Staging scenes from the operas of Mozart: a guide for teachers and singers
In "Staging Scenes from the Operas of Mozart: A Guide for Teachers and Singers", opera director William Ferrara offers the perfect resource for the dramatic preparation of opera scenes for directors and student performers. Topics include study and research, rehearsal planning, blocking, ch...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham, Md.
Rowman & Littlefield
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In "Staging Scenes from the Operas of Mozart: A Guide for Teachers and Singers", opera director William Ferrara offers the perfect resource for the dramatic preparation of opera scenes for directors and student performers. Topics include study and research, rehearsal planning, blocking, characterization, and costuming for four of Mozart's most popular operas. He surveys basic concepts of opera acting and directing and provides a step-by-step guide to the rehearsal process. While much has appeared on the history and musical performance practice of the operas of Mozart, no guide to the directing and acting of his operas-with simple, concise staging instructions and practical information concerning casting, props, and costumes-has yet seen publication. Featuring over one hundred illustrations, including costume designs by Martha Ferrara, the author breaks new ground for student performers and directors alike, as he walks readers through the process of staging scenes from Mozart's operas. |
| Beschreibung: | XVI, 283 S. Diagramme, Illustrationen |
| ISBN: | 9780810888425 9780810888449 |
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| 520 | |a In "Staging Scenes from the Operas of Mozart: A Guide for Teachers and Singers", opera director William Ferrara offers the perfect resource for the dramatic preparation of opera scenes for directors and student performers. Topics include study and research, rehearsal planning, blocking, characterization, and costuming for four of Mozart's most popular operas. He surveys basic concepts of opera acting and directing and provides a step-by-step guide to the rehearsal process. While much has appeared on the history and musical performance practice of the operas of Mozart, no guide to the directing and acting of his operas-with simple, concise staging instructions and practical information concerning casting, props, and costumes-has yet seen publication. Featuring over one hundred illustrations, including costume designs by Martha Ferrara, the author breaks new ground for student performers and directors alike, as he walks readers through the process of staging scenes from Mozart's operas. | ||
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Datensatz im Suchindex
| _version_ | 1804152178962595840 |
|---|---|
| adam_text | Contents
List of Costume Design Illustrations
xi
Introduction
xiii
Part I: Organization and Preparation
1
Organizing the Class
3
Goals of the Class; Written Assignments and Tests; Choosing and Casting
the Scenes; Personnel; Equipment, Furniture, and Props; Scheduling;
Outline of the Schedules; A Director s To Do List
2
The Job of the Director
11
The Director as Teacher; Leading the Team; Structuring the Scenes
Recital Program; Guiding the Actors Preparation; Defining the Story and
Characters; Choosing the Style and Setting; Blocking the Scene; Coaching
the Actors; Integration and Imagination
3
The Rehearsal Process
23
Rehearsal
#1:
Concept Discussions; Rehearsal
#2:
Spoken Rehearsals;
Rehearsal
#3:
Acting Exercises; Rehearsals
#4
and
#5:
Blocking;
Rehearsals
#6
and
#7:
Integrating Text, Music, and Movement;
Rehearsals
#8
and
#9:
Evolving Security and Depth; Rehearsals
#10
and
#11:
Dress Rehearsals and Performance
4
Preparing the Scene: Five Assignments for Actors
29
1.
Researching the Opera;
2.
Outlining the Scene;
3.
Six Steps for
Preparing a Recitative;
4.
Creating a Character History;
5.
Shaping
an Aria
VII
viii Contents
5
An Actor s Vocabulary
33
Action; Asides; Blocking; Business; Character Progression; Commitment;
Cover; Emotional Connection; External Conflict/Internal Conflict;
Focus; Improvisation; Inhibition; Mugging; Objectives and Tactics;
Obstacles; Physical Engagement; Size; Stage Directions; Stage Etiquette;
Staying Open and Upstaging; Warm
Ups
Part II: Staging Scenes from
Le Nozze di
Figaro
Introduction
43
6
Le Nozze di Figaro,
Act I,
Scene
1 47
Recitative: Cosa stai misurando, caro il mio Figaretto?
(Susanna
and Figaro)
No.
2,
Duettino: Se a caso madama la notte ti chiama
(Susanna
and Figaro)
No.
3,
Cavatina: Se vuoi ballare (Figaro)
7
Le Nozze di Figaro,
Act II,
Scene
1 59
No.
10,
Aria: Porgi,
Amor,
qualche ristoro
(Countess)
8
Le Nozze di Figaro,
Act II,
Scene
1 65
Recitative: Quanto duolmi,
Susanna (Countess, Susanna, and
Cherubino)
No.
11,
Arietta:
Voi che sapete (Cherubino,
with Countess and Susanna)
9
Le Nozze di Figaro,
Act
III, Scene
1 73
Recitative: Signor
. . .
Cosa bramate?
(Count and Susanna)
No.
