James Nares:
"This long-awaited comprehensive monograph on James Nares brings together his paintings and films. Upon his arrival in New York in 1974, British-born James Nares became a central member of the city's vibrant No Wave art scene, making experimental Super 8 films, playing in downtown bands, a...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Skira Rizzoli
2014
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Zusammenfassung: | "This long-awaited comprehensive monograph on James Nares brings together his paintings and films. Upon his arrival in New York in 1974, British-born James Nares became a central member of the city's vibrant No Wave art scene, making experimental Super 8 films, playing in downtown bands, and staging live performances. The following decade, he turned to painting, using handmade brushes to create monumental strokes that are almost three-dimensional in their detail and depth. Today, Nares continues to employ the mediums of film and paint to explore physicality, motion, and the unfolding of time, as seen in his 2011 video Street, exhibited to great acclaim at such institutions as the Metropolitan Museum of Art, New York. This definitive monograph, produced in close collaboration with the artist, surveys the entirety of Nares's career. Lushly illustrated, including paintings, photographs, and stills that have never before been published, the book features essays by leading film critic Amy Taubin, cultural writer Glenn O'Brien, and innovative film curator Ed Halter in addition to an illuminating conversation between Nares and longtime friend and fellow artist Christopher Wool."--Jacket |
| Beschreibung: | Includes bibliographical references Depth of field -- Time and motion -- Reduction -- Figures and facts -- X-ing out -- Motion in things -- Body of work |
| Beschreibung: | 272 S. überw. Ill. 32 cm |
| ISBN: | 9780847842575 |
Internformat
MARC
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| 008 | 140612s2014 a||| |||| 00||| eng d | ||
| 020 | |a 9780847842575 |c hardback |9 978-0-8478-4257-5 | ||
| 035 | |a (OCoLC)889522342 | ||
| 035 | |a (DE-599)BVBBV041904223 | ||
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| 245 | 1 | 0 | |a James Nares |c with contributions by Ed Halter ... |
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| 264 | 1 | |a New York, NY |b Skira Rizzoli |c 2014 | |
| 300 | |a 272 S. |b überw. Ill. |c 32 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references | ||
| 500 | |a Depth of field -- Time and motion -- Reduction -- Figures and facts -- X-ing out -- Motion in things -- Body of work | ||
| 520 | |a "This long-awaited comprehensive monograph on James Nares brings together his paintings and films. Upon his arrival in New York in 1974, British-born James Nares became a central member of the city's vibrant No Wave art scene, making experimental Super 8 films, playing in downtown bands, and staging live performances. The following decade, he turned to painting, using handmade brushes to create monumental strokes that are almost three-dimensional in their detail and depth. Today, Nares continues to employ the mediums of film and paint to explore physicality, motion, and the unfolding of time, as seen in his 2011 video Street, exhibited to great acclaim at such institutions as the Metropolitan Museum of Art, New York. This definitive monograph, produced in close collaboration with the artist, surveys the entirety of Nares's career. Lushly illustrated, including paintings, photographs, and stills that have never before been published, the book features essays by leading film critic Amy Taubin, cultural writer Glenn O'Brien, and innovative film curator Ed Halter in addition to an illuminating conversation between Nares and longtime friend and fellow artist Christopher Wool."--Jacket | ||
| 600 | 1 | 4 | |a Nares, James / Criticism and interpretation |
| 600 | 1 | 7 | |a Nares, James |d 1953- |0 (DE-588)119497557 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 650 | 4 | |a Painting, British / 20th century / Criticism and interpretation | |
| 650 | 4 | |a Painting, British / 21st century / Criticism and interpretation | |
| 689 | 0 | 0 | |a Nares, James |d 1953- |0 (DE-588)119497557 |D p |
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| 700 | 1 | |a Halter, Ed |d 19XX- |e Sonstige |0 (DE-588)1026213649 |4 oth | |
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Datensatz im Suchindex
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| author_GND | (DE-588)119497557 (DE-588)1026213649 |
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| bvnumber | BV041904223 |
