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Bibliographische Detailangaben
1. Verfasser:	Bonds, Mark Evan 1954- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Upper Saddle River [u.a.] Pearson Education 2015
Ausgabe:	3. ed.
Schlagworte:	Musik Music appreciation Music > History and criticism Musikwahrnehmung Klassische Musik Musikhören Übungssammlung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XXII, 536 S. Ill., Notenbeisp.
ISBN:	9780205978618

Internformat

MARC


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245	1	0	\|a Listen to this \|c Mark Evan Bonds, Department of Music, University of North Carolina at Chapel Hill ; with contributions by Jocelyn Neal (popular music), Joseph Kaminski and N. Scott Robinson (world music), and William Gibbons (video game music)
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Datensatz im Suchindex

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adam_text	Table of Contents :- ■ * A Brief Introduction ÉH Melody PERFORMANCE The Science of Melody 4 Rhythm 5 Ci Harmony HISTORICAL CONTEXT Illegal Harmony? 8 W Texture 9 Dynamics ю ¡Él Timbre ™ PERFORMANCE The Acoustics of Timbre 11 Form 11 Word-Music Relationships 12 Beyond the Elements: Genre 13 In Review: The Elements 14 PARTI The Middle Ages 476 CE - Early Fifteenth Century ie Timeline 16 Music for Sacred Spaces 17 Music for Entertainment 18 Music for Dancing 19 Information Technology 1.0 19 A CLOSER LOOK: A Twelfth Century Plainchant Manuscript 20 The Middle Ages: CHAPTERS AT A GLANCE 21 1 Hildegard von Bingen Play of Virtues (excerpt) 22 LISTEN TO THIS FIRST: Texture; Melody; Word-Music Relationships; Rhythm 22 HISTORICAL CONTEXT The Morality Play 23 CONNECT YOUR PLAYLIST Monophony 25 LISTENING GUIDE 26 PROFILE Hildegard von Bingen (1098-1179) 28 THE COMPOSER SPEAKS Hildegard Defends the Practice of Music 29 EXPAND YOUR PLAYLIST Chant 29 Ł San Ildefonso Indians of New Mexico Eagle Dance зо LISTEN TO THIS FIRST: Texture; Rhythm; Melody; Form 30 HISTORICAL CONTEXT The Powwow 32 CONNECT YOUR PLAYLIST Vocables 33 LISTENING GUIDE 34 EXPAND YOUR PLAYLIST Native American Music 35 ETEXT BONUS Chapter 1 Plainchant Alleluia Caro mea from the Mass for the Feast of Corpus Christi EBC1-1 LISTEN TO THIS FIRST: Timbre; Texture; Melody; Word-Music Relationships EBC1-1 PERFORMANCE Chilling to Chant EBC1-2 CONNECT YOUR PLAYLIST Call-and-Response EBC1-2 LISTENING GUIDE EBC1-4 EXPAND YOUR PLAYLIST The Plainchant Mass EBC1-5 J Francesco Landini Behold, Spring 36 LISTEN TO THIS FIRST: Texture; Rhythm; Melody; Form; Word-Music Relationships 36 CONNECT YOUR PLAYLIST Melismas 38 PROFILE Francesco Landini (ca. 1325-1397) 39 LISTENING GUIDE 40 HISTORICAL CONTEXT Producing a Manuscript 41 EXPAND YOUR PLAYLIST Medieval Polyphony 41 4 Guillaume de Machaut I Can All Too Well Compare My Lady 42 LISTEN TO THIS FIRST: Texture; Melody; Form 42 HISTORICAL CONTEXT The Myth of Pygmalion 43 PROFILE Guillaume de Machaut (ca. 1300-1377) 44 CONNECT YOUR PLAYLIST Three-Voice Texture 44 LISTENING GUIDE 45 VI Contents HISTORICAL CONTEXT The Mass 46 EXPAND YOUR PLAYLIST The Art of Courtly Love 46 r 3 Alfonso el Sabio Songs to the Virgin Mary, no. 249, He Who Gladly Serves 47 LISTEN TO THIS FIRST: Timbre; Form; Texture 47 CONNECT YOUR PLAYLIST Instrumental Timbre 48 PERFORMANCE Reed Instruments 49 LISTENING GUIDE 50 PROFILE Alfonso el Sabio (1221-1284) 51 EXPAND YOUR PLAYLIST Instrumental Music of the Middle Ages 51 A CLOSER LOOK: Musical Instruments of the Middle Ages 52 