Barron's AP music theory:
Reviews all topics on the test, shares tips to improve scores, and includes two practice exams with aural and non-aural sections
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Hauppage, NY
Barron's Educational Series
2014
|
Ausgabe: | 2. ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Reviews all topics on the test, shares tips to improve scores, and includes two practice exams with aural and non-aural sections |
Beschreibung: | Includes index Music fundamentals -- Rhythm, meter, and metric organization -- Scales, keys, and modes -- Aural unit 1. Multiple-choice questions for Chapters 1-3 -- Aural skills part I : fundamentals and singing -- Harmonic organization I : intervals, triads, and seventh chords -- Harmonic organization II : chords in diatonic context -- Harmonic organization III : function and cadences -- Aural unit 2. Multiple-choice questions for Chapters 5-7 -- Harmonic composition part I : fundamentals -- Harmonic progression and harmonizing a melody -- Melodic composition -- Aural skills part II : melodic dictation -- Key relationships -- Secondary function harmony -- Aural unit 3. Multiple-choice questions for Chapters 10, 12, 13 -- Harmonic composition part II : the process -- Aural skills part III : harmonic dictation -- Visual score analysis part I -- Score analysis part II : strategies for multiple-choice part B -- Strategies for multiple-choice part A -- Strategies for melodic dictation : FR 1 and FR 2 -- Strategies for harmonic dictation : FR 3 and FR 4 -- Strategies for harmonizing a melody : FR 7 -- Strategies for sight-singing -- Practice tests. Practice test 1 ; Practice test 2 -- Appendix A. Additional information. The circle of fifths ; The key signature tool ; The circle of major triads ; How to visually identify major triads ; Modal key signatures ; Side-by-side comparisons of diatonic triads and seventh chords between any major tonality and the parallel harmonic minor ; Practical written ranges of the string family of instruments ; Practical written ranges of the woodwind family of instruments ; Practical written ranges of the brass family of instruments ;Instrument names : English, Italian, German, French ; Performance considerations -- Appendix B. Music for further study. Aberystwyth ; Angel's story ; Aurelia ; Austria ; Crusader ; Ein feste Burg ist unser Gott ; Ellacombe ; Eventide ; Olivet ; Rustington ; Salzburg ; Was Gott tut -- Appendix C. Part-writing and melodic harmonization examples -- Appendix D. Index of contextual listening aural examples |
Beschreibung: | XVIII, 666 S. Ill., Notenbeisp. CD (12 cm) |
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246 | 1 | 3 | |a Barron's advanced placement music theory |
250 | |a 2. ed. | ||
264 | 1 | |a Hauppage, NY |b Barron's Educational Series |c 2014 | |
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500 | |a Includes index | ||
500 | |a Music fundamentals -- Rhythm, meter, and metric organization -- Scales, keys, and modes -- Aural unit 1. Multiple-choice questions for Chapters 1-3 -- Aural skills part I : fundamentals and singing -- Harmonic organization I : intervals, triads, and seventh chords -- Harmonic organization II : chords in diatonic context -- Harmonic organization III : function and cadences -- Aural unit 2. Multiple-choice questions for Chapters 5-7 -- Harmonic composition part I : fundamentals -- Harmonic progression and harmonizing a melody -- Melodic composition -- Aural skills part II : melodic dictation -- Key relationships -- Secondary function harmony -- Aural unit 3. Multiple-choice questions for Chapters 10, 12, 13 -- Harmonic composition part II : the process -- Aural skills part III : harmonic dictation -- Visual score analysis part I -- Score analysis part II : strategies for multiple-choice part B -- Strategies for multiple-choice part A -- Strategies for melodic dictation : FR 1 and FR 2 -- Strategies for harmonic dictation : FR 3 and FR 4 -- Strategies for harmonizing a melody : FR 7 -- Strategies for sight-singing -- | ||
