Romantic anatomies of performance:
"Romantic Anatomies of Performance" is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians. Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade be...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. [u.a.]
Univ. of California Press
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Romantic Anatomies of Performance" is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians. Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade between London and Paris, the most dynamic musical centers of nineteenth-century Europe. In their day, performers such as these provoked an avalanche of commentary and analysis, inspiring debates over the nature of mind and body, emotion and materiality, spirituality and mechanism, artistry and skill. J. Q. Davies revisits these debates, examining how key musicians and their contemporaries made sense of extraordinary musical and physical abilities. This is a history told as much from scientific and medical writings as traditionally musicological ones. Davies describes competing notions of vocal and pianistic health, contrasts techniques of training, and explores the ways in which music acts in the cultivation of bodies. |
| Beschreibung: | XII, 265 S. Ill. |
| ISBN: | 9780520279391 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV041865190 | ||
| 003 | DE-604 | ||
| 005 | 20140905 | ||
| 007 | t | ||
| 008 | 140523s2014 xxua||| |||| 00||| eng d | ||
| 010 | |a 013032716 | ||
| 020 | |a 9780520279391 |9 978-0-520-27939-1 | ||
| 035 | |a (OCoLC)881729530 | ||
| 035 | |a (DE-599)BVBBV041865190 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-703 |a DE-29 |a DE-12 |a DE-188 | ||
| 050 | 0 | |a ML160 | |
| 082 | 0 | |a 781.4/309034 |2 23 | |
| 084 | |a LP 19505 |0 (DE-625)105954:13533 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Davies, J. Q. |d 1973- |e Verfasser |0 (DE-588)1050743547 |4 aut | |
| 245 | 1 | 0 | |a Romantic anatomies of performance |c J. Q. Davies |
| 264 | 1 | |a Berkeley, Calif. [u.a.] |b Univ. of California Press |c 2014 | |
| 300 | |a XII, 265 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | |a "Romantic Anatomies of Performance" is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians. Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade between London and Paris, the most dynamic musical centers of nineteenth-century Europe. In their day, performers such as these provoked an avalanche of commentary and analysis, inspiring debates over the nature of mind and body, emotion and materiality, spirituality and mechanism, artistry and skill. J. Q. Davies revisits these debates, examining how key musicians and their contemporaries made sense of extraordinary musical and physical abilities. This is a history told as much from scientific and medical writings as traditionally musicological ones. Davies describes competing notions of vocal and pianistic health, contrasts techniques of training, and explores the ways in which music acts in the cultivation of bodies. | ||
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1800-1900 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |y 19th century |x History and criticism | |
| 650 | 4 | |a Music |x Performance |x History | |
| 650 | 0 | 7 | |a Aufführung |0 (DE-588)4143388-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Körper |0 (DE-588)4031575-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musiker |0 (DE-588)4040841-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Anatomie |0 (DE-588)4001895-7 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Musiker |0 (DE-588)4040841-3 |D s |
| 689 | 0 | 1 | |a Aufführung |0 (DE-588)4143388-9 |D s |
| 689 | 0 | 2 | |a Körper |0 (DE-588)4031575-7 |D s |
| 689 | 0 | 3 | |a Anatomie |0 (DE-588)4001895-7 |D s |
| 689 | 0 | 4 | |a Geschichte 1800-1900 |A z |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027309400&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027309400 | ||
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09034 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 09034 |
Datensatz im Suchindex
| _version_ | 1804152217150685184 |
|---|---|
| adam_text | ROMANTIC ANATOMIES OF PERFORMANCE
/ DAVIES, J. Q. 1973-
: 2014
TABLE OF CONTENTS / INHALTSVERZEICHNIS
VELUTI IN SPECULUM : THE TWILIGHT OF THE CASTRATO
REFLECTING ON REFLEX : A TOUCHING FACT ABOUT CHOPIN
THE SONTAG-MALIBRAN STEREOTYPE
BONELESS HANDS/THALBERG S READY-MADE SOUL/VELVET FINGERS
IN SEARCH OF VOICE : NOURRIT S VOIX MIXTE, DONZELLI S BARI-TENOR
LISZT S METAPIANISM AND THE CULTURAL HISTORY OF THE HAND
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Davies, J. Q. 1973- |
| author_GND | (DE-588)1050743547 |
| author_facet | Davies, J. Q. 1973- |
| author_role | aut |
| author_sort | Davies, J. Q. 1973- |
| author_variant | j q d jq jqd |
| building | Verbundindex |
| bvnumber | BV041865190 |
| callnumber-first | M - Music |
| callnumber-label | ML160 |
| callnumber-raw | ML160 |
| callnumber-search | ML160 |
| callnumber-sort | ML 3160 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LP 19505 |
| ctrlnum | (OCoLC)881729530 (DE-599)BVBBV041865190 |
| dewey-full | 781.4/309034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.4/309034 |
| dewey-search | 781.4/309034 |
| dewey-sort | 3781.4 6309034 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1800-1900 Geschichte 1800-1900 gnd |