MAKING CONNECTIONS: Music of the Middle Ages 53 IN REVIEW: Medieval Style 53 PART 2 The Renaissance ca. 1425-1600 54 Timeline 54 Music for Catholics, Music for Protestants 54 Music for Growing Markets 55 A New Sense of Individuality 56 Information Technology 2.0 56 A CLOSER LOOK: A Renaissance Printing Press 57 The Renaissance: CHAPTERS AT A GLANCE 58 6 Josquin des Prez The Cricket 59 LISTEN TO THIS FIRST: Texture; Word-Music Relationships; Form 59 CONNECT YOUR PLAYLIST Word Painting 61 LISTENING GUIDE 62 PROFILE Josquin des Prez (ca. 1450-1521) 63 PERFORMANCE Playing and Singing 64 EXPAND YOUR PLAYLIST The Music of Sounds 64 7 Thomas Weelkes Since Robin Hood 65 LISTEN TO THIS FIRST: Texture; Rhythm; Word-Music Relationships 65 CONNECT YOUR PLAYLIST Changing Meters 67 LISTENING GUIDE 68 PROFILE Thomas Weelkes (ca. 1575-1623) 69 HISTORICAL CONTEXT Musicians as Spies 70 EXPAND YOUR PLAYLIST The Italian Madrigal 70 8 William Byrd Sing Joyfully 71 LISTEN TO THIS FIRST: Texture; Form; Word-Music Relationships 71 CONNECT YOUR PLAYLIST Polyphonic Texture 73 LISTENING GUIDE 74 PERFORMANCE The Sound of the All-Male Choir 75 THE COMPOSER SPEAKS Eight Reasons for Learning How to Sing 75 PROFILE William Byrd (1542-1623) 76 EXPAND YOUR PLAYLIST Sacred Music of the Renaissance 77 ) Rhyming Singers of the Bahamas My Lord Help Me to Pray 78 LISTEN TO THIS FIRST: Texture; Melody; Word-Music Relationships; Form 78 HISTORICAL CONTEXT Bob Marley and the Birth of Reggae 80 CONNECT YOUR PLAYLIST Call-and-Response 80 LISTENING GUIDE 81 EXPAND YOUR PLAYLIST Music of the Caribbean 82 MAKING CONNECTIONS: Music of the Middle Ages and the Renaissance 83 IN REVIEW: Renaissance Style 84 ETEXT BONUS Chapter 2 Tielman Susato: Moorish Dance EBC2-1 LISTEN TO THIS FIRST: Timbre; Rhythm; Form EBC2-1 CONNECT YOUR PLAYLIST Brass Instruments EBC2-4 LISTENING GUIDE EBC2-5 PROFILE Tielman Susato (ca. 1510-ca. 1570) EBC2-6 EXPAND YOUR PLAYLIST Instrumental Music of the Renaissance EBC2-6 HISTORICAL CONTEXT The Business of Music Publishing EBC2-7 part3 The Baroque Era 1600-1750 85 Timeline 86 Projecting Cultural Power through Music 86 The Splendor of the Church 87 Opera, Oratorio, and the Entrepreneurial Spirit 88 The Virtuoso 88 A CLOSER LOOK: The Baroque Opera House 89 The Baroque Era: CHAPTERS AT A GLANCE 90 Contents VII IU Claudio Monteverdi Orpheus, selection from Act II 92 LISTEN TO THIS FIRST: Texture; Word-Music Relationships 92 CONNECT YOUR PLAYLIST Recitative 94 LISTENING GUIDE 95 PROFILE Claudio Monteverdi (1567-1643) 96 EXPAND YOUR PLAYLIST Old and New Practices in the Seventeenth Century 97 11 Henry Purceii Dido and Aeneas, Overture and Act I, nos. 1-4 98 LISTEN TO THIS FIRST: Timbre; Texture; Word-Music Relationships 98 PROFILE Henry Purceii (ca. 1659-1695) 100 PERFORMANCE Opera in English 101 CONNECT YOUR PLAYLIST Ostinato 101 LISTENING GUIDE 102 EXPAND YOUR PLAYLIST Baroque Opera 104 12 Mbuti Pygmies Marriage Celebration Song 105 LISTEN TO THIS FIRST: Texture; Rhythm; Form 105 CONNECT YOUR PLAYLIST Interlocking Rhythms 107 LISTENING GUIDE 108 HISTORICAL CONTEXT Do I Repeat Myself? 