500 | |a Practice tests. Practice test 1 ; Practice test 2 -- Appendix A. Additional information. The circle of fifths ; The key signature tool ; The circle of major triads ; How to visually identify major triads ; Modal key signatures ; Side-by-side comparisons of diatonic triads and seventh chords between any major tonality and the parallel harmonic minor ; Practical written ranges of the string family of instruments ; Practical written ranges of the woodwind family of instruments ; Practical written ranges of the brass family of instruments ;Instrument names : English, Italian, German, French ; Performance considerations -- Appendix B. Music for further study. Aberystwyth ; Angel's story ; Aurelia ; Austria ; Crusader ; Ein feste Burg ist unser Gott ; Ellacombe ; Eventide ; Olivet ; Rustington ; Salzburg ; Was Gott tut -- Appendix C. Part-writing and melodic harmonization examples -- Appendix D. Index of contextual listening aural examples | ||
520 | |a Reviews all topics on the test, shares tips to improve scores, and includes two practice exams with aural and non-aural sections | ||
650 | 4 | |a Music theory / Examinations / Study guides | |
650 | 4 | |a Advanced placement programs (Education) / Examinations / Study guides | |
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Datensatz im Suchindex
_version_ | 1804152253584506880 |
---|---|
adam_text | Contents
Barron9
s
Essential
S
vii
Acknowledgments
Introduction
Music Fundamentals
ix
xi
Overview of the AP Music Theory
Exam
xi
How to Use This Book
xiv
1
Aspects of Sound
1
The Staff and Clefs
4
Notation
10
Chapter Summary
11
Practice Exercises
12
Answer Key
14
Answers Explained
14
Rhythm, Meter, and
Metric Organization
15
Notating
Rhythm
15
Metric Organization
17
Rhythmic Notation Guidelines
23
Review
24
Chapter Summary
25
Practice Exercises
26
Answer Key
31
Answers Explained
31
Scales, Keys, and Modes
33
Scales
34
Performing Scales
46
Other Scales
48
Church Modes
50
Review
53
Chapter Summary
54
Practice Exercises
56
Answer Key
61
Answers Explained
61
AURAL UNIT
1
Multiple-Choice Questions
for Chapters
1-3 63
Answer Key
72
Answers Explained
72
Aural Skills Part I:
Fundamentals and
Singing
75
Aural Skills Components of the
AP Music Theory Exam
75
Singing
78
Melodies to Practice Singing
93
Harmonic Organization I
■
Intervals, Triads, and
Seventh Chords
101
Intervals
102
Review
109
Triads
110
Chord Inversions
112
Seventh Chords
113
Review
115
Chapter Summary
117
Practice Exercises
119
Answer Key
122
Answers Explained
122
Harmonic Organization II
1:
Chords in Diatonic
Context
125
Triads in a Diatonic Context
125
Diatonic Seventh Chords
129
Inversion Symbols
131
Figured Bass
136
iv
АР
Music Theory
Chapter Summary
Practice Exercises
Answer Key
Answers Explained
139
141
148
148
Melodic Composition
223
Harmonic Organization
III: Function and
Cadences
149
Chord Function
149
Cadences
152
Review
155
Chapter Summary
157
Practice Exercises
158
Answer Key
162
Answers Explained
162
AURAL UNIT
2
Multiple-Choice Questions
for Chapters
5-7
165
Answer Key
177
Answers Explained
177
Harmonic Composition
Part I: Fundamentals
179
The Simple Part-Writing Rules
180
Part Writing as a Game
184
Four Part-Writing Examples
185
Chapter Summary
194
Practice Exercises
196
Answer Key
199
Answers Explained
199
Harmonic Progression
and Harmonizing
a Melody
201
Harmonic Progression
201
Fundamentals of Melodic
Harmonization
208
Chapter Summary
215
Practice Exercises
216
Answer Key
220
Answers Explained
220
The Building Blocks of Melodic
Form
223
Melodic Structure
224
Review
226
Non-Chord Tones
231
Chapter Summary
236
Practice Exercises
237
Answer Key
241
Answers Explained
241
Aural Skills Part II:
Melodic Dictation
243
What Skills Are Required for
Successful Melodic Dictation?