| era_facet | Geschichte 1800-1900 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03045nam a2200565 c 4500</leader><controlfield tag="001">BV041865190</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20140905 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">140523s2014 xxua||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">013032716</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520279391</subfield><subfield code="9">978-0-520-27939-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)881729530</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041865190</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML160</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.4/309034</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 19505</subfield><subfield code="0">(DE-625)105954:13533</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Davies, J. Q.</subfield><subfield code="d">1973-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1050743547</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Romantic anatomies of performance</subfield><subfield code="c">J. Q. Davies</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berkeley, Calif. [u.a.]</subfield><subfield code="b">Univ. of California Press</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XII, 265 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Romantic Anatomies of Performance" is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians. Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade between London and Paris, the most dynamic musical centers of nineteenth-century Europe. In their day, performers such as these provoked an avalanche of commentary and analysis, inspiring debates over the nature of mind and body, emotion and materiality, spirituality and mechanism, artistry and skill. J. Q. Davies revisits these debates, examining how key musicians and their contemporaries made sense of extraordinary musical and physical abilities. This is a history told as much from scientific and medical writings as traditionally musicological ones. Davies describes competing notions of vocal and pianistic health, contrasts techniques of training, and explores the ways in which music acts in the cultivation of bodies.</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="y">19th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Performance</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Körper</subfield><subfield code="0">(DE-588)4031575-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiker</subfield><subfield code="0">(DE-588)4040841-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Anatomie</subfield><subfield code="0">(DE-588)4001895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musiker</subfield><subfield code="0">(DE-588)4040841-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Körper</subfield><subfield code="0">(DE-588)4031575-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Anatomie</subfield><subfield code="0">(DE-588)4001895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027309400&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027309400</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield></datafield></record></collection> |
| id | DE-604.BV041865190 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:07:12Z |
| institution | BVB |
| isbn | 9780520279391 |
| language | English |
| lccn | 013032716 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027309400 |
| oclc_num | 881729530 |
| open_access_boolean | |
| owner | DE-703 DE-29 DE-12 DE-188 |
| owner_facet | DE-703 DE-29 DE-12 DE-188 |
| physical | XII, 265 S. Ill. |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Univ. of California Press |
| record_format | marc |
| spelling | Davies, J. Q. 1973- Verfasser (DE-588)1050743547 aut Romantic anatomies of performance J. Q. Davies Berkeley, Calif. [u.a.] Univ. of California Press 2014 XII, 265 S. Ill. txt rdacontent n rdamedia nc rdacarrier "Romantic Anatomies of Performance" is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians. Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade between London and Paris, the most dynamic musical centers of nineteenth-century Europe. In their day, performers such as these provoked an avalanche of commentary and analysis, inspiring debates over the nature of mind and body, emotion and materiality, spirituality and mechanism, artistry and skill. J. Q. Davies revisits these debates, examining how key musicians and their contemporaries made sense of extraordinary musical and physical abilities. This is a history told as much from scientific and medical writings as traditionally musicological ones. Davies describes competing notions of vocal and pianistic health, contrasts techniques of training, and explores the ways in which music acts in the cultivation of bodies. Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Geschichte Musik Music 19th century History and criticism Music Performance History Aufführung (DE-588)4143388-9 gnd rswk-swf Körper (DE-588)4031575-7 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Anatomie (DE-588)4001895-7 gnd rswk-swf Musiker (DE-588)4040841-3 s Aufführung (DE-588)4143388-9 s Körper (DE-588)4031575-7 s Anatomie (DE-588)4001895-7 s Geschichte 1800-1900 z DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027309400&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Davies, J. Q. 1973- Romantic anatomies of performance Geschichte Musik Music 19th century History and criticism Music Performance History Aufführung (DE-588)4143388-9 gnd Körper (DE-588)4031575-7 gnd Musiker (DE-588)4040841-3 gnd Anatomie (DE-588)4001895-7 gnd |
| subject_GND | (DE-588)4143388-9 (DE-588)4031575-7 (DE-588)4040841-3 (DE-588)4001895-7 |
| title | Romantic anatomies of performance |
| title_auth | Romantic anatomies of performance |
| title_exact_search | Romantic anatomies of performance |
| title_full | Romantic anatomies of performance J. Q. Davies |
| title_fullStr | Romantic anatomies of performance J. Q. Davies |
| title_full_unstemmed | Romantic anatomies of performance J. Q. Davies |
| title_short | Romantic anatomies of performance |
| title_sort | romantic anatomies of performance |
| topic | Geschichte Musik Music 19th century History and criticism Music Performance History Aufführung (DE-588)4143388-9 gnd Körper (DE-588)4031575-7 gnd Musiker (DE-588)4040841-3 gnd Anatomie (DE-588)4001895-7 gnd |
| topic_facet | Geschichte Musik Music 19th century History and criticism Music Performance History Aufführung Körper Musiker Anatomie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027309400&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT daviesjq romanticanatomiesofperformance |