Cognitive mechanisms underlying perception and production of multi-part music:
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Abschlussarbeit Elektronisch Software E-Book |
| Sprache: | English |
| Veröffentlicht: |
2014
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 180 S. Ill., graph. Darst. 12 cm |
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Datensatz im Suchindex
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| adam_text | CONTENTS
1. INTRODUCTION 1
1.1 SEGREGATION AND INTEGRATION IN MUSIC PERCEPTION 2
1.1.1 THE BRAIN BASES OF MULTI-PART MUSIC PERCEPTION 3
1.1.2 PRIORITIZED INTEGRATIVE ATTENTION 5
1.1.3 BRAIN IMAGING STUDIES ON ATTENTION TO MULTI-PART MUSIC 6
1.2 INTEGRATION AND SEGREGATION FOR MUSIC PRODUCTION 8
1.2.1 THE RELATIONSHIP BETWEEN DIFFERENT PARTS IN MUSIC 9
1.2.2 ANTICIPATION THROUGH INTERNAL MODELS 10
1.2.3 METRICAL STRUCTURE AND DIFFERENT TIME SCALES IN MUSIC 12
1.2.4 SELF-OTHER REPRESENTATION IN INTERNAL MODELS 15
1.3 AIMS AND RESEARCH QUESTIONS 16
1.3.1 SEGREGATION AND INTEGRATION AS MECHANISMS IN MUSIC PERCEPTION AT
THE LEVEL OF
BEHAVIOR AND BRAIN 16
1.3.2 SEGREGATION AND INTEGRATION AS MECHANISMS IN MUSIC PRODUCTION 18
1.4 SUMMARY OF STUDIES AND RESULTS 19
1.4.1 STUDIES 1 A AND 1B 19
1.4.2 STUDY 2 21
1.5 CONCLUSION 22
1.5.1 CAVEATS AND OUTLOOK 24
1.6 REFERENCES 26
2. THE IMPORTANCE OF INTEGRATION AND TOP-DOWN SALIENCE WHEN LISTENING TO
COMPLEX MULTI-PART
MUSICAL STIMULI 31
3. SEGREGATION AND INTEGRATION OF AUDITORY STREAMS WHEN LISTENING TO
MULTI-PART MUSIC 64
4. KNOWING TOO LITTLE OR TOO MUCH: THE EFFECTS OF FAMILIARITY WITH A
CO-PERFORMER S PART ON
INTERPERSONAL COORDINATION IN MUSICAL ENSEMBLES 90
APPENDIX A 126
APPENDIX B 128
APPENDIX C 129
APPENDIX D 130
APPENDIX E 131
APPENDIX F 132
HTTP://D-NB.INFO/1051390338
APENNDIX G 133
APPENDIX H 136
LIST OF FIGURES 156
LIST OF TABLES 159
LIST OF ABBREVIATIONS 160
LIST OF APPENDICES 162
CURRICULUM VITAE 163
LIST OF PUBLICATIONS AND CONFERENCE CONTRIBUTIONS 164
BIBLIOGRAPHIC DETAILS 165
PAPER/ ZUSAMMENFASSUNG 166
CONFIRMATION OF CONTRIBUTION OF CO-AUTHORS 176
CONFIRMATION OF CONTRIBUTION OF CO-AUTHORS 177
CONFIRMATION OF CONTRIBUTION OF CO-AUTHORS 178
SELBSTANDIGKEITSERKLARUNG 179
SELBSTANDIGKEITSERKLARUNG ZUM MONOGRAPHISCHEN KAPITEL 1 180
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| author | Ragert, Marie 1984- |
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| bvnumber | BV042012169 |
| ctrlnum | (OCoLC)886621163 (DE-599)DNB1051390338 |
| discipline | Psychologie Medizin |
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| indexdate | 2024-07-10T01:10:30Z |
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| language | English |
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| physical | 180 S. Ill., graph. Darst. 12 cm |
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| spelling | Ragert, Marie 1984- Verfasser (DE-588)1050316649 aut Cognitive mechanisms underlying perception and production of multi-part music vorgelegt von Marie Ragert 2014 180 S. Ill., graph. Darst. 12 cm txt rdacontent c rdamedia cd rdacarrier Leipzig, Univ., Diss., 2014 (DE-588)4113937-9 Hochschulschrift gnd-content DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027454035&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ragert, Marie 1984- Cognitive mechanisms underlying perception and production of multi-part music |
| subject_GND | (DE-588)4113937-9 |
| title | Cognitive mechanisms underlying perception and production of multi-part music |
| title_auth | Cognitive mechanisms underlying perception and production of multi-part music |
| title_exact_search | Cognitive mechanisms underlying perception and production of multi-part music |
| title_full | Cognitive mechanisms underlying perception and production of multi-part music vorgelegt von Marie Ragert |
| title_fullStr | Cognitive mechanisms underlying perception and production of multi-part music vorgelegt von Marie Ragert |
| title_full_unstemmed | Cognitive mechanisms underlying perception and production of multi-part music vorgelegt von Marie Ragert |
| title_short | Cognitive mechanisms underlying perception and production of multi-part music |
| title_sort | cognitive mechanisms underlying perception and production of multi part music |
| topic_facet | Hochschulschrift |
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