17,
Duettino:
Crudei,
perché finora
(Count and Susanna)
10
Le Nozze di Figaro,
Act III,
Scene
1 85
No.
18,
Recitative accompagnato and aria: Hai già vinta la causa
(Count)
11
Le Nozze di Figaro,
Act III,
Scene
4 91
Recitative: Cosa mi narri!
(Countess and Susanna)
No.
21,
Duettino: Sull aria
(Countess and Susanna)
Part III: Staging Scenes from Don Giovanni
Introduction
99
12
Don Giovanni, Act I, Scene
2 103
Recitative: Alfin siam
liberati, Zerlinetta
gentil
(Don Giovanni
and Zerlina)
No.
7,
Duettino:
Là ci
darem
la mano
(Don Giovanni and Zerlina)
Contents ix
13
Don Giovanni, Act I,
Scene
2 115
Recitative: Fermati scellerato! (Donna
Elvira, Zerlina,
and Don
Giovanni)
No.
8,
Aria: Ah, fuggì il traditore! (Donna
Elvira, Zerlina, and Don
Giovanni)
14
Don Giovanni,
Act I,
Scene
2 123
Recitative: Mi par ch oggi il demonio si diverta (Don Giovanni)
No.
9,
Quartet:
Non ti fidar,
о
misera (Donna Anna, Donna
Elvira, Don
Ottavio, and Don Giovanni)
15
Don Giovanni,
Act I,
Scene
2 135
Recitative: Povera sventurata
. . .
(Don Giovanni,
with
Donna Anna and
Don Ottavio)
No.
10a,
Recitative accompagnato: Don Ottavio,
son
morta! (Donna
Anna and Don Ottavio)
Aria: Or sai chi l onore (Donna Anna and Don Ottavio)
16
Don Giovanni,
Act
l, Scene
2 145
Recitative: Come mai creder deggio (Don Ottavio,
with
Donna Anna)
No.
10b,
Aria: Dalla sua pace (Don Ottavio,
with
Donna Anna)
Part IV: Staging Scenes from Cost fan
tutte
Introduction
151
17
Così fan tutte,
Act I, Scene
2 155
No.
4,
Duetto:
Ah, Guarda sorella
(Fiordiligi and Dorabella)
Recitative:
Mi par che stamattina
(Fiordiligi and Dorabella)
No.
5,
Aria: Vorrei dir
(Don Alfonso, with Fiordiligi and Dorabella)
18
Cost fan
tutte,
Act I, Scene
2 165
No.
6,
Quintetto: Sento,
о
Dio, che queste piede (Fiordiligi, Dorabella,
Ferrando, Guglielmo, and Don Alfonso)
19
Così fan tutte,
Act I,
Scene
3 171
Recitative: Che vita maladetta (Despina, Fiordiligi, and Dorabella)
No.
11,
Aria: Ah, scostati!
. . .
Smanie implacabili (Dorabella,
with
Fiordiligi and Despina)
20
Così fan tutte,
Act I,
Scene
4 179
No.
13,
Sextet:
Alla bella Despinetta (Fiordiligi, Dorabella, Despina,
Ferrando, Guglielmo, and Don Alfonso)
χ
Contents
21
Così fan tutte,
Act II, Scene
1 191
Recitative:
Andate là (Despina, Fiordiligi, and Dorabella)
No.
19,
Aria: Una donna a quindici anni (Despina,
with
Fiordiligi and
Dorabella)
Recitative: Dorabella, cosa dice? (Fiordiligi and Dorabella)
No.
20,
Duetto: Prenderò quel brunettino (Fiordiligi and Dorabella)
22
Così fan tutte,
Act II,
Scene
2 205
Recitative: Passegiamo anche noi (Guglielmo and Dorabella)
No.
23,
Duetto: II
core
vi dono (Guglielmo and Dorabella)
Part V: Staging Scenes from Die
Zauberflöte
Introduction
217
23
Die
Zauberflöte,
Act I, Scene
1 221
No.
1,
Introduction and Trio:
Zu Hilfe!.. . Stirb, Ungeheu r!
(Tarnino
and Three Ladies)
24
Die
Zauberflöte,
Act I, Scene
2 231
No.
5,
Quintetto:
Hm, hm, hm!
(Three
Ladies,
Tarnino,
and Papageno)
25
Die
Zauberflöte,
Act I, Scene
3 243
Dialogue and No.
7,
Duetto:
Bei Männern (Pamina
and Papageno)
26
Die
Zauberflöte,
Act II, Scene
2 249
Dialogue and No.
14,
Aria:
Der Hölle Rache
(Queen of the Night)
27
Die
Zauberflöte,
Act II, Scene
3 255
Dialogue and No.
17,
Aria:
Ach, Ich Fühl s
(Pamina, with
Tarnino)
28
Die
Zauberflöte,
Act II, Finale, Scene
1 261
No.
21, Bald prangt. . . Du also bist mein Bräutigam (Pamina and
Three Boys)
29 Die Zauberflöte,
Act II,
Finale,
Scene
3 269
No.