243
Understanding the Melody
243
Understanding the Rhythm
244
Practice Exercises
245
Answers Explained
249
Key Relationships
255
Mode Mixture
255
Modulation
256
Closely Related Keys
257
Review
259
Chapter Summary
262
Practice Exercises
263
Answer Key
268
Answers Explained
268
Secondary Function
Harmony
271
Secondary Dominants and
Leading Tones
272
Recognizing Secondary
Dominants and Leading
Tones
272
Building and Resolving
Secondary Dominants and
Leading Tones
273
Hearing and
Notating
Secondary
Dominants and Leading
Tones
276
Relating Secondary Function
Harmony to Other Skills
277
Relating Secondary Function to
Sight-Singing
277
Relating Secondary Function
to Melodic Dictation
278
Relating Secondary Function to
Harmonizing a Melody (FR
7) 278
Relating Secondary Function
to Harmonic Dictation
279
Relating Secondary Function to
Part Writing and Figured Bass
Realization
281
Review
282
Chapter Summary
284
Practice Exercises
285
Answer Key
290
Answers Explained
290
AURAL UNIT
3
Multiple-Choice Questions
for Chapters
10,12,13 293
Answer Key
302
Answers Explained
302
Harmonic Composition
Part II: The Process
305
Part-Writing and Figured Bass
Examples
305
Answering Free-Response
Part-Writing Questions
318
Additional Practice Examples
328
Chapter Summary
331
Practice Exercises
332
Answer Key
335
Answers Explained
335
Aural Skills Part III:
Harmonic Dictation
337
Harmonic Dictation Preparation
337
Implied Harmonies
339
Recognizing and
Notating
Cadences
339
Practice Exercises
342
Recognizing and
Notating
Phrase Beginnings
350
Contents
v
Practice Exercises
352
Recognizing and
Notating
the Mid-Phrase
358
Practice Exercises
360
Answers Explained
365
Visual Score Analysis
Part
1
383
Phrase Structure and Sectional
Form
384
Texture
387
Instrumentation and Identification
ofTimbre
396
Transposition
397
Chapter Summary
399
Practice Exercises
401
Answer Key
410
Answers Explained
410
Score Analysis Part II:
Strategies for
Multiple-Choice Part
В
413
Musical Elements
413
Practice Exercises: Visual Analysis
415
Answer Key
422
Answers Explained
422
Strategies for
Multiple-Choice Part A
425
Developing Your Listening Skills
425
Tips for Contextual Listening
427
Practice Exercises
430
Answer Key
440
Answers Explained
440
Strategies for
Melodic Dictation:
FR
1
and FR
2
443
Tips for Successful Melodic
Dictation
443
Practice Exercises
450
Answers Explained
457
vi AP
Music Theory
2tJ Strategies for
Harmonic Dictation:
FR
3
and FR
4 461
Preparing for Harmonic Dictation
461
Review
463
Other Tips to Maximize Success
465
Practice Exercises
466
Answers Explained
471
Strategies for Harmonizing
a Melody: FR
7 481
Review the Process
481
The Menu
481
Tips for Writing Cadences
482
Tips for Writing Phrase Beginnings
485
Tips for Writing Everything Else
486
A Few More Comments About
Exam Strategy
496
Additional Practice Examples
497
Possible Solutions
500
503
22
Strategies for
Sight-Singing
Five Tips for Successful
Sight-Singing
503
Other Hints
505
Melodies for Sight-Singing Practice
506
PRACTICE TESTS
. 511
Jg) Practice Test
1 515
Answer Key
543
Answers Explained
544
Self-Scoring Guide
557
Test Analysis
559
Practice Test
2 563
Answer Key
595
Answers Explained
596
Self-Scoring Guide
607
Test Analysis
609
Appendix A: Additional
Information
611
The Circle of Fifths
611
The Key Signature Tool
612
The Circle of Major Triads
613
How to Visually Identify
Major Triads
614
Modal Key Signatures
615
Side-by-Side Comparison of
Diatonic Triads and Seventh
Chords Between any Major
Tonality and the Parallel
Harmonic Minor
617
Practical Written Ranges of the
String Family of Instruments
618
Practical Written Ranges of the
Woodwind Family of Instruments
619
Practical Written Ranges of the
Brass Family of Instruments
620
Instrument Names
—
English,
Italian, German, French
621
Performance Considerations
622
Appendix B: Music
for Further Study
629
Aberystwyth
629
Angel s Story
630
Aurelia
631
Austria
632
Crusader
633
Ein feste Burg ist unser Gott
634
Ellacombe
635
Eventide
636
Olivet
637
Rustington
638
Salzburg
639
Was Gott tut
640
Appendix C:
Part-Writing and
Melodie
Harmonization Examples
641
Part-Writing Examples
641
Melodic Harmonization Examples
650
Appendix D: Index of
Contextual Listening
Aural Examples
661
Index
663
