Verfügbarkeit: Music 4.0 :: THWS Bibkatalog

Music 4.0: a survival guide for making music in the Internet age

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Owsinski, Bobby (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	New York Leonard 2014
Schriftenreihe:	Music pro guides
Schlagworte:	Music trade > Technological innovations Music trade > Computer network resources Music and the Internet Internet marketing Social Media Neue Medien Online-Marketing Musikwirtschaft Ratgeber
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XIX, 276 S. Ill., graph. Darst.
ISBN:	9781480355149

Internformat

MARC


LEADER	00000nam a2200000 c 4500
001	BV041988603
003	DE-604
005	20170615
007	t
008	140723s2014 xxuad\|\| \|\|\|\| 00\|\|\| eng d
010			\|a 014006752
020			\|a 9781480355149 \|9 978-1-4803-5514-9
035			\|a (OCoLC)891326765
035			\|a (DE-599)BVBBV041988603
040			\|a DE-604 \|b ger \|e aacr
041	0		\|a eng
044			\|a xxu \|c US
049			\|a DE-12 \|a DE-11
050		0	\|a ML3790
082	0		\|a 780.68/8 \|2 23
084			\|a LR 57430 \|0 (DE-625)109872:13528 \|2 rvk
084			\|a LR 57760 \|0 (DE-625)109885:13528 \|2 rvk
084			\|a LR 57790 \|0 (DE-625)109888:13528 \|2 rvk
084			\|a 9,2 \|2 ssgn
100	1		\|a Owsinski, Bobby \|e Verfasser \|0 (DE-588)13320698X \|4 aut
245	1	0	\|a Music 4.0 \|b a survival guide for making music in the Internet age \|c Bobby Owsinski
264		1	\|a New York \|b Leonard \|c 2014
300			\|a XIX, 276 S. \|b Ill., graph. Darst.
336			\|b txt \|2 rdacontent
337			\|b n \|2 rdamedia
338			\|b nc \|2 rdacarrier
490	0		\|a Music pro guides
650		4	\|a Music trade \|x Technological innovations
650		4	\|a Music trade \|x Computer network resources
650		4	\|a Music and the Internet
650		4	\|a Internet marketing
650	0	7	\|a Social Media \|0 (DE-588)4639271-3 \|2 gnd \|9 rswk-swf
650	0	7	\|a Neue Medien \|0 (DE-588)4196910-8 \|2 gnd \|9 rswk-swf
650	0	7	\|a Online-Marketing \|0 (DE-588)7706419-7 \|2 gnd \|9 rswk-swf
650	0	7	\|a Musikwirtschaft \|0 (DE-588)4268614-3 \|2 gnd \|9 rswk-swf
655		7	\|0 (DE-588)4048476-2 \|a Ratgeber \|2 gnd-content
689	0	0	\|a Musikwirtschaft \|0 (DE-588)4268614-3 \|D s
689	0	1	\|a Neue Medien \|0 (DE-588)4196910-8 \|D s
689	0	2	\|a Social Media \|0 (DE-588)4639271-3 \|D s
689	0	3	\|a Online-Marketing \|0 (DE-588)7706419-7 \|D s
689	0		\|5 DE-604
856	4	2	\|m Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment \|q application/pdf \|u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027430881&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA \|3 Inhaltsverzeichnis
999			\|a oai:aleph.bib-bvb.de:BVB01-027430881
942	1	1	\|c 780.2 \|e 22/bsb \|f 0905
942	1	1	\|c 780.7 \|e 22/bsb \|f 0905