110 EXPAND YOUR PLAYLIST Singing in the Rain (Forest) 110 13 Barbara Strozzi Revenge m LISTEN TO THIS FIRST: Melody; Form; Timbre 111 CONNECT YOUR PLAYLIST Ornamentation 113 LISTENING GUIDE 114 PROFILE Barbara Strozzi (1619-1677) 115 HISTORICAL CONTEXT Women Composers in the Baroque Era 116 EXPAND YOUR PLAYLIST Baroque Chamber Music 117 14 Antonio Vivaldi The Four Seasons, Winter, first movement 1 1 8 LISTEN TO THIS FIRST: Timbre; Form; Word-Music Relationships 118 CONNECT YOUR PLAYLIST The Concerto 120 PROFILE Antonio Vivaldi (1678-1741) 121 LISTENING GUIDE 122 EXPAND YOUR PLAYLIST Program Music 123 A CLOSER LOOK: The Violin 124 15 Johann Sebastian Bach Fugue in G Minor, BWV 578 ( Little ) 125 LISTEN TO THIS FIRST; Timbre; Melody; Texture 125 A CLOSER LOOK: The Baroque Organ 127 PERFORMANCE Changing the Sound, but Not the Notes 128 CONNECT YOUR PLAYLIST Arrangements 128 LISTENING GUIDE 129 LISTENING GUIDE 130 PROFILE Johann Sebastian Bach (1685-1750) 131 A CLOSER LOOK: Bach s World 132 EXPAND YOUR PLAYLIST Baroque Organ Music 132 16 Johann Sebastian Bach Brandenburg Concerto no. 2 in F Major, BWV 1047, finale ізз LISTEN TO THIS FIRST: Timbre; Form; Texture 133 CONNECT YOUR PLAYLIST Imitation 135 LISTENING GUIDE 136 PERFORMANCE The Art of Trumpet Playing, Lost and Found 137 EXPAND YOUR PLAYLIST The Baroque Concerto 139 17 Johann Sebastian Bach Cantata HO: Awake, a Voice Calls to Us, selections 140 LISTEN TO THIS FIRST: Melody; Timbre; Texture; Form 140 THE COMPOSER SPEAKS Bach s Working Conditions 144 CONNECT YOUR PLAYLIST Re-Using the Familiar 145 EXPAND YOUR PLAYLIST Sacred Music of the Late Baroque 145 LISTENING GUIDE 146 18 George Frideric Handel Messiah, selections 148 LISTEN TO THIS FIRST: Timbre; Melody; Word-Music Relationships; Texture 148 CONNECT YOUR PLAYLIST Varied Textures 152 LISTENING GUIDE 153 LISTENING GUIDE 154 HISTORICAL CONTEXT Why Stand? 156 EXPAND YOUR PLAYLIST Covering the Hallelujah Chorus 156 PROFILE George Frideric Handel (1685-1759) 157 MAKING CONNECTIONS: Music of the Renaissance and Baroque 158 IN REVIEW: Baroque Style 159 VIII Contents part 4 The Classical Era (1750-1800) ш Timeline 160 Music as the Language of the Heart 161 Music and Revolution 162 Musicanti the New Economy 162 The Art of the Natural 163 The Classical Era: CHAPTERS AT A GLANCE 164 і .7 Joseph Haydn String Quartet ¡n C Major, op. 76, no. 3, second movement 166 LISTEN TO THIS FIRST: Timbre; Texture; Melody; Form 166 PROFILE Joseph Haydn (1732-1809) 170 HISTORICAL CONTEXT Musical Appropriation 171 CONNECT YOUR PLAYLIST Musical Appropriation 171 LISTENING GUIDE 172 EXPAND YOUR PLAYLIST Chamber Music and Solo Keyboard Music of the Classical Era 174 2U Master Musicians of the Ikuta-ryu Cherry Blossom 175 LISTEN TO THIS FIRST: Timbre; Melody; Form; Texture 175 CONNECT YOUR PLAYLIST Theme and Variation 177 LISTENING GUIDE 178 HISTORICAL CONTEXT Geisha in Japanese Life 180 EXPAND YOUR PLAYLIST Zither-Dee-Dee 180 21 Joseph Haydn Symphony no. 102 in ВЬ Major, third and fourth movements 181 LISTEN TO THIS FIRST: Timbre; Dynamics; Form 181 THE COMPOSER SPEAKS Haydn in London 184 HISTORICAL CONTEXT Concerts and Concert Manners in the Classical Era 185 CONNECT YOUR PLAYLIST Dynamics 185 LISTENING GUIDE 186 LISTENING GUIDE 187 A CLOSER LOOK: The Chamber Orchestra 188 EXPAND YOUR PLAYLIST Haydn s Symphonies 190 12 Wolfgang Amadeus Mozart Symphony no. 40 in G Minor, K. 550, first movement 191 LISTEN TO THIS FIRST: Form; Harmony; Melody 191 HISTORICAL CONTEXT The Drama of Sonata Form 194 CONNECT YOUR PLAYLIST Modulation 195 LISTENING GUIDE 196 PROFILE Wolfgang Amadeus Mozart (1756-1791 ) 198 A CLOSER LOOK: Mozart s World 199 HISTORICAL CONTEXT Mozart s Sister 200 EXPAND YOUR PLAYLIST Mozart s Symphonies 200 23 Wolfgang Amadeus Mozart Piano Concerto in A Major, K. 488, first movement 201 LISTEN TO THIS FIRST: Timbre; Melody; Form 201 PERFORMANCE Mozart on Modern Instruments 