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spelling | Scoggin, Nancy Verfasser aut Barron's AP music theory Nancy Scoggin, B.M.E., Joshua High School, Joshua, Texas Barron's advanced placement music theory 2. ed. Hauppage, NY Barron's Educational Series 2014 XVIII, 666 S. Ill., Notenbeisp. CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Includes index Music fundamentals -- Rhythm, meter, and metric organization -- Scales, keys, and modes -- Aural unit 1. Multiple-choice questions for Chapters 1-3 -- Aural skills part I : fundamentals and singing -- Harmonic organization I : intervals, triads, and seventh chords -- Harmonic organization II : chords in diatonic context -- Harmonic organization III : function and cadences -- Aural unit 2. Multiple-choice questions for Chapters 5-7 -- Harmonic composition part I : fundamentals -- Harmonic progression and harmonizing a melody -- Melodic composition -- Aural skills part II : melodic dictation -- Key relationships -- Secondary function harmony -- Aural unit 3. Multiple-choice questions for Chapters 10, 12, 13 -- Harmonic composition part II : the process -- Aural skills part III : harmonic dictation -- Visual score analysis part I -- Score analysis part II : strategies for multiple-choice part B -- Strategies for multiple-choice part A -- Strategies for melodic dictation : FR 1 and FR 2 -- Strategies for harmonic dictation : FR 3 and FR 4 -- Strategies for harmonizing a melody : FR 7 -- Strategies for sight-singing -- Practice tests. Practice test 1 ; Practice test 2 -- Appendix A. Additional information. The circle of fifths ; The key signature tool ; The circle of major triads ; How to visually identify major triads ; Modal key signatures ; Side-by-side comparisons of diatonic triads and seventh chords between any major tonality and the parallel harmonic minor ; Practical written ranges of the string family of instruments ; Practical written ranges of the woodwind family of instruments ; Practical written ranges of the brass family of instruments ;Instrument names : English, Italian, German, French ; Performance considerations -- Appendix B. Music for further study. Aberystwyth ; Angel's story ; Aurelia ; Austria ; Crusader ; Ein feste Burg ist unser Gott ; Ellacombe ; Eventide ; Olivet ; Rustington ; Salzburg ; Was Gott tut -- Appendix C. Part-writing and melodic harmonization examples -- Appendix D. Index of contextual listening aural examples Reviews all topics on the test, shares tips to improve scores, and includes two practice exams with aural and non-aural sections Music theory / Examinations / Study guides Advanced placement programs (Education) / Examinations / Study guides Musiklehre (DE-588)4123808-4 gnd rswk-swf (DE-588)4222208-4 Übungssammlung gnd-content Musiklehre (DE-588)4123808-4 s DE-604 Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027342943&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Scoggin, Nancy Barron's AP music theory Music theory / Examinations / Study guides Advanced placement programs (Education) / Examinations / Study guides Musiklehre (DE-588)4123808-4 gnd |
subject_GND | (DE-588)4123808-4 (DE-588)4222208-4 |
title | Barron's AP music theory |
title_alt | Barron's advanced placement music theory |
title_auth | Barron's AP music theory |
title_exact_search | Barron's AP music theory |
title_full | Barron's AP music theory Nancy Scoggin, B.M.E., Joshua High School, Joshua, Texas |
title_fullStr | Barron's AP music theory Nancy Scoggin, B.M.E., Joshua High School, Joshua, Texas |
title_full_unstemmed | Barron's AP music theory Nancy Scoggin, B.M.E., Joshua High School, Joshua, Texas |
title_short | Barron's AP music theory |
title_sort | barron s ap music theory |
topic | Music theory / Examinations / Study guides Advanced placement programs (Education) / Examinations / Study guides Musiklehre (DE-588)4123808-4 gnd |
topic_facet | Music theory / Examinations / Study guides Advanced placement programs (Education) / Examinations / Study guides Musiklehre Übungssammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027342943&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT scogginnancy barronsapmusictheory AT scogginnancy barronsadvancedplacementmusictheory |