The sacred cinema of Andrei Tarkovsky:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Maidstone
Crescent Moon
2006
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 601 p. ill. 25 cm |
Internformat
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Datensatz im Suchindex
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| adam_text | CONTENTS
Acknowledgements 17
Abbreviations 19
Illustrations: Andrei Tarkovsky At Work 23
0 Introduction 33
PARTONE THEARTIST
1 The Poetry of Cinema 55
2 Religion and Cinema 75
3 Andrei Tarkovsky and the Religious Film 105
4 The Film Image 123
5 The Mysteries of Space and Time 137
6 Symbols and Motifs 155
7 The Worlds of Andrei Tarkovsky 1 75
8 Sound and Music 187
9 Production 203
10 Andrei Tarkovsky and Painting 235
11 Philosophy and Religion in Andrei Tarkovshy s Cinema 261
12 Structure and Narration 281
13 Childhood, Family and Character 293
14 Love, Qender and Sexuality 305
PARTTWO THEFILMS
15 Ivan s Childhood 31 7
16 The Passion According To Andrei Roublyov: Andrei Roublyov 3 35
17 Solaris 369
18 Beyond the Mirror: Mirror 401
19 Into the Wasteland: Faith and the Qitest in Stalker 43 7
20 The Angel Under the Water: Nostalghia 467
21 The Ultimate Act: The Sacrifice 495
22 Critical Responses to Andrei Tarkovsky s Cinema 525
Notes 553
Bibliography 5 75
Filmography 597
Illustrations 603
CONTENTS LIST
Acknowledgements
0 Introduction
PART ONE THEARTIST
1 The Poetry of Cinema
The poetics of cinema; cinema as poetry; Tarkovsky s theory of poetic cinema ;
Tarhovshy and the history of poetry; haiku.
2 Religion and Cinema
Types of religious cinema; filming the divine; sci-fi, fantasy and horror cinema;
also, a section on the European religious art film (Pasolini, Bunuel, Bergman,
Dreyer, etc), and a section on Pasolini s The Gospel According to St Matthew;
Tarkovsky and Bergman; Tarkovshy and Dreyer.
3 Andrei Tarkovsky and the Religious Film
A survey of religious cinema, from the early days of cinema to the present day,
including discussions of historical and Biblical epics, sword-and-sandal films,
and so on, including Ben-Hur, Cleopatra, and The Last Temptation of Christ.
4 The Film Image
Camerawork in Tarkovsky s films; Tarhovsky and Antonioni; the tracking shot;
slow motion; colour and black-and-white; Tarkovsky and photography.
5 The Mysteries of Space and Time
Time in myth and religion; the portrayal of space and time in cinema, and in
Tarkovsky s films; Tarkovsky s concepts of sculpting in time ; space and
abstraction.
6 Symbols and Motifs
Tarkovsky s use of symbolism; a survey ofTarhovsky s symbols and motifs:
rain; water; fire; snow; flight; wind and air; mirrors; birds; horses and dogs.
7 The Worlds of Andrei Tarkovsky
Tarkovsky s depictions of cinematic worlds; his use of mise-en-scene; further
discussions of Tarkovsky s motifs: beds; forests; houses and dachas; churches;
costumes; language.
8 Sound and Music
The use of sound and space in Tarkovsky s cinema; sound in The Sacrifice;
silence; sound fx; music; classical music; Bach.
9 Production
Production methods and techniques in Tarkovsky s films; Tarkovsky s methods
compared to other filmmakers ; scriptwriting; budgets; the Soviet film industry; and
compared to Hollywood; Tarkovsky s unmade film projects; Tarkovsky theexile;
Kristeva, Lacan, the look, and Tarkovsky s cinema.
10 Andrei Tarkovsky and Painting
Painting and cinema; painting in Tarkovsky s work; Julia Kristeva on painting;
Tarkovsky and Leonardo da Vinci; Leonardo s Adoration of the Magi; Tarkovsky
and Piero della Francesco; Tarkovsky and the Renaissance; Tarkovsky and modern
art.
