Tomorrow is the question: new directions in experimental music studies
"In recent decades, experimental music has flourished outside of European and American concert halls. The principles of indeterminacy, improvisation, nonmusical sound, and noise, pioneered in concert and on paper by the likes of Henry Cowell, John Cage, and Ornette Coleman, can now be found in...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor
The University of Michigan Press
2014
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In recent decades, experimental music has flourished outside of European and American concert halls. The principles of indeterminacy, improvisation, nonmusical sound, and noise, pioneered in concert and on paper by the likes of Henry Cowell, John Cage, and Ornette Coleman, can now be found in a variety of new locations: activist films, rock recordings, and public radio broadcasts, not to mention in avant-garde movements around the world. The contributors to Tomorrow Is the Question explore these previously unexamined corners of experimental music history, considering topics such as Sonic Youth, Julius Eastman, the Downtown New York pop avant-garde of the 1970s, Fluxus composer Benjamin Patterson, Tokyo's Music group (aka Group Ongaku), the Balinese avant-garde, the Leicester school of British experimentalists, Cuba's Grupo de Experimentación Sonora del ICAIC, Pauline Oliveros's score for the feminist documentary Maquilapolis, NPR's 1980s RadioVisions, and the philosophy of experimental musical aesthetics. Taken together, this menagerie of people, places, and things makes up an experimentalism that is always partial, compromised, and invented in its local and particular formations...in other words, these individual cases suggest that experimentalism has been a far more variegated set of practices and discourses than previously recognized. Asking new questions leads to researching new materials, individuals, and contexts and, eventually, to the new critical paradigms that are necessary to interpret these new materials. Tomorrow Is the Question, gathering contributions from historical musicology, enthnomusicology, history, philosophy, and cultural studies, generates future research directions in experimental music studies by way of a productive inquiry |
| Beschreibung: | Literaturangaben |
| Beschreibung: | 293 Seiten Illustrationen |
| ISBN: | 9780472119264 9780472120116 |
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Datensatz im Suchindex
| _version_ | 1804152255353454592 |
|---|---|
| adam_text | Contents
Introduction: New Questions for Experimental Music
ι
BENJAMIN PIEKUT
1. Goodbye 20th Centmy! Sonic Youth Records John Cage s
Number Pieces
15
ELIZABETH ANN LINDAU
2.
John Cage, Julius Eastman, and the Homosexual Ego
39
RYAN DOHONEY
3.
Pluralism, Minor Deviations, and Radical Change:
The Challenge to Experimental Music in
Downtown New York,
1971-85 63
TIM LAWRENCE
4.
Benjamin Patterson s Spiritual Exercises
86
GEORGE E. LEWIS
5.
Challenge to Music: The Music Group s Sonic Politics
109
WILLIAM MAROTTI
6.
Balinese
Experimentalism and the Intercultural Project
139
ANDREW C. McGRAW
7.
British Experimental Music after
Nyman
159
VIRGINIA ANDERSON
8.
Experimental Music and Revolution: Cuba s
Grupo de
Experimentación Sonora del
ICAI
С
i8o
TAMARA LEVITZ
9. Sounds
of the Sweatshop: Pauline
Oliveros
and Maquilapolis
211
STEPHANIE JENSEN-MOULTON
10.
Imagining Listeners through
American
Experimental Music:
NPR s Radio
Visions
229
LOUISE E. CHERNOSKY
11.
Materialism, Ontology, and Experimental
Music Aesthetics
254
JOANNA
DEMERS
List of Contributors
275
Index
2 79
|
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| spelling | Tomorrow is the question new directions in experimental music studies edited by Benjamin Piekut Ann Arbor The University of Michigan Press 2014 293 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Literaturangaben "In recent decades, experimental music has flourished outside of European and American concert halls. The principles of indeterminacy, improvisation, nonmusical sound, and noise, pioneered in concert and on paper by the likes of Henry Cowell, John Cage, and Ornette Coleman, can now be found in a variety of new locations: activist films, rock recordings, and public radio broadcasts, not to mention in avant-garde movements around the world. The contributors to Tomorrow Is the Question explore these previously unexamined corners of experimental music history, considering topics such as Sonic Youth, Julius Eastman, the Downtown New York pop avant-garde of the 1970s, Fluxus composer Benjamin Patterson, Tokyo's Music group (aka Group Ongaku), the Balinese avant-garde, the Leicester school of British experimentalists, Cuba's Grupo de Experimentación Sonora del ICAIC, Pauline Oliveros's score for the feminist documentary Maquilapolis, NPR's 1980s RadioVisions, and the philosophy of experimental musical aesthetics. Taken together, this menagerie of people, places, and things makes up an experimentalism that is always partial, compromised, and invented in its local and particular formations...in other words, these individual cases suggest that experimentalism has been a far more variegated set of practices and discourses than previously recognized. Asking new questions leads to researching new materials, individuals, and contexts and, eventually, to the new critical paradigms that are necessary to interpret these new materials. Tomorrow Is the Question, gathering contributions from historical musicology, enthnomusicology, history, philosophy, and cultural studies, generates future research directions in experimental music studies by way of a productive inquiry Geschichte 1900-2000 MUSIC / Genres & Styles / Electronic bisacsh MUSIC / History & Criticism bisacsh Musik Music 20th century History and criticism Music 21st century History and criticism Avant-garde (Music) MUSIC / Genres & Styles / Electronic MUSIC / History & Criticism Avantgarde (DE-588)4133965-4 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Experimentelle Musik (DE-588)4153365-3 s Avantgarde (DE-588)4133965-4 s DE-604 Piekut, Benjamin 1975- (DE-588)1013168755 edt Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027344011&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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