204 CONNECT YOUR PLAYLIST Cadenza 205 LISTENING GUIDE 206 HISTORICAL CONTEXT Mozart s Concerts: The Bottom Line 208 EXPAND YOUR PLAYLIST The Classical Concerto 208 24 Wolfgang Amadeus Mozart The Marriage of Figaro, Act I, Cosa sento 209 LISTEN TO THIS FIRST: Word-Music Relationships; Form; Melody 209 CONNECT YOUR PLAYLIST Simultaneous Contrasting Melodies 212 EXPAND YOUR PLAYLIST Opera in the Classical Era 213 THE COMPOSER SPEAKS Gluck on Opera 213 LISTENING GUIDE 214 ETEXT BONUS Chapter 3 Jingjulhd Reunion EBC3-1 LISTEN TO THIS FIRST: Melody; Word-Music Relationships; Timbre; Texture; Rhythm EBC3-1 CONNECT YOUR PLAYLIST Opera EBC3-3 LISTENING GUIDE EBC3-4 HISTORICAL CONTEXT Jingju and the Cultural Revolution EBC3-6 EXPAND YOUR PLAYLIST Traditional Chinese Music EBC3-6 25 William Billings Chester 218 LISTEN TO THIS FIRST: Melody; Texture; Harmony 218 CONNECT YOUR PLAYLIST Periodic Phrase Structure 221 LISTENING GUIDE 222 PROFILE William Billings (1746-1800) 223 THE COMPOSER SPEAKS Billings on the Rules of Nature 224 EXPAND YOUR PLAYLIST Music of the American Revolution 224 Contents IX MAKING CONNECTIONS: Music of the Baroque and Classical Eras 225 IN REVIEW: Classical Style 226 PARTÌ The Nineteenth Century 1SÍ0 19Ö0 227 Most Romantic of All the Arts 227 Timeline 228 Originality 228 A Piano in Every Home 229 A CLOSER LOOK: The Power of Music 230 Music as Political Force 230 Nationalism 231 The Revolution in Transportation 231 The Nineteenth Century: CHAPTERS AT A GLANCE 232 ■■ ι f ¿M Ludwig van Beethoven Symphony no. 5 ¡n C Minor, op. 67 234 LISTEN TO THIS FIRST: Rhythm; Dynamics; Timbre; Form 234 CONNECT YOUR PLAYLIST Unison Opening 235 HISTORICAL CONTEXT Fate? 237 LISTENING GUIDE 238 PROFILE Ludwig van Beethoven (1770-1827) 240 EXPAND YOUR PLAYLIST Beethoven s Symphonies 241 /■■ / Franz Schubert Erlkönig, D. 328 242 LISTEN TO THIS FIRST: Form; Word-Music Relationships 242 CONNECT YOUR PLAYLIST The Ballad 242 LISTENING GUIDE 244 PROFILE Franz Schubert (1797-1828) 248 EXPAND YOUR PLAYLIST Schubert s Songs 248 i Felix Mendelssohn Overture to A Midsummer Night s Dream 249 LISTEN TO THIS FIRST: Word-Music Relationships; Form 249 CONNECT YOUR PLAYLIST Dynamics 251 LISTENING GUIDE 252 PROFILE Felix Mendelssohn (1809-1847) 253 THE COMPOSER SPEAKS Mendelssohn Reflects on his Overture to A Midsummer Night s Dream 254 EXPAND YOUR PLAYLIST Shakespeare in Music 254 - Hector Berlioz Symphonie fantastique, fourth moyemenrC March to the Scaffold ) 255 LISTEN TO THIS FIRST: Timbre; Word-Music Relationships; Form 255 CONNECT YOUR PLAYLIST Autobiographical Music 257 LISTENING GUIDE 258 PROFILE Hector Berlioz (1803-1869) 259 PERFORMANCE How Loud Is Too Loud? 260 EXPAND YOUR PLAYLIST The Music of Dreams 260 Fanny Mendelssohn Hensel Piano Trio ¡n D Minor, op. 11, third movement ( Song ) 261 LISTEN TO THIS FIRST: Timbre; Word-Music Relationships; Melody 261 PROFILE Fanny Mendelssohn Hensel (1805-1847) 262 CONNECT YOUR PLAYLIST Trochaic Meter 263 LISTENING GUIDE 264 HISTORICAL CONTEXT Women Composers of the Nineteenth Century 265 EXPAND YOUR PLAYLIST Chamber Music of the Nineteenth Century 265 ETEXT BONUS Chapter 4 Robert Schumann Dedication EBC4-1 LISTEN TO THIS FIRST: Form; Harmony; Melody; Rhythm EBC4-1 PROFILE Robert Schumann (1810-1856) EBC4-2 CONNECT YOUR PLAYLIST Ternary Form EBC4-4 EXPAND YOUR PLAYLIST The Song in the Nineteenth Century EBC4-5 LISTENING GUIDE EBC4-6 Ï Clara Wieck Schumann Forward! 