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| edition | 1. publ. |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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Lushly illustrated, including paintings, photographs, and stills that have never before been published, the book features essays by leading film critic Amy Taubin, cultural writer Glenn O'Brien, and innovative film curator Ed Halter in addition to an illuminating conversation between Nares and longtime friend and fellow artist Christopher Wool."--Jacket</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Nares, James / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Nares, James</subfield><subfield code="d">1953-</subfield><subfield code="0">(DE-588)119497557</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting, British / 20th century / Criticism and interpretation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting, British / 21st century / Criticism and interpretation</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Nares, James</subfield><subfield code="d">1953-</subfield><subfield code="0">(DE-588)119497557</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nares, James</subfield><subfield code="d">1953-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)119497557</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Halter, Ed</subfield><subfield code="d">19XX-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)1026213649</subfield><subfield code="4">oth</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027347898</subfield></datafield></record></collection> |
| id | DE-604.BV041904223 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:07:54Z |
| institution | BVB |
| isbn | 9780847842575 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027347898 |
| oclc_num | 889522342 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | 272 S. überw. Ill. 32 cm |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Skira Rizzoli |
| record_format | marc |
| spelling | James Nares with contributions by Ed Halter ... 1. publ. New York, NY Skira Rizzoli 2014 272 S. überw. Ill. 32 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Includes bibliographical references Depth of field -- Time and motion -- Reduction -- Figures and facts -- X-ing out -- Motion in things -- Body of work "This long-awaited comprehensive monograph on James Nares brings together his paintings and films. Upon his arrival in New York in 1974, British-born James Nares became a central member of the city's vibrant No Wave art scene, making experimental Super 8 films, playing in downtown bands, and staging live performances. The following decade, he turned to painting, using handmade brushes to create monumental strokes that are almost three-dimensional in their detail and depth. Today, Nares continues to employ the mediums of film and paint to explore physicality, motion, and the unfolding of time, as seen in his 2011 video Street, exhibited to great acclaim at such institutions as the Metropolitan Museum of Art, New York. This definitive monograph, produced in close collaboration with the artist, surveys the entirety of Nares's career. Lushly illustrated, including paintings, photographs, and stills that have never before been published, the book features essays by leading film critic Amy Taubin, cultural writer Glenn O'Brien, and innovative film curator Ed Halter in addition to an illuminating conversation between Nares and longtime friend and fellow artist Christopher Wool."--Jacket Nares, James / Criticism and interpretation Nares, James 1953- (DE-588)119497557 gnd rswk-swf Geschichte 1900-2000 Painting, British / 20th century / Criticism and interpretation Painting, British / 21st century / Criticism and interpretation Nares, James 1953- (DE-588)119497557 p DE-604 Nares, James 1953- Sonstige (DE-588)119497557 oth Halter, Ed 19XX- Sonstige (DE-588)1026213649 oth |
| spellingShingle | James Nares Nares, James / Criticism and interpretation Nares, James 1953- (DE-588)119497557 gnd Painting, British / 20th century / Criticism and interpretation Painting, British / 21st century / Criticism and interpretation |
| subject_GND | (DE-588)119497557 |
| title | James Nares |
| title_auth | James Nares |
| title_exact_search | James Nares |
| title_full | James Nares with contributions by Ed Halter ... |
| title_fullStr | James Nares with contributions by Ed Halter ... |
| title_full_unstemmed | James Nares with contributions by Ed Halter ... |
| title_short | James Nares |
| title_sort | james nares |
| topic | Nares, James / Criticism and interpretation Nares, James 1953- (DE-588)119497557 gnd Painting, British / 20th century / Criticism and interpretation Painting, British / 21st century / Criticism and interpretation |
| topic_facet | Nares, James / Criticism and interpretation Nares, James 1953- Painting, British / 20th century / Criticism and interpretation Painting, British / 21st century / Criticism and interpretation |
| work_keys_str_mv | AT naresjames jamesnares AT haltered jamesnares |