Datensatz im Suchindex

_version_	1804152392974860288
adam_text	Contents Introduction ....................................................................................................................xi Other Books by Bobby Owsinski ........................................................................................xviii Bobby Owsinski Online .........................................................................................................xix CHAPTER ONE. The Life Stages of the Music Industry ..................................................1 Music 0.5— The Precursor Business .........................................................................................2 New Technology Drives the Business .................................................................................2 Music 1.0— The Original Music Business ................................................................................3 Music 1.5— The Suits Take Over ..............................................................................................8 The Rise of MTV .................................................................................................................10 The Farm Teams Disband ..................................................................................................10 Music 2.0— Enter the Digital Age ..........................................................................................12 P2P Makes Its Mark ............................................................................................................13 Piracy Takes Another Form ...............................................................................................15 Music 2.5— Digital Music Is Monetized ................................................................................16 Enter the 360 Deal ..............................................................................................................18 Music 3.0— The Dawn of Artist/Fan Communication ........................................................19 Music 3.5— YouTube Becomes the New Radio .....................................................................21 Streaming Catches On ........................................................................................................22 Music 4.0— Streaming Becomes Profitable ...........................................................................23 CHAPTER TWO. How the Music World Has Changed ..................................................27 Who s In Control? ....................................................................................................................28 Where Did the Record Stores Go? .........................................................................................29 Why Traditional Radio Is No Longer the Factor It Once Was ............................................31 College Radio on the Brink ...............................................................................................33 Why Television Is No Longer a Factor ..................................................................................35 The Trouble with Labels ..........................................................................................................36 Where Digital Music Has Failed .......................................................................................36 It s the Music, Stupid ...........................................................................................................38 The Death of Artist Development .....................................................................................38 The Piracy Argument Dissipates .......................................................................................40 CHAPTER THREE. The New Music Industry .................................................................43 The Music Industry Is Not Dying ..........................................................................................44 The New Radio .........................................................................................................................45 Internet Radio .....................................................................................................................45 The Connected Car .............................................................................................................47 Satellite Radio ......................................................................................................................48 What Is Radios Future? ......................................................................................................49 The New Television .............................................................................................................50 The Effect of YouTube .........................................................................................................50 The Broadcast Alternatives ................................................................................................51 The Connected TV .............................................................................................................52 The New Players .......................................................................................................................53 Management ........................................................................................................................53 The Promoter .......................................................................................................................54 The New Record Label .......................................................................................................55 The New Audience ...................................................................................................................57 Enter Music 4.0........................................................................................................................58 CHAPTER FOUR. The New Masters of the Domain .......................................................61 Seth Godin s Tribes ..................................................................................................................61 Radioheaďs Grand Experiment .............................................................................................64 The Wisdom of Trent ...............................................................................................................68 Chris Andersons Long Tail .....................................................................................................73 Irving Azoff s Steel Fist ...........................................................................................................76 Sanctuary s Blueprint ...............................................................................................................78 Justin Bieber—The Socially Made Star ..................................................................................79 Amanda Palmer—The Social Celebrity .................................................................................81 Psy— The Viral Star ..................................................................................................................83 Macklemore And Ryan Lewis—Turning The Record-Label Paradigm Around ...............84 The New World of Label Services .....................................................................................85 CHAPTER FIVE. The New Marketing-Part 1..............................................................87 Your Music Is Your Marketing ................................................................................................87 The New Release Schedule ......................................................................................................90 Ten Music Marketing Ideas .....................................................................................................92 CHAPTER SIX. The New Marketing—Part 2.................................................................95 The New Importance of the Fan .............................................................................................96 Your Email List .........................................................................................................................98 Vi Contents Mail List Services ................................................................................................................98 Six Keys to Building Your Mailing List .............................................................................99 Designing Your Mail Blast ...............................................................................................100 Best Email Practices .........................................................................................................101 More Is Less .......................................................................................................................102 YourBlog ................................................................................................................................104 Other Music Blogs ............................................................................................................105 CHAPTER SEVEN. Marketing with Social Media ........................................................109 The Death and Rebirth of MySpace .....................................................................................110 Marketing with Facebook ..................................................................................................... Ill Eight Rules of Facebook Engagement ............................................................................112 Best Time of Day for Facebook Posts .............................................................................113 Understanding the Like Button ....................................................................................114 Facebook Ads ....................................................................................................................115 Google* ..................................................................................................................................116 