11 Philosophy and Religion in Andrei Tarkovsky s Cinema
Aspects of religion and philosophy in Tarkovshy s cinema, including discussions
of faith; the quest; truth; religious experience; rebirth; divinity; Qod and the bomb;
the supernatural in Tarkovsky s cinema; mysticism and Christianity; Tarkovsky as
saint and prophet.
12 Structure and Narration
Modes of narration and types of cinema; endings; cultural and political
discussions; Tarkovsky s narrative devices.
13 Childhood, Family and Character
The family, childhood, relationships and characters in Tarkovsky s films;
Tarkovsky s actors.
14 Love, Gender and Sexuality
Issues of love, gender, sexuality and emotion in Tarkovsky s cinema, with
examples from his films.
PART TWO THE FILMS
15 Ivan s Childhood
Discussion of Tarkovsky s first feature film, with shot breakdowns ofsonu: key
scenes.
16 The Passion According To Andrei Roublyov: Andrei Roublyov
A detailed exploration of Tarkovsky s historical epic, with shot breakdowns of
some key scenes.
17 Solaris
Tarkovsky s science fiction film is analyzed in depth, with shot breakdowns of
some key scenes.
18 Beyond the Mirror: Mirror
A detailed, scene-by-scene analysis of Mirror, including a synopsis of the film.
and a shot-by-shot breakdown of some key scenes; critical response to the film.
19 Into the Wasteland: Faith and the Quest in Stalker
A detailed, scene-by-scene analysis o/*Stalker, and a shot-by-shot breakdown of
some key scenes.
20 The Angel Under the Water: ^ ostalghia
A detailed, scene-by-scene analysis o/Nostalghia, and a shot-by-shot breakdown
of some key scene.
21 The Ultimate Act: The Sacrifice
A detailed, scene-by-scene analysis of The Sacrifice, and a shot-by-shot breakdown
of some key scenes; critical responses to the film; discussions of the sacrifice act; the
symbolism of the tree; style and sound in the film; biblical references; the themes of
new beginnings and rebirth.
22 Critical Responses to Andrei Tarkovsky s Cinema
A survey of critical responses of Tarkovsky s films, from a variety of sources,
includingfilm guidebooks, critical articles, and so on; negative criticisms of
Tarkovsky s cinema; critics on the religious aspect of his work; Tarkovsky s status
today.
Notes
Filmography
Bibliography
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| spelling | Robinson, Jeremy Mark Verfasser aut The sacred cinema of Andrei Tarkovsky Jeremy Mark Robinson Maidstone Crescent Moon 2006 601 p. ill. 25 cm txt rdacontent n rdamedia nc rdacarrier Tarkovskiĭ, Andreĭ Arsenʹevich / 1932-1986 / Criticism and interpretation Tarkovskij, Andrej 1932-1986 Sonstige (DE-588)118620835 oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027400509&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Robinson, Jeremy Mark The sacred cinema of Andrei Tarkovsky Tarkovskiĭ, Andreĭ Arsenʹevich / 1932-1986 / Criticism and interpretation |
| title | The sacred cinema of Andrei Tarkovsky |
| title_auth | The sacred cinema of Andrei Tarkovsky |
| title_exact_search | The sacred cinema of Andrei Tarkovsky |
| title_full | The sacred cinema of Andrei Tarkovsky Jeremy Mark Robinson |
| title_fullStr | The sacred cinema of Andrei Tarkovsky Jeremy Mark Robinson |
| title_full_unstemmed | The sacred cinema of Andrei Tarkovsky Jeremy Mark Robinson |
| title_short | The sacred cinema of Andrei Tarkovsky |
| title_sort | the sacred cinema of andrei tarkovsky |
| topic | Tarkovskiĭ, Andreĭ Arsenʹevich / 1932-1986 / Criticism and interpretation |
| topic_facet | Tarkovskiĭ, Andreĭ Arsenʹevich / 1932-1986 / Criticism and interpretation |
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