266 LISTEN TO THIS FIRST: Timbre; Melody; Word-Music Relationships 266 CONNECT YOUR PLAYLIST A Cappella Timbre 267 LISTENING GUIDE 268 PROFILE Clara Wieck Schumann (1819-1896) 270 HISTORICAL CONTEXT Music and Politics 271 EXPAND YOUR PLAYLIST Political Music 271 Contents ■1? is JÂ Frédéric Chopin Mazurka in Bl> Major, op. 7, no. 1 272 LISTEN TO THIS FIRST: Texture; Melody; Rhythm; Form 272 CONNECT YOUR PLAYLIST Nationalism 275 LISTENING GUIDE 276 PROFILE Frédéric Chopin (1809-1848) 277 PERFORMANCE Speeding Up and Slowing Down: Robbed Time 278 EXPAND YOUR PLAYLIST Piano Music of the Nineteenth Century 278 Louis Moreau Gottschalk Union: Concert Paraphrase on National Airs 279 LISTEN TO THIS FIRST: Melody; Texture 279 HISTORICAL CONTEXT Music in the Civil War 280 CONNECT YOUR PLAYLIST Virtuosity 281 LISTENING GUIDE 282 A CLOSER LOOK: Gottschalk s 1862 Concerts 283 PROFILE Louis Moreau Gottschalk (1829-1869) 284 EXPAND YOUR PLAYLIST The Nineteenth-Century Virtuoso 285 »34 RaviShankar Raga Sindhi-Bhairavi 286 LISTEN TO THIS FIRST: Timbre; Melody; Texture; Form; Rhythm 286 HISTORICAL CONTEXT The Sitar in Popular Music 288 CONNECT YOUR PLAYLIST Instrumental Virtuosity 290 EXPAND YOUR PLAYLIST Raga 291 LISTENING GUIDE 292 Giuseppe Verdi La Traviata, Act I, selection ( Follie! ) 294 LISTEN TO THIS FIRST: Melody; Word-Music Relationships 294 PROFILE Giuseppe Verdi (1813-1901) 296 CONNECT YOUR PLAYLIST Vocal Virtuosity 297 EXPAND YOUR PLAYLIST The Art of the Diva 297 LISTENING GUIDE 298 A CLOSER LOOK: Verdi s World 300 HISTORICAL CONTEXT The Diva 301 Richard Wagner The Valkyrie, Act III, selection ( Wotan s Farewell ) 302 LISTEN TO THIS FIRST: Texture; Word-Music Relationships 302 CONNECT YOUR PLAYLIST The Leitmotif 305 PROFILE Richard Wagner (1813-1883) 306 A CLOSER LOOK: Wagner s World 307 LISTENING GUIDE 308 HISTORICAL CONTEXT Wagner and Tolkien: A Tale of Two Rings 310 EXPAND YOUR PLAYLIST Opera in the Nineteenth Century 310 Johannes Brahms Symphony no. 4 in E Minor, op. 98, finale 311 LISTEN TO THIS FIRST: Form; Timbre 311 PERFORMANCE The Conductor 312 CONNECT YOUR PLAYLIST Same Theme, Different Timbres 313 LISTENING GUIDE 314 PROFILE Johannes Brahms (1833-1897) 318 EXPAND YOUR PLAYLIST The Art of the Conductor 319 Antonín Dvorak String Quartet in F Major, op. 96 ( American ), third movement 320 LISTEN TO THIS FIRST: Timbre; Melody; Form 320 PROFILE Antonín Dvorak (1841-1904) 322 CONNECT YOUR PLAYLIST Call and Response 323 LISTENING GUIDE 324 THE COMPOSER SPEAKS The Sources of an American Musical Style 325 PERFORMANCE How to Make a Quartet 326 EXPAND YOUR PLAYLIST Nationalism in Nineteenth-Century Music 326 MAKING CONNECTIONS: Music of the Classical Era and the Nineteenth Century 327 IH BEVIEW: Nineteenth-Century Style 328 PART 6 Since 1900 1900- 329 Modernism 330 Timeline 330 Audio Technology 332 Social Diversity 332 Globalization 333 The Twentieth Century: CHAPTERS AT A GLANCE 334 39 Claude Debussy Voiles 338 LISTEN TO THIS FIRST: Timbre; Melody; Dynamics; Rhythm; Harmony; Form 338 Contents XI PROFILE Claude Debussy (1862-1918) 342 CONNECT YOUR PLAYLIST Dynamics 343 LISTENING GUIDE 344 HISTORICAL CONTEXT Impressionism 345 EXPAND YOUR PLAYLIST Impressionism 345 40 Charles Ives The Unanswered Question 346 LISTEN TO THIS FIRST: Timbre; Melody; Texture; Harmony 346 CONNECT YOUR PLAYLIST Dissonance 349 EXPAND YOUR PLAYLIST Tonal versus Atonal 349 LISTENING GUIDE 350 PROFILE Charles Ives (1874-1954) 351 41 Arnold Schoenberg Columbine from Pierrot lunaire 352 LISTEN TO THIS FIRST: Timbre; Harmony; Word-Music Relationships 