Techniques and materials of music: from the common practice period through the twentieth century
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York
Cengage Learning
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XIX, 324 S. zahlr. Notenbeisp. |
| ISBN: | 9781285446172 |
Internformat
MARC
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| 245 | 1 | 0 | |a Techniques and materials of music |b from the common practice period through the twentieth century |c Thomas Benjamin, Michael Horvit, Timothy Koozin and Robert Nelson |
| 264 | 1 | |a New York |b Cengage Learning |c 2013 | |
| 300 | |a XIX, 324 S. |b zahlr. Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 4 | |a Music theory | |
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Datensatz im Suchindex
| _version_ | 1804152277336850432 |
|---|---|
| adam_text | Contents
What s
New
m
the Enhanced Seventh Edition
xiii
Pretace
xv
Suggestions to the
Instructor
xvii
PART I
Rudiments
1
The Great Staff and Piano Keyboard
3
2
Accidentals
4
3
Intervals
6
4
Major and Minor Scales
13
5
Key Signatures
16
б
Triads
19
7
Meter and Rhythm
21
PART II
Diatonic Materials
1
Triads in Root Position
35
2
The Tonic Triad in Root Position
38
3
Connection of Tonic and Dominant Triads in Root Position
41
VII
VIII CONTENTS
4
The Dominant Seventh Chord in Root Position
48
5
Connection of Tonic and
Subdominant
Triads in Root Position
58
6
Connection of
Subdominant
and Dominant Triads in Root Position
62
7
Cadences Employing the Tonic,
Subdominant,
and Dominant Triads in Root
Position
66
8
The
Cadenti«!
Tonic Six-Four Chord
71
9
Tonic,
subdominant,
and Dominant Triads in First inversion
78
10
The Supertonic Triad
87
11
inversions of the Dominant Seventh chord
94
12
Linear (Embellishing) Six-Four and Other Chords
102
13
Submediant and Mediant Triads in Root Position and First Inversion
106
14
The Leading-Tone Triad
112
15
Variant Qualities of Triads
116
16
The Sequence
124
17
The Supertonic Seventh Chord
129
18
The Leading-Tone Seventh Chord
734
19
other Diatonic seventh Chords
140
CONTENTS
IX
Part III
Chromatic Materials
1
Secondary (Applied, Borrowed) Dominants
147
2
Modulation
155
3
Linear (Embellishing) Diminished Seventh Chords
162
4
The Neapolitan Triad
168
5
Augmented Sixth Chords
173
б
Modulation by Other Means
181
7
Ninth chords
185
Part
iv
TWentieth-Century Materials
1
Twentieth-Century Techniques: General comments
191
2
Chord Symbols and Approaches to Analysis
193
3
Rhythmic and Metric Devices
197
4
Tertian Harmony
201
5
The Diatonic (Church) Modes
208
б
Pandiatonicism
212
7
Exotic (Artificial, Synthetic) Sca es
215
8 Quartal
and
secondai
Harmony
220
CONTENTS
9 Polyharmony and Polytonality 223
10
Free Atonality and Set Theory
227
11
Twelve-Tone
Sérialisai
232
12
Additional Contemporary Procedures
238
Part V Reference Materials
1
Musical calligraphy
243
2
The Harmonic Series
245
3
Nonharmonic (Nonchord) Tones
246
4
Relative and Linear Motion
248
5
Guidelines for voice Leading in Strict Four-Part Writing
249
6
Guidelines for Doubling in Strict Four-Part Writing
251
7
checklist for Part-Writing
252
8
chord Functions in
Tonai
Music
253
9
Figured-Bass Symbols
256
10
Procedure for Harmonizing a Figured Bass
258
11
Procedure for Harmonizing a Melody
260
12
Models for Expansion and Elaboration
264
CONTENTS
XI
13
Cadence and Phrase
Structure
266
14
Typical Phrase Variants
268
15
The Motive
270
16
The Sequence
276
17
Textures
280
18
An introduction to Tonal Melody
284
19
An introduction to Tonaf Counterpoint
289
20
Form
297
21
Checklist for Analysis
305
22
Composition Checklist
310
23
instrumental Ranges and Transpositions
312
Bibliography
315
index
317
|
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| bvnumber | BV041913131 |
| ctrlnum | (OCoLC)884921294 (DE-599)BVBBV041913131 |
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| id | DE-604.BV041913131 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:08:09Z |
| institution | BVB |
| isbn | 9781285446172 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027356800 |
| oclc_num | 884921294 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XIX, 324 S. zahlr. Notenbeisp. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Cengage Learning |
| record_format | marc |
| spelling | Techniques and materials of music from the common practice period through the twentieth century Thomas Benjamin, Michael Horvit, Timothy Koozin and Robert Nelson New York Cengage Learning 2013 XIX, 324 S. zahlr. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Music theory Tonalität (DE-588)4185654-5 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf Harmonielehre (DE-588)4129028-8 gnd rswk-swf Melodie (DE-588)4139233-4 gnd rswk-swf Kontrapunkt (DE-588)4032307-9 gnd rswk-swf Tonalität (DE-588)4185654-5 s Musiktheorie (DE-588)4040876-0 s DE-604 Harmonielehre (DE-588)4129028-8 s Melodie (DE-588)4139233-4 s Kontrapunkt (DE-588)4032307-9 s 1\p DE-604 Benjamin, Thomas 1940- Sonstige (DE-588)103790551 oth Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027356800&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Techniques and materials of music from the common practice period through the twentieth century Music theory Tonalität (DE-588)4185654-5 gnd Musiktheorie (DE-588)4040876-0 gnd Harmonielehre (DE-588)4129028-8 gnd Melodie (DE-588)4139233-4 gnd Kontrapunkt (DE-588)4032307-9 gnd |
| subject_GND | (DE-588)4185654-5 (DE-588)4040876-0 (DE-588)4129028-8 (DE-588)4139233-4 (DE-588)4032307-9 |
| title | Techniques and materials of music from the common practice period through the twentieth century |
| title_auth | Techniques and materials of music from the common practice period through the twentieth century |
| title_exact_search | Techniques and materials of music from the common practice period through the twentieth century |
| title_full | Techniques and materials of music from the common practice period through the twentieth century Thomas Benjamin, Michael Horvit, Timothy Koozin and Robert Nelson |
| title_fullStr | Techniques and materials of music from the common practice period through the twentieth century Thomas Benjamin, Michael Horvit, Timothy Koozin and Robert Nelson |
| title_full_unstemmed | Techniques and materials of music from the common practice period through the twentieth century Thomas Benjamin, Michael Horvit, Timothy Koozin and Robert Nelson |
| title_short | Techniques and materials of music |
| title_sort | techniques and materials of music from the common practice period through the twentieth century |
| title_sub | from the common practice period through the twentieth century |
| topic | Music theory Tonalität (DE-588)4185654-5 gnd Musiktheorie (DE-588)4040876-0 gnd Harmonielehre (DE-588)4129028-8 gnd Melodie (DE-588)4139233-4 gnd Kontrapunkt (DE-588)4032307-9 gnd |
| topic_facet | Music theory Tonalität Musiktheorie Harmonielehre Melodie Kontrapunkt |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027356800&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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