The visual blues:
The visual blues explores the enormous impact that blues and jazz music emanating from the Deep South and moving north had on artists associated with the Harlem Renaissance. The Visual Blues shows how the artists and musicians of the Harlem Renaissance blurred artistic boundaries, drawing inspiratio...
Gespeichert in:
| Weitere Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Baton Rouge
LSU Museum of Art
2014
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| Schlagworte: | |
| Zusammenfassung: | The visual blues explores the enormous impact that blues and jazz music emanating from the Deep South and moving north had on artists associated with the Harlem Renaissance. The Visual Blues shows how the artists and musicians of the Harlem Renaissance blurred artistic boundaries, drawing inspiration from each other and contributing to each other's art forms. The art scene in Harlem from 1919 to approximately 1940 encouraged a melding of art, music, literature, and poetry, providing a creative haven and outlet for transcending hardships and shattering racial stereotypes. The visual blues features a wide range of artists, some of whom already have established reputations and art markets, and others who are under-recognized and are rarely seen publicly. The visual blues comprises sixty-four paintings, drawings, prints, photographs, and sculptures by some of the most recognized and celebrated African-American artists of the Harlem Renaissance |
| Beschreibung: | Catalog of an exhibition held at the LSU Museum of Art, March 8-July 13, 2014; Telfair Museums, January 30-May 3, 2015 Includes bibliographical references (pages 84-86) |
| Beschreibung: | 87 S. zahlr. Ill. 28 cm |
| ISBN: | 9780615878300 |
Internformat
MARC
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| 245 | 1 | 0 | |a The visual blues |c essays by R. A. Lawson ... Ed. by Natalie A. Mault |
| 264 | 1 | |a Baton Rouge |b LSU Museum of Art |c 2014 | |
| 264 | 2 | |a Seattle, Wash. |b Univ. of Washington Press | |
| 300 | |a 87 S. |b zahlr. Ill. |c 28 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Catalog of an exhibition held at the LSU Museum of Art, March 8-July 13, 2014; Telfair Museums, January 30-May 3, 2015 | ||
| 500 | |a Includes bibliographical references (pages 84-86) | ||
| 520 | |a The visual blues explores the enormous impact that blues and jazz music emanating from the Deep South and moving north had on artists associated with the Harlem Renaissance. The Visual Blues shows how the artists and musicians of the Harlem Renaissance blurred artistic boundaries, drawing inspiration from each other and contributing to each other's art forms. The art scene in Harlem from 1919 to approximately 1940 encouraged a melding of art, music, literature, and poetry, providing a creative haven and outlet for transcending hardships and shattering racial stereotypes. The visual blues features a wide range of artists, some of whom already have established reputations and art markets, and others who are under-recognized and are rarely seen publicly. The visual blues comprises sixty-four paintings, drawings, prints, photographs, and sculptures by some of the most recognized and celebrated African-American artists of the Harlem Renaissance | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 650 | 4 | |a Harlem Renaissance / Exhibitions | |
| 650 | 4 | |a African American art / 20th century / Exhibitions | |
| 650 | 4 | |a Music / African American influences / Exhibitions | |
| 650 | 4 | |a Blues (Music) in art / Exhibitions | |
| 650 | 4 | |a Musik | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |2 gnd-content | |
| 700 | 1 | |a Mault, Natalie A. |0 (DE-588)1062573471 |4 edt | |
| 700 | 1 | |a Lawson, Rob Alan |d 1974- |e Sonstige |0 (DE-588)1012213307 |4 oth | |
| 710 | 2 | |a Museum of Art (Baton Rouge, La.) |e Sonstige |0 (DE-588)3050681-5 |4 oth | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027325074 | ||
Datensatz im Suchindex
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| author2 | Mault, Natalie A. |
| author2_role | edt |
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| author_GND | (DE-588)1062573471 (DE-588)1012213307 |
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| building | Verbundindex |
| bvnumber | BV041880949 |
| ctrlnum | (OCoLC)915467654 (DE-599)BVBBV041880949 |
| dewey-full | 704.0396 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.0396 |
| dewey-search | 704.0396 |
| dewey-sort | 3704.0396 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-07-10T01:07:19Z |
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| institution_GND | (DE-588)3050681-5 |
| isbn | 9780615878300 |
| language | English |
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| physical | 87 S. zahlr. Ill. 28 cm |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | LSU Museum of Art |
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| spelling | The visual blues essays by R. A. Lawson ... Ed. by Natalie A. Mault Baton Rouge LSU Museum of Art 2014 Seattle, Wash. Univ. of Washington Press 87 S. zahlr. Ill. 28 cm txt rdacontent n rdamedia nc rdacarrier Catalog of an exhibition held at the LSU Museum of Art, March 8-July 13, 2014; Telfair Museums, January 30-May 3, 2015 Includes bibliographical references (pages 84-86) The visual blues explores the enormous impact that blues and jazz music emanating from the Deep South and moving north had on artists associated with the Harlem Renaissance. The Visual Blues shows how the artists and musicians of the Harlem Renaissance blurred artistic boundaries, drawing inspiration from each other and contributing to each other's art forms. The art scene in Harlem from 1919 to approximately 1940 encouraged a melding of art, music, literature, and poetry, providing a creative haven and outlet for transcending hardships and shattering racial stereotypes. The visual blues features a wide range of artists, some of whom already have established reputations and art markets, and others who are under-recognized and are rarely seen publicly. The visual blues comprises sixty-four paintings, drawings, prints, photographs, and sculptures by some of the most recognized and celebrated African-American artists of the Harlem Renaissance Geschichte 1900-2000 Harlem Renaissance / Exhibitions African American art / 20th century / Exhibitions Music / African American influences / Exhibitions Blues (Music) in art / Exhibitions Musik (DE-588)4135467-9 Ausstellungskatalog gnd-content Mault, Natalie A. (DE-588)1062573471 edt Lawson, Rob Alan 1974- Sonstige (DE-588)1012213307 oth Museum of Art (Baton Rouge, La.) Sonstige (DE-588)3050681-5 oth |
| spellingShingle | The visual blues Harlem Renaissance / Exhibitions African American art / 20th century / Exhibitions Music / African American influences / Exhibitions Blues (Music) in art / Exhibitions Musik |
| subject_GND | (DE-588)4135467-9 |
| title | The visual blues |
| title_auth | The visual blues |
| title_exact_search | The visual blues |
| title_full | The visual blues essays by R. A. Lawson ... Ed. by Natalie A. Mault |
| title_fullStr | The visual blues essays by R. A. Lawson ... Ed. by Natalie A. Mault |
| title_full_unstemmed | The visual blues essays by R. A. Lawson ... Ed. by Natalie A. Mault |
| title_short | The visual blues |
| title_sort | the visual blues |
| topic | Harlem Renaissance / Exhibitions African American art / 20th century / Exhibitions Music / African American influences / Exhibitions Blues (Music) in art / Exhibitions Musik |
| topic_facet | Harlem Renaissance / Exhibitions African American art / 20th century / Exhibitions Music / African American influences / Exhibitions Blues (Music) in art / Exhibitions Musik Ausstellungskatalog |
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