Acting Stanislavski: a practical guide to Stanislavski's approach and legacy
"Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world - but is still often rejected, misunderstood and misappli...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Bloomsbury
2014
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| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Cover image Inhaltsverzeichnis |
| Zusammenfassung: | "Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world - but is still often rejected, misunderstood and misapplied. In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance. Drawing on Stanislavski's major books, in both English translations, and on records of his directing process and final studio classes, Acting Stanislavski demystifies terms and concepts. It is for actors from an actor's point of view, and offers many practical exercises and examples as an integrated part of each subject. Acting Stanislavski also creates an up-to-date overview of the Stanislavski approach, connecting his legacy with the work of his successors, from Michael Chekhov to Meisner, Adler and Strasberg. A new, extended and fully updated edition of Acting on Impulse: Reclaiming the Stanislavski Approach (Methuen Drama, 2007), Acting Stanislavski now includes new exercises and biographies, a further chapter on The Character, and an expanded glossary along with many other additions to the previous chapters. It is an essential practical and educational resource for any acting student, professional or teacher".. |
| Beschreibung: | XXIX, 310 S. Ill. |
| ISBN: | 9781408184981 |
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| 520 | |a "Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world - but is still often rejected, misunderstood and misapplied. In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance. Drawing on Stanislavski's major books, in both English translations, and on records of his directing process and final studio classes, Acting Stanislavski demystifies terms and concepts. It is for actors from an actor's point of view, and offers many practical exercises and examples as an integrated part of each subject. Acting Stanislavski also creates an up-to-date overview of the Stanislavski approach, connecting his legacy with the work of his successors, from Michael Chekhov to Meisner, Adler and Strasberg. A new, extended and fully updated edition of Acting on Impulse: Reclaiming the Stanislavski Approach (Methuen Drama, 2007), Acting Stanislavski now includes new exercises and biographies, a further chapter on The Character, and an expanded glossary along with many other additions to the previous chapters. It is an essential practical and educational resource for any acting student, professional or teacher".. | ||
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Datensatz im Suchindex
| _version_ | 1804152421290606592 |
|---|---|
| adam_text | ACTING STANISLAVSKI
/ GILLETT, ADEN 1958-
: 2014
TABLE OF CONTENTS / INHALTSVERZEICHNIS
ACKNOWLEDGEMENTS FOREWORD, BY SAM WESTINTRODUCTION - ACTING IN CONTEXT
PART ONE STARTING FROM NOTHING CHAPTER 1 AWARENESS CHAPTER 2 EASE AND
FOCUS PART TWO IMAGINATION AND ACTION - CREATING THE FOUNDATIONS CHAPTER
3 ACTING IN CIRCUMSTANCES CHAPTER 4 ACTING WITH OTHERS CHAPTER 5 WHAT DO
I WANT? PART THREE DEVELOPING THE IMAGINARY REALITY - IMAGES, SENSING,
FEELING CHAPTER 6 IMAGINING THE ACTION CHAPTER 7 SENSING CHAPTER 8
FEELING CHAPTER 9 ATMOSPHERE PART FOUR EXPLORING TEXT AND CHARACTER
CHAPTER 10 MEETING THE PLAY CHAPTER 11 MEETING THE CHARACTER PART FIVE
CREATING THE LIFE OF THE ROLE CHAPTER 12 DISCOVERING THE ACTION - ACTIVE
ANALYSIS CHAPTER 13 EMBODIMENT - PHYSICAL EXPRESSION OF THE CHARACTER
CHAPTER 14 REFINING THE ROLE CHAPTER 15 THE CHARACTER PART SIX BEYOND
THE ROLE CHAPTER 16 ACTING ETHICS CHAPTER 17 WORKING TOGETHER CHAPTER 18
AN OPEN CONCLUSION A MAP OF THE ORGANIC ACTING PROCESS GLOSSARY SELECTED
BIBLIOGRAPHY INDEX
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Gillett, John |
| author_facet | Gillett, John |
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| author_sort | Gillett, John |
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| ctrlnum | (OCoLC)890131501 (DE-599)BVBBV042007860 |