352 CONNECT YOUR PLAYLIST Sprechstimme 354 HISTORICAL CONTEXT Expressionist Film 354 LISTENING GUIDE 355 PROFILE Arnold Schoenberg (1874-1951 ) 356 EXPAND YOUR PLAYLIST Expressionism 357 42 Igor Stravinsky TheRiteofSpring.PañOne 358 LISTEN TO THIS FIRST: Harmony; Melody; Rhythm; Timbre; Word-Music Relationships 358 HISTORICAL CONTEXT The Business of Dance 361 CONNECT YOUR PLAYLIST Ostinato 362 PROFILE Igor Stravinsky (1882-1971) 363 LISTENING GUIDE 364 A CLOSER LOOK: The Mega-Orchestra 366 PERFORMANCE The Audience Riots 368 EXPAND YOUR PLAYLIST Ballet Music 368 43 Scott Joplin Maple Leaf Rag 369 LISTEN TO THIS FIRST: Rhythm; Melody; Form 369 PROFILE Scott Joplin (1868-1917) 372 CONNECT YOUR PLAYLIST Syncopation 373 LISTENING GUIDE 374 PERFORMANCE How did Joplin Play This Piece? 375 HISTORICAL CONTEXT Making Money on a Hit 376 EXPAND YOUR PLAYLIST Rooted in Ragtime 376 44 Robert Johnson Terraplane Blues 377 LISTEN TO THIS FIRST: Melody; Timbre; Form; Word-Music Relationships 377 CONNECT YOUR PLAYLIST The Blues 380 PERFORMANCE Who Wrote the Blues? 381 EXPAND YOUR PLAYLIST The Blues in Different Styles 381 LISTENING GUIDE 382 PROFILE Robert Johnson (1911-1938) 384 45 Duke Ellington Cotton Tail 385 LISTEN TO THIS FIRST: Harmony; Texture; Rhythm; Form 385 CONNECT YOUR PLAYLIST Close-Voiced Harmony 387 LISTENING GUIDE 388 EXPAND YOUR PLAYLIST Rhythm Changes in Jazz 391 PROFILE Duke Ellington (1899-1974) 392 A CLOSER LOOK: Duke Ellington 393 HISTORICAL CONTEXT The Swing Revival 394 46 Charlie Parker Ornithology 395 LISTEN TO THIS FIRST: Timbre; Melody; Texture; Form 395 CONNECT YOUR PLAYLIST Improvisation 397 LISTENING GUIDE 398 PROFILE Charlie Parker (1920-1955) 400 PERFORMANCE Improvisation 401 EXPAND YOUR PLAYLIST From Bebop to Free Jazz 401 47 Ruth Crawford Різпо Study in Mixed Accents 402 LISTEN TO THIS FIRST: Rhythm; Texture; Harmony; Melody; Form 402 HISTORICAL CONTEXT Twelve-Tone Composition 404 PROFILE Ruth Crawford (1901-1953) 405 CONNECT YOUR PLAYLIST Atonality 406 EXPAND YOUR PLAYLIST Women Composers of the Twentieth Century 406 LISTENING GUIDE 407 XII Contents io GermaineTaillef erre Concertino for Harp and Orchestra, finale 408 LISTEN TO THIS FIRST: Melody; Harmony; Timbre; Form 408 CONNECT YOUR PLAYLIST Glissando 410 LISTENING GUIDE 411 PROFILE Germaine Taìlleferre (1892-1983) 412 HISTORICAL CONTEXT Using the Past to Send a Message 413 EXPAND YOUR PLAYLIST Neoclassicism 413 l 9 William Grant Still A Black Pierrot from Songs of Separation 414 LISTEN TO THIS FIRST: Harmony; Melody; Form 414 HISTORICAL CONTEXT The Harlem Renaissance 415 CONNECTYOUR PLAYLIST Through-Composed Form 416 PROFILE William Grant Still (1895-1978) 417 LISTENING GUIDE 418 EXPAND YOUR PLAYLIST Twentieth-Century African American Composers in the Western Classical Tradition 419 Aaron Copland Hoe-Down from Rodeo (3:05) 420 LISTEN TO THIS FIRST: Melody; Timbre; Rhythm; Form 420 CONNECT YOUR PLAYLIST Folk Music 422 HISTORICAL CONTEXT Using Hoe-Down 422 LISTENING GUIDE 423 PROFILE Aaron Copland (1900-1990) 424 HISTORICAL CONTEXT Are You Now or Have You Ever Been.,.? 