Directing the camera: how professional directors use a moving camera to energize their films
"The first half of this book is devoted to teaching a systemized approach that can be used to design the very best moving shot for any dialogue scene, no matter how complex or long. Bettman's "Five Task" approach enables the aspiring director to quickly grasp this difficult eleme...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Studio City
Michael Wise Productions
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The first half of this book is devoted to teaching a systemized approach that can be used to design the very best moving shot for any dialogue scene, no matter how complex or long. Bettman's "Five Task" approach enables the aspiring director to quickly grasp this difficult element of directorial craft. In the second half the reader is taught how to shoot action sequences using moving and static cameras and the gamut of lenses to achieve the magic trick essential to shooting action ... making stunts that are highly controlled and neither violent nor dangerous look completely mind-blowing. ".. |
| Beschreibung: | 184 S. zahlr. Ill. |
| ISBN: | 9781615931668 |
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Datensatz im Suchindex
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| adam_text | DIRECTING THE CAMERA
/ / / / BETTMAN, GIL.
: : : : 2014
TABLE OF CONTENTS / INHALTSVERZEICHNIS
^^ - THE STORYBOARD, THE STORYBOARDS FOR THE AMBUSH FROM NEVER TOO YOUNG
TO DIE, WHAT WE ACTUALLY
SHOT, SUMMARY POINTS, FOR TEACHERS
CHAPTER 7: DIRECTING A CHASE SEQUENCE
THE BASIC RULES, TIE-IN SHOTS, THE STORY OF THE CHASE, STRATEGY #1
WIDE-ANGLE LENSES
POGO
CAMS
NARROW SPACES, STRATEGY #2
LONG LENSES IN OPEN SPACES = MORE EYE CANDY,
GEOGRAPHY IN CHASE SEQUENCES, HUMOR, SHOOTING ACTION/CHASES WITH THE
WIDE LENS VERSUS SHOOTING
ACTION/CHASES WITH THE LONG LENS, SUMMARY POINTS FOR TEACHERS
CHAPTER 8: DIRECTING A FIGHT SEQUENCE
THE BASIC RULES, THE TWO SETUP RULE, SEGMENTS AND COVERAGE, THE
IMPORTANCE OF MASTERING FIGHTS,
THE IMPORTANCE OF GOOD OPERATORS AND GOOD ASSISTANTS, THE JOY OF STUNTS,
SUMMARY POINTS, FOR TEACHERS
CONCLUSION
ABOUT THE AUTHOR
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
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| language | English |
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| physical | 184 S. zahlr. Ill. |
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| spelling | Bettman, Gil Verfasser aut Directing the camera how professional directors use a moving camera to energize their films Gil Bettman Studio City Michael Wise Productions 2014 184 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier "The first half of this book is devoted to teaching a systemized approach that can be used to design the very best moving shot for any dialogue scene, no matter how complex or long. Bettman's "Five Task" approach enables the aspiring director to quickly grasp this difficult element of directorial craft. In the second half the reader is taught how to shoot action sequences using moving and static cameras and the gamut of lenses to achieve the magic trick essential to shooting action ... making stunts that are highly controlled and neither violent nor dangerous look completely mind-blowing. ".. PERFORMING ARTS / Film & Video / General bisacsh Film Motion pictures Production and direction Cinematography PERFORMING ARTS / Film & Video / General LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027429806&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bettman, Gil Directing the camera how professional directors use a moving camera to energize their films PERFORMING ARTS / Film & Video / General bisacsh Film Motion pictures Production and direction Cinematography PERFORMING ARTS / Film & Video / General |
| title | Directing the camera how professional directors use a moving camera to energize their films |
| title_auth | Directing the camera how professional directors use a moving camera to energize their films |
| title_exact_search | Directing the camera how professional directors use a moving camera to energize their films |
| title_full | Directing the camera how professional directors use a moving camera to energize their films Gil Bettman |
| title_fullStr | Directing the camera how professional directors use a moving camera to energize their films Gil Bettman |
| title_full_unstemmed | Directing the camera how professional directors use a moving camera to energize their films Gil Bettman |
| title_short | Directing the camera |
| title_sort | directing the camera how professional directors use a moving camera to energize their films |
| title_sub | how professional directors use a moving camera to energize their films |
| topic | PERFORMING ARTS / Film & Video / General bisacsh Film Motion pictures Production and direction Cinematography PERFORMING ARTS / Film & Video / General |
| topic_facet | PERFORMING ARTS / Film & Video / General Film Motion pictures Production and direction Cinematography |
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