Donuts:
"From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James "J Dilla" Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as "hip hop music" is...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Bloomsbury
2014
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | 33 1/3
93 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James "J Dilla" Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as "hip hop music" is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying? Drawing from philosophy, critical theory and musicology, as well as Dilla's own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist's declining health as it is an example of what scholars call "late style," placing the album in a musical tradition that stretches back centuries"-- |
| Beschreibung: | Includes bibliographical references Machine generated contents note: -- 1. Welcome to the Show 2. The Diff'rence 3. Hi. 4. Waves 5. Stop! 6. The Twister (Huh, What) 7. Workinonit 8. Two Can Win 9. Geek Down 10. The New 11. Bye |
| Beschreibung: | IX, 136 S. |
| ISBN: | 9781623561833 |
Internformat
MARC
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| 100 | 1 | |a Ferguson, Jordan |e Verfasser |0 (DE-588)1052206174 |4 aut | |
| 245 | 1 | 0 | |a Donuts |c Jordan Ferguson |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a New York [u.a.] |b Bloomsbury |c 2014 | |
| 300 | |a IX, 136 S. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a 33 1/3 |v 93 | |
| 500 | |a Includes bibliographical references | ||
| 500 | |a Machine generated contents note: -- 1. Welcome to the Show 2. The Diff'rence 3. Hi. 4. Waves 5. Stop! 6. The Twister (Huh, What) 7. Workinonit 8. Two Can Win 9. Geek Down 10. The New 11. Bye | ||
| 520 | |a "From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James "J Dilla" Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as "hip hop music" is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying? Drawing from philosophy, critical theory and musicology, as well as Dilla's own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist's declining health as it is an example of what scholars call "late style," placing the album in a musical tradition that stretches back centuries"-- | ||
| 600 | 1 | 4 | |a J Dilla / 1974-2006 / Donuts |
| 600 | 1 | 4 | |a J Dilla / 1974-2006 / Criticism and interpretation |
| 600 | 0 | 7 | |a J Dilla |d 1974-2006 |t Donuts |0 (DE-588)1052897428 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Rap (Music) / History and criticism | |
| 650 | 7 | |a MUSIC / History & Criticism |2 bisacsh | |
| 650 | 7 | |a MUSIC / Genres & Styles / Rap & Hip Hop |2 bisacsh | |
| 650 | 7 | |a MUSIC / Genres & Styles / General |2 bisacsh | |
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| 830 | 0 | |a 33 1/3 |v 93 |w (DE-604)BV017798890 |9 93 | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027296414&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027296414 | ||
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 090511 |g 73 |
Datensatz im Suchindex
| _version_ | 1804152198912802816 |
|---|---|
| adam_text | Contents
Track Listing
v
Acknowledgments
viii
Welcome to the Show
1
The DifPrence
7
Hi
12
Waves
24
Stop!
38
The Twister (Huh, What)
43
Workinonit
67
Two Can Win
78
Geek Down
83
The New
100
Bye
106
Endnotes 114
Works Cited
127
VII
|
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| author | Ferguson, Jordan |
| author_GND | (DE-588)1052206174 |
| author_facet | Ferguson, Jordan |
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| author_sort | Ferguson, Jordan |
| author_variant | j f jf |
| building | Verbundindex |
| bvnumber | BV041851974 |
| ctrlnum | (OCoLC)881842359 (DE-599)BVBBV041851974 |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV041851974 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:06:54Z |
| institution | BVB |
| isbn | 9781623561833 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027296414 |
| oclc_num | 881842359 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | IX, 136 S. |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Bloomsbury |
| record_format | marc |
| series | 33 1/3 |
| series2 | 33 1/3 |
| spelling | Ferguson, Jordan Verfasser (DE-588)1052206174 aut Donuts Jordan Ferguson 1. publ. New York [u.a.] Bloomsbury 2014 IX, 136 S. txt rdacontent n rdamedia nc rdacarrier 33 1/3 93 Includes bibliographical references Machine generated contents note: -- 1. Welcome to the Show 2. The Diff'rence 3. Hi. 4. Waves 5. Stop! 6. The Twister (Huh, What) 7. Workinonit 8. Two Can Win 9. Geek Down 10. The New 11. Bye "From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James "J Dilla" Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as "hip hop music" is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying? Drawing from philosophy, critical theory and musicology, as well as Dilla's own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist's declining health as it is an example of what scholars call "late style," placing the album in a musical tradition that stretches back centuries"-- J Dilla / 1974-2006 / Donuts J Dilla / 1974-2006 / Criticism and interpretation J Dilla 1974-2006 Donuts (DE-588)1052897428 gnd rswk-swf Rap (Music) / History and criticism MUSIC / History & Criticism bisacsh MUSIC / Genres & Styles / Rap & Hip Hop bisacsh MUSIC / Genres & Styles / General bisacsh J Dilla 1974-2006 Donuts (DE-588)1052897428 u DE-604 33 1/3 93 (DE-604)BV017798890 93 Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027296414&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ferguson, Jordan Donuts 33 1/3 J Dilla / 1974-2006 / Donuts J Dilla / 1974-2006 / Criticism and interpretation J Dilla 1974-2006 Donuts (DE-588)1052897428 gnd Rap (Music) / History and criticism MUSIC / History & Criticism bisacsh MUSIC / Genres & Styles / Rap & Hip Hop bisacsh MUSIC / Genres & Styles / General bisacsh |
| subject_GND | (DE-588)1052897428 |
| title | Donuts |
| title_auth | Donuts |
| title_exact_search | Donuts |
| title_full | Donuts Jordan Ferguson |
| title_fullStr | Donuts Jordan Ferguson |
| title_full_unstemmed | Donuts Jordan Ferguson |
| title_short | Donuts |
| title_sort | donuts |
| topic | J Dilla / 1974-2006 / Donuts J Dilla / 1974-2006 / Criticism and interpretation J Dilla 1974-2006 Donuts (DE-588)1052897428 gnd Rap (Music) / History and criticism MUSIC / History & Criticism bisacsh MUSIC / Genres & Styles / Rap & Hip Hop bisacsh MUSIC / Genres & Styles / General bisacsh |
| topic_facet | J Dilla / 1974-2006 / Donuts J Dilla / 1974-2006 / Criticism and interpretation J Dilla 1974-2006 Donuts Rap (Music) / History and criticism MUSIC / History & Criticism MUSIC / Genres & Styles / Rap & Hip Hop MUSIC / Genres & Styles / General |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027296414&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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