425 EXPAND YOUR PLAYLIST The Sound of the American West 425 Béla Bartók Concerto for Orchestra, second movement ( Game of Pairs ) 426 LISTEN TO THIS FIRST: Timbre; Melody; Form 426 PROFILE Béla Bartók (1881-1945) 428 CONNECT YOUR PLAYLIST Symmetrical Form 429 LISTENING GUIDE 430 HISTORICAL CONTEXT Bartók the Ethnomusicologist 431 EXPAND YOUR PLAYLIST Orchestral Music of the Twentieth Century 431 52 Leonard Bernstein Tonight from West Side Story 432 LISTEN TO THIS FIRST: Melody; Texture; Form; Word-Music Relationships 432 CONNECT YOUR PLAYLIST Additive Form 434 PROFILE Leonard Bernstein (1918-1990) 435 LISTENING GUIDE 436 EXPAND YOUR PLAYLIST Broadway s Social Conscience 440 5 J John Cage Sonata II from Sonatas and Interludes 441 LISTEN TO THIS FIRST: Timbre; Rhythm; Form 441 CONNECT YOUR PLAYLIST Old Instruments, New Sounds 442 EXPAND YOUR PLAYLIST Experimental Composers of the Twentieth Century 444 LISTENING GUIDE 445 PROFILE John Cage (1912-1992) 446 PERFORMANCE i 33 : The Music (?) of Silence (?) 447 54 Gamelan Gong Kebyar of Belaluan, Bali Kebyar Ding III, Oncang-oncangan 448 LISTEN TO THIS FIRST: Timbre; Melody; Dynamics; Form 448 A CLOSER LOOK: The Gamelan 450 CONNECT YOUR PLAYLIST Ostinato 451 LISTENING GUIDE 452 EXPAND YOUR PLAYLIST Gamelan Music 455 55 Philip Glass Knee Play 1 from Einstein on the Beach 456 LISTEN TO THIS FIRST: Timbre; Harmony; Form 456 CONNECT YOUR PLAYLIST Minimalism 458 PROFILE Philip Glass (b. 1937) 459 LISTENING GUIDE 460 EXPAND YOUR PLAYLIST Minimalism 462 56 Chuck Berry School Day 463 LISTEN TO THIS FIRST: Rhythm; Timbre; Form 463 PROFILE Chuck Berry (b. 1926) 466 CONNECT YOUR PLAYLIST Guitar Riff 467 LISTENING GUIDE 468 HISTORICAL CONTEXT Television and the Rise of Rock n Roll 470 EXPAND YOUR PLAYLIST Styles of Early Rock n Roll 471 ETEXT BONUS Chapter 5 Mahalia Jackson It Don t Cost Very Much EBCS-i LISTEN TO THIS FIRST: Form; Timbre; Rhythm; Harmony EBC5-1 Contents xiii PROFILE Mahalia Jackson (1911-1972) and Thomas A. Dorsey (1899-1993) EBC5-4 CONNECT YOUR PLAYLIST Gospel Vocal Style EBC5-5 LISTENING GUIDE EBC5-6 HISTORICAL CONTEXT Gospel in Black and White EBC5-8 EXPAND YOUR PLAYLIST Southern and Black Gospel EBC5-8 ETEXT BONUS Chapter 6 The Sex Pistols God Save the Queen EBC6-1 LISTEN TO THIS FIRST: Word-Music Relationships; Melody; Timbre; Form EBC6-1 PROFILE The Sex Pistols EBC6-4 CONNECT YOUR PLAYLIST Punk Rock s Legacy EBC6-5 LISTENING GUIDE EBC6-6 PERFORMANCE The Do It Yourself Aesthetic EBC6-8 EXPAND YOUR PLAYLIST Punk and New Wave EBC6-8 57 Public Enemy Fight the Power 472 LISTEN TO THIS FIRST: Timbre; Form; Rhythm; Word-Music Relationships 472 CONNECT YOUR PLAYLIST Politically Charged Lyrics 473 PROFILE Public Enemy 475 HISTORICAL CONTEXT Hip-Hop s Elements 476 LISTENING GUIDE 478 EXPAND YOUR PLAYLIST Musical References in Fight the Power 480 JO Tania León A la Par, second movement (Guaguancó) 481 LISTEN TO THIS FIRST: Timbre; Rhythm; Harmony; Form 481 CONNECT YOUR PLAYLIST Repeated Melodic-Rhythmic Figure 483 LISTENING GUIDE 484 HISTORICAL CONTEXT Postmodern Architecture 485 EXPAND YOUR PLAYLIST Postmodern Music 485 PROFILE Tania León (b. 1943) 486 59 John Williams The Walls Converge, from Star Wars 487 LISTEN TO THIS FIRST: Melody; Harmony; Timbre 487 CONNECT YOUR PLAYLIST Film Music 489 LISTENING GUIDE 490 PROFILE John Williams (b. 1932) 494 PERFORMANCE Matching Images with Sound 495 EXPAND YOUR PLAYLIST Film Music 495 60 Corey Dargel On This Date Every Year 496 LISTEN TO THIS FIRST: Timbre; Texture; Rhythm; Word-Music Relationships 496 CONNECT YOUR PLAYLIST Live/Recorded Music 499 LISTENING GUIDE 500 PROFILE Corey Dargel (b. 1977) 501 EXPAND YOUR PLAYLIST Crossover Music 502 61 Austin Wintory Nascence, from Jot/rne/ 503 LISTEN TO THIS FIRST: Word-Music Relationships; Timbre; Melody; Texture 503 CONNECT YOUR PLAYLIST Multicultural Timbres 505 LISTENING GUIDE 506 PERFORMANCE Interactivity 507 HISTORICAL CONTEXT Changing Technologies 507 PROFILE Austin Wintory (b. 1984) 508 EXPAND YOUR PLAYLIST Video Game Music 509 MAKING CONNECTIONS: Since 1900 510 IN REVIEW: Since 1900 511 PART 7 Your MUSIC 512 Glossary 513 Credits 518 Index 523
