3D cinema and beyond:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bristol [u.a.]
Intellect
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 233 S. Ill. |
| ISBN: | 9781783200399 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
6 CONTRIBUTORS
13 INTRODUCTION Dan Adler, Janine Marchessault and Sanja Obradovic
PART 1: EXCAVATING 3D CINEMA S PAST
20 Sergei Eisenstein ON STEREOCINEMA (1947)
60 Nicholas J. Wade THE EXPERIMENTAL ORIGINS OF CINEMA, STEREO,
AND THEIR COMBINATION
72 Ray Zone AVANT-3D: Notes on Experimental Stereoscopic Cinema
and its Relation to the Other Arts
83 Leon Gurevitch STEREOSCOPIC MEDIA:
and Miriam Ross Scholarship Beyond Booms and Busts
94 Kenneth White MUYBRIDGE S ENTHALPY
110 Owen Chapman OF MOTORS, MARTIANS, AND JAZZ AGE CUTIES:
and Alison Reiko Loader The Stereoscopic Inventions of Laurens Hammond
123 Haidee Wasson INDUSTRIAL MAGIC AND LIGHT:
3D at the New York World s Fair (1939)
PART II: VISUAL REGIMES OF 3D CINEMA
132 Olivier Asselin THIS SIDE OF PARADISE:
and Louis Auger Gosselin Immersion and Emersion in S3D and AR
142 David Harris Smith COLIN LOW AND TRANSITIONS 3D:
Innovating Immersive Cinema
149 Robert S. Allison, PERCEPTUAL ARTEFACTS,
Laurie M. Wilcox SUSPENSION OF DISBELIEF,
and Ali Kazimi AND REALISM IN STEREOSCOPIC 3D FILM
161 Lance Duerfahrd FOR YOUR GLASSES ONLY:
The Stewardesses and Sex in Three Dimensions
PART III: POETICS AND POLITICS OF 3D SPACE
174 Alla Gadassik ANTICIPATION OF CONTACT:
Pina 3D and Stereoscopic Cinematography
186 Barbara Klinger BEYOND CHEAP THRILLS:
3D Cinema Today, the Parallax Debates, and the Pop-Out
200 Ron Burnett TRANSITIONS, IMAGES, AND STEREOSCOPIC 3D CINEMA
214 Wim Wenders A FILM FOR PINA: Keynote of the Toronto International
Stereoscopic 3D Conference
3D CINEMA AND BEYOND
Edited by Dan Adler, Janine Marchessault and Sanja Obradovic
This book brings together essays that engage with mainstream entertainment, experimental film and
historical scholarship as part of a larger context for examining the grammar of 3D cinema—its histories
and its futures. From cinema and television to video games and augmented reality, the essays consider
an expanded field of stereoscopic visual culture. Contributors explore obsolescent and emerging
technologies, singular and trend setting practices, narrative and documentary approaches, and the
overall perceptual experiences of 3D media. This groundbreaking collection includes Sergei Eisenstein s
extraordinary 1947 essay On Stereocinema translated for the first time in its entirety; a landmark
address by Wim Wenders; and the last essay written by 3D pioneer researcher Ray Zone.
Contributions by: Robert S. Allison, Laurie M. Wilcox and Ali Kazimi, Olivier Asselin and Louis
Auger Gosselin, Ron Burnett, Owen Chapman and Alison Reiko Loader, Lance Duerfahrd, Sergei
Eisenstein, Alla Gadassik, Leon Gurevitch and Miriam Ross, Barbara Klinger, David Harris Smith,
Nicholas J. Wade, Haidee Wasson, Wim Wenders, Kenneth White, Ray Zone.
Dan Adler is an Associate Professor of Modern and Contemporary Art at York University.
Janine Marchessault is Canada Research Chair in Art, Digital Media and Globalization
and the Director of Sensorium, Centre for Digital Arts and Technology at York University.
Sanja Obradovic is a Ph.D. candidate in the Joint Program in Communication and Culture
at York and Ryerson Universities.
|
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| language | English |
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| title | 3D cinema and beyond |
| title_auth | 3D cinema and beyond |
| title_exact_search | 3D cinema and beyond |
| title_full | 3D cinema and beyond ed. by Dan Adler ... |
| title_fullStr | 3D cinema and beyond ed. by Dan Adler ... |
| title_full_unstemmed | 3D cinema and beyond ed. by Dan Adler ... |
| title_short | 3D cinema and beyond |
| title_sort | 3d cinema and beyond |
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