| dewey-full | 792.02/8 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.02/8 |
| dewey-search | 792.02/8 |
| dewey-sort | 3792.02 18 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV042007860 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:10:27Z |
| institution | BVB |
| isbn | 9781408184981 |
| language | English |
| lccn | 014009026 |
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| physical | XXIX, 310 S. Ill. |
| publishDate | 2014 |
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| publisher | Bloomsbury |
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| spelling | Gillett, John Verfasser aut Acting Stanislavski a practical guide to Stanislavski's approach and legacy John Gillett 1. publ. London [u.a.] Bloomsbury 2014 XXIX, 310 S. Ill. txt rdacontent n rdamedia nc rdacarrier "Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world - but is still often rejected, misunderstood and misapplied. In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance. Drawing on Stanislavski's major books, in both English translations, and on records of his directing process and final studio classes, Acting Stanislavski demystifies terms and concepts. It is for actors from an actor's point of view, and offers many practical exercises and examples as an integrated part of each subject. Acting Stanislavski also creates an up-to-date overview of the Stanislavski approach, connecting his legacy with the work of his successors, from Michael Chekhov to Meisner, Adler and Strasberg. A new, extended and fully updated edition of Acting on Impulse: Reclaiming the Stanislavski Approach (Methuen Drama, 2007), Acting Stanislavski now includes new exercises and biographies, a further chapter on The Character, and an expanded glossary along with many other additions to the previous chapters. It is an essential practical and educational resource for any acting student, professional or teacher".. Stanislavsky, Konstantin, 1863-1938 Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 gnd rswk-swf PERFORMING ARTS / Acting & Auditioning bisacsh Method acting Acting PERFORMING ARTS / Acting & Auditioning Schauspielkunst (DE-588)4129090-2 gnd rswk-swf Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 p Schauspielkunst (DE-588)4129090-2 s DE-604 http://www.netread.com/jcusers2/bk1388/981/9781408184981/image/lgcover.9781408184981.jpg Cover image LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027449773&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gillett, John Acting Stanislavski a practical guide to Stanislavski's approach and legacy Stanislavsky, Konstantin, 1863-1938 Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 gnd PERFORMING ARTS / Acting & Auditioning bisacsh Method acting Acting PERFORMING ARTS / Acting & Auditioning Schauspielkunst (DE-588)4129090-2 gnd |
| subject_GND | (DE-588)118616765 (DE-588)4129090-2 |
| title | Acting Stanislavski a practical guide to Stanislavski's approach and legacy |
| title_auth | Acting Stanislavski a practical guide to Stanislavski's approach and legacy |
| title_exact_search | Acting Stanislavski a practical guide to Stanislavski's approach and legacy |
| title_full | Acting Stanislavski a practical guide to Stanislavski's approach and legacy John Gillett |
| title_fullStr | Acting Stanislavski a practical guide to Stanislavski's approach and legacy John Gillett |
| title_full_unstemmed | Acting Stanislavski a practical guide to Stanislavski's approach and legacy John Gillett |
| title_short | Acting Stanislavski |
| title_sort | acting stanislavski a practical guide to stanislavski s approach and legacy |
| title_sub | a practical guide to Stanislavski's approach and legacy |
| topic | Stanislavsky, Konstantin, 1863-1938 Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 gnd PERFORMING ARTS / Acting & Auditioning bisacsh Method acting Acting PERFORMING ARTS / Acting & Auditioning Schauspielkunst (DE-588)4129090-2 gnd |
| topic_facet | Stanislavsky, Konstantin, 1863-1938 Stanislavskij, Konstantin Sergeevič 1863-1938 PERFORMING ARTS / Acting & Auditioning Method acting Acting Schauspielkunst |
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