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dewey-full	780
dewey-hundreds	700 - The arts
dewey-ones	780 - Music
dewey-raw	780
dewey-search	780
dewey-sort	3780
dewey-tens	780 - Music
discipline	Musikwissenschaft
edition	3. ed.
format	Book
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id	DE-604.BV041978640
illustrated	Illustrated
indexdate	2024-07-10T01:09:45Z
institution	BVB
isbn	9780205978618
language	English
lccn	013039103
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-027421143
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open_access_boolean
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publisher	Pearson Education
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spelling	Bonds, Mark Evan 1954- Verfasser (DE-588)131657917 aut Listen to this Mark Evan Bonds, Department of Music, University of North Carolina at Chapel Hill ; with contributions by Jocelyn Neal (popular music), Joseph Kaminski and N. Scott Robinson (world music), and William Gibbons (video game music) 3. ed. Upper Saddle River [u.a.] Pearson Education 2015 XXII, 536 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Musik Music appreciation Music History and criticism Musikwahrnehmung (DE-588)4126097-1 gnd rswk-swf Klassische Musik (DE-588)4164043-3 gnd rswk-swf Musikhören (DE-588)4075127-2 gnd rswk-swf (DE-588)4222208-4 Übungssammlung gnd-content Klassische Musik (DE-588)4164043-3 s Musikhören (DE-588)4075127-2 s Musikwahrnehmung (DE-588)4126097-1 s DE-604 Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027421143&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Bonds, Mark Evan 1954- Listen to this Musik Music appreciation Music History and criticism Musikwahrnehmung (DE-588)4126097-1 gnd Klassische Musik (DE-588)4164043-3 gnd Musikhören (DE-588)4075127-2 gnd
subject_GND	(DE-588)4126097-1 (DE-588)4164043-3 (DE-588)4075127-2 (DE-588)4222208-4
title	Listen to this
title_auth	Listen to this
title_exact_search	Listen to this
title_full	Listen to this Mark Evan Bonds, Department of Music, University of North Carolina at Chapel Hill ; with contributions by Jocelyn Neal (popular music), Joseph Kaminski and N. Scott Robinson (world music), and William Gibbons (video game music)
title_fullStr	Listen to this Mark Evan Bonds, Department of Music, University of North Carolina at Chapel Hill ; with contributions by Jocelyn Neal (popular music), Joseph Kaminski and N. Scott Robinson (world music), and William Gibbons (video game music)
title_full_unstemmed	Listen to this Mark Evan Bonds, Department of Music, University of North Carolina at Chapel Hill ; with contributions by Jocelyn Neal (popular music), Joseph Kaminski and N. Scott Robinson (world music), and William Gibbons (video game music)
title_short	Listen to this
title_sort	listen to this
topic	Musik Music appreciation Music History and criticism Musikwahrnehmung (DE-588)4126097-1 gnd Klassische Musik (DE-588)4164043-3 gnd Musikhören (DE-588)4075127-2 gnd
topic_facet	Musik Music appreciation Music History and criticism Musikwahrnehmung Klassische Musik Musikhören Übungssammlung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027421143&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT bondsmarkevan listentothis

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