarze. USA African Americans in mass media African Americans Race identity Satire, American History and criticism African Americans in literature African Americans in motion pictures African Americans in popular culture African Americans Intellectual life SOCIAL SCIENCE / Ethnic Studies / African American Studies SOCIAL SCIENCE / Popular Culture LITERARY CRITICISM / American / African American Massenmedien (DE-588)4037877-9 gnd Schwarze Motiv (DE-588)4116434-9 gnd Satire (DE-588)4051752-4 gnd Identität (DE-588)4026482-8 gnd |
topic_facet | SOCIAL SCIENCE / Ethnic Studies / African American Studies SOCIAL SCIENCE / Popular Culture LITERARY CRITICISM / American / African American Schwarze. USA African Americans in mass media African Americans Race identity Satire, American History and criticism African Americans in literature African Americans in motion pictures African Americans in popular culture African Americans Intellectual life Massenmedien Schwarze Motiv Satire Identität USA Aufsatzsammlung |
url | http://www.netread.com/jcusers/1343/2849664/image/lgcover.9781617039973.jpg |
work_keys_str_mv | AT mausderekc postsoulsatireblackidentityaftercivilrights |