Marketing with Twitter .........................................................................................................118 The Secret of the Hashtag .................................................................................................119 The Best Time to Tweet ....................................................................................................120 Twitter Tools ......................................................................................................................121 Marketing with YouTube .......................................................................................................123 YouTubeSEO .....................................................................................................................124 The Half-Life of a Viral Video .........................................................................................126 Making Money from YouTube ........................................................................................126 Streaming Video ...............................................................................................................127 YouTube Measurement Tools ..........................................................................................127 CHAPTER EIGHT. Social Media Management ............................................................131 Measuring Your Social Media Exposure .............................................................................133 Social Media Measurement Tools ...................................................................................134 Advanced Social Media Analytical Tools .......................................................................135 What Is a Brand? ....................................................................................................................136 The Three Pillars of a Brand ............................................................................................137 I m with the Brand ............................................................................................................138 Sponsorship .......................................................................................................................139 Other Avenues for Social Media ..........................................................................................140 Don t Depend on Your Social Network ...............................................................................141 There s More to Social Networking than Facebook .......................................................142 Ten Low-Cost, Hi-Tech Promotion Ideas ...........................................................................143 Contents VÜ But You Still Must Hit the Streets .........................................................................................146 Ten Low-Cost, Low-Tech Promotion Ideas ...................................................................147 CHAPTER NINE. The New Distribution ......................................................................149 Digital, Vinyl, or Bright, Shiny Disc? ...................................................................................150 Music Format Pros and Cons from the Artists Standpoint .........................................150 Digital Downloads ............................................................................................................151 Digital Streaming ..............................................................................................................153 CD—The Bright and Shiny Disc .....................................................................................154 The Vinyl Record ..............................................................................................................155 Collectibles .............................................................................................................................157 Digital Music Distribution ....................................................................................................158 Paid Downloads ................................................................................................................158 Subscription Is the New Download ................................................................................160 The Digital Storage Locker (Cloud Music) ....................................................................163 Music Aggregators .................................................................................................................164 License or Distribution? ........................................................................................................164 Games—Hip or Hype? ..........................................................................................................166 The New Brick-and-Mortar ..................................................................................................167 The Many Ways to Ask for the Sale ......................................................................................168 Ten Sales Tips ....................................................................................................................169 CHAPTER TEN. The Music 4.0 Rules for Survival .......................................................171 Developing Your Audience ...................................................................................................172 Establishing Your Tribe .........................................................................................................173 The Leader .........................................................................................................................174 Growing Your Tribe ..........................................................................................................175 Marketing to Your Tribe ...................................................................................................178 Sustaining Your Career ..........................................................................................................179 The 1,000 True Fans Theory .........................................................................................180 CHAPTER ELEVEN. How to Make Money in Today s Music World ............................183 Hit the Road, Jack ..................................................................................................................184 Swag Is Your Friend ...............................................................................................................186 Top Ten Merch Pieces with the Best Margins ................................................................187 Price It Right .....................................................................................................................188 The Secret to the Merch Table .........................................................................................188 Credit Card Transactions Made Easy .............................................................................189 viii Contents When Music Is Your Product ...............................................................................................190 The Different Types of Streams .......................................................................................191 The New Publishing Paradigm .............................................................................................193 The Problem with Digital Accounting ............................................................................197 Why Use a Publisher? .......................................................................................................197 Making Sense of Streaming Income ....................................................................................198 Crowdfunding ........................................................................................................................200 The Four Tiers of a Crowdfunding Campaign .............................................................201 The Four Rules for Crowdfunding ..................................................................................202 The Concept of Fuelers .................................................................................................203 CHAPTER TWELVE. Living in Music 4.0.....................................................................205 Making a Living Is the New Success ....................................................................................205 There s No Such Thing as a Demo ...................................................................................206 Major Label Deconstruction .................................................................................................207 The Sad Case of EMI ........................................................................................................208 WMG Changes Hands ....................................................................................................208 The Major Label of the Future .........................................................................................209 When You Need a Label ........................................................................................................211 Getting Along In Music 4.0..................................................................................................212 CHAPTER THIRTEEN. Interviews ...............................................................................215 Dae Bogan ...............................................................................................................................215 Richard Feldman ....................................................................................................................219 Larry Gerbrandt .....................................................................................................................224 Shan Dan Horan ....................................................................................................................227 Bruce Houghton .....................................................................................................................233 Ariel Hyatt ..............................................................................................................................237 Gregory Markel ......................................................................................................................243 Rupert Perry ...........................................................................................................................247 Jacob Tell .................................................................................................................................252 Michael Terpin .......................................................................................................................255 DanTsurif ...............................................................................................................................260 Appendix 1. Online Tools ..............................................................................................265 Band-Oriented Platforms ......................................................................................................265 Blogs ........................................................................................................................................265 Crowdfunding ........................................................................................................................265 Contents ix Facebook .................................................................................................................................266 Mailing Lists ...........................................................................................................................266 Measurement ..........................................................................................................................266 Merchandise ...........................................................................................................................267 Music Blogs .............................................................................................................................267 Publishing ...............................................................................................................................267 Social Media Management ....................................................................................................267 Streaming Video .....................................................................................................................268 Surveys ....................................................................................................................................268 Twitter .....................................................................................................................................268 YouTube ..................................................................................................................................268 Appendix 2. Glossary .....................................................................................................269 Index ..............................................................................................................................275
any_adam_object	1
author	Owsinski, Bobby
author_GND	(DE-588)13320698X
author_facet	Owsinski, Bobby
author_role	aut
author_sort	Owsinski, Bobby
author_variant	b o bo
building	Verbundindex
bvnumber	BV041988603
callnumber-first	M - Music
callnumber-label	ML3790
callnumber-raw	ML3790
callnumber-search	ML3790
callnumber-sort	ML 43790
callnumber-subject	ML - Literature on Music
classification_rvk	LR 57430 LR 57760 LR 57790
ctrlnum	(OCoLC)891326765 (DE-599)BVBBV041988603
dewey-full	780.68/8
dewey-hundreds	700 - The arts
dewey-ones	780 - Music
dewey-raw	780.68/8
dewey-search	780.68/8
dewey-sort	3780.68 18
dewey-tens	780 - Music
discipline	Musikwissenschaft
format	Book
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02174nam a2200565 c 4500</leader><controlfield tag="001">BV041988603</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20170615 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">140723s2014 xxuad\|\| \|\|\|\| 00\|\|\| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">014006752</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781480355149</subfield><subfield code="9">978-1-4803-5514-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)891326765</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041988603</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3790</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.68/8</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57430</subfield><subfield code="0">(DE-625)109872:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57760</subfield><subfield code="0">(DE-625)109885:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57790</subfield><subfield code="0">(DE-625)109888:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Owsinski, Bobby</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)13320698X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music 4.0</subfield><subfield code="b">a survival guide for making music in the Internet age</subfield><subfield code="c">Bobby Owsinski</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Leonard</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XIX, 276 S.</subfield><subfield code="b">Ill., graph. Darst.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music pro guides</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music trade</subfield><subfield code="x">Technological innovations</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music trade</subfield><subfield code="x">Computer network resources</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and the Internet</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Internet marketing</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Social Media</subfield><subfield code="0">(DE-588)4639271-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Neue Medien</subfield><subfield code="0">(DE-588)4196910-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Online-Marketing</subfield><subfield code="0">(DE-588)7706419-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4048476-2</subfield><subfield code="a">Ratgeber</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Neue Medien</subfield><subfield code="0">(DE-588)4196910-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Social Media</subfield><subfield code="0">(DE-588)4639271-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Online-Marketing</subfield><subfield code="0">(DE-588)7706419-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027430881&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027430881</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.7</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield></record></collection>
genre	(DE-588)4048476-2 Ratgeber gnd-content
genre_facet	Ratgeber
id	DE-604.BV041988603
illustrated	Illustrated
indexdate	2024-07-10T01:10:00Z
institution	BVB
isbn	9781480355149
language	English
lccn	014006752
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-027430881
oclc_num	891326765
open_access_boolean
owner	DE-12 DE-11
owner_facet	DE-12 DE-11
physical	XIX, 276 S. Ill., graph. Darst.
publishDate	2014
publishDateSearch	2014
publishDateSort	2014
publisher	Leonard
record_format	marc
series2	Music pro guides
spelling	Owsinski, Bobby Verfasser (DE-588)13320698X aut Music 4.0 a survival guide for making music in the Internet age Bobby Owsinski New York Leonard 2014 XIX, 276 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Music pro guides Music trade Technological innovations Music trade Computer network resources Music and the Internet Internet marketing Social Media (DE-588)4639271-3 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Online-Marketing (DE-588)7706419-7 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf (DE-588)4048476-2 Ratgeber gnd-content Musikwirtschaft (DE-588)4268614-3 s Neue Medien (DE-588)4196910-8 s Social Media (DE-588)4639271-3 s Online-Marketing (DE-588)7706419-7 s DE-604 Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027430881&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Owsinski, Bobby Music 4.0 a survival guide for making music in the Internet age Music trade Technological innovations Music trade Computer network resources Music and the Internet Internet marketing Social Media (DE-588)4639271-3 gnd Neue Medien (DE-588)4196910-8 gnd Online-Marketing (DE-588)7706419-7 gnd Musikwirtschaft (DE-588)4268614-3 gnd
subject_GND	(DE-588)4639271-3 (DE-588)4196910-8 (DE-588)7706419-7 (DE-588)4268614-3 (DE-588)4048476-2
title	Music 4.0 a survival guide for making music in the Internet age
title_auth	Music 4.0 a survival guide for making music in the Internet age
title_exact_search	Music 4.0 a survival guide for making music in the Internet age
title_full	Music 4.0 a survival guide for making music in the Internet age Bobby Owsinski
title_fullStr	Music 4.0 a survival guide for making music in the Internet age Bobby Owsinski
title_full_unstemmed	Music 4.0 a survival guide for making music in the Internet age Bobby Owsinski
title_short	Music 4.0
title_sort	music 4 0 a survival guide for making music in the internet age
title_sub	a survival guide for making music in the Internet age
topic	Music trade Technological innovations Music trade Computer network resources Music and the Internet Internet marketing Social Media (DE-588)4639271-3 gnd Neue Medien (DE-588)4196910-8 gnd Online-Marketing (DE-588)7706419-7 gnd Musikwirtschaft (DE-588)4268614-3 gnd
topic_facet	Music trade Technological innovations Music trade Computer network resources Music and the Internet Internet marketing Social Media Neue Medien Online-Marketing Musikwirtschaft Ratgeber
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027430881&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT owsinskibobby music40asurvivalguideformakingmusicintheinternetage

Verfügbarkeit

Es ist kein Print-Exemplar vorhanden.

Fernleihe Bestellen Achtung: Nicht im THWS-Bestand! Inhaltsverzeichnis

MARC

Datensatz im Suchindex

Es ist kein Print-Exemplar vorhanden.

Ähnliche Einträge