21, Finale: Klinget, Glöckchen, klinget!. . .
Ρα, γα,
pa, pa, Papagena!
(Papageno, Papagena,
Three Boys, and Children)
Conclusion
275
Further Reading
277
Index
279
About the Author and the Costume Designer
283
Costume
Design
Illustrations
LE
NOZZE DI
FIGARO
Figure
6.2.
Susanna and Figaro, Act I,
Scene
1 50
Figure
7.2.
The Countess in her dressing gown, Act II, Scene
1 61
Figure
8.2.
Cherubino in
his new uniform, Act II, Scene
1 69
Figure
9.2.
The Count and Countess in evening dress, Act III, Scene
1 77
DON GIOVANNI
Figure
12.2.
Don Giovanni, Act I, Scene
2 106
Figure
12.3.
Zerlina in her wedding dress, Act I, Scene
2 107
Figure
13.1.
Donna Elvira in traveling costume, Act I, Scene
2 117
Figure
14.1.
Donna Anna and Don Ottavio in mourning, Act I, Scene
2 125
COSÌ FAN TUTTE
Figure
17.2.
Fiordiligi and Dorabella in summer dresses, Act I, Scene
2 157
Figure
18.1.
Ferrando
and
Guglielmo in
uniform, Act I, Scene
2 166
Figure
19.2.
The sisters at home, Act I, Scene
3 173
Figure
20.1.
Don Alfonso and
Despina, in
her maid s uniform,
Act I, Scene
4 181
Figure
20.2.
Ferrando
and
Guglielmo in
disguise, Act I, Scene
4 183
Figure
21.3.
The sisters at the beach, Act II, Scene
1 193
Figure
21.4.
Despina
at the beach, Act II, Scene
1 195
xi
|
| any_adam_object | 1 |
| author | Ferrara, William L. |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
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| dewey-search | 792.502/3 |
| dewey-sort | 3792.502 13 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Musikwissenschaft |
| format | Book |
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| id | DE-604.BV041838479 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:06:35Z |
| institution | BVB |
| isbn | 9780810888425 9780810888449 |
| language | English |
| lccn | 013046872 |
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| physical | XVI, 283 S. Diagramme, Illustrationen |
| publishDate | 2014 |
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| publisher | Rowman & Littlefield |
| record_format | marc |
| spelling | Ferrara, William L. Verfasser aut Staging scenes from the operas of Mozart a guide for teachers and singers William Ferrara ; with costume designs by Martha Ferrara Lanham, Md. Rowman & Littlefield 2014 XVI, 283 S. Diagramme, Illustrationen txt rdacontent n rdamedia nc rdacarrier In "Staging Scenes from the Operas of Mozart: A Guide for Teachers and Singers", opera director William Ferrara offers the perfect resource for the dramatic preparation of opera scenes for directors and student performers. Topics include study and research, rehearsal planning, blocking, characterization, and costuming for four of Mozart's most popular operas. He surveys basic concepts of opera acting and directing and provides a step-by-step guide to the rehearsal process. While much has appeared on the history and musical performance practice of the operas of Mozart, no guide to the directing and acting of his operas-with simple, concise staging instructions and practical information concerning casting, props, and costumes-has yet seen publication. Featuring over one hundred illustrations, including costume designs by Martha Ferrara, the author breaks new ground for student performers and directors alike, as he walks readers through the process of staging scenes from Mozart's operas. Mozart, Wolfgang Amadeus, 1756-1791 Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Opera Production and direction Inszenierung (DE-588)4027223-0 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Oper (DE-588)4043582-9 s Inszenierung (DE-588)4027223-0 s DE-604 Erscheint auch als Online-Ausgabe 978-0-8108-8843-2 Digitalisierung BSB Muenchen 21 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027283209&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ferrara, William L. Staging scenes from the operas of Mozart a guide for teachers and singers Mozart, Wolfgang Amadeus, 1756-1791 Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Opera Production and direction Inszenierung (DE-588)4027223-0 gnd Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)118584596 (DE-588)4027223-0 (DE-588)4043582-9 |
| title | Staging scenes from the operas of Mozart a guide for teachers and singers |
| title_auth | Staging scenes from the operas of Mozart a guide for teachers and singers |
| title_exact_search | Staging scenes from the operas of Mozart a guide for teachers and singers |
| title_full | Staging scenes from the operas of Mozart a guide for teachers and singers William Ferrara ; with costume designs by Martha Ferrara |
| title_fullStr | Staging scenes from the operas of Mozart a guide for teachers and singers William Ferrara ; with costume designs by Martha Ferrara |
| title_full_unstemmed | Staging scenes from the operas of Mozart a guide for teachers and singers William Ferrara ; with costume designs by Martha Ferrara |
| title_short | Staging scenes from the operas of Mozart |
| title_sort | staging scenes from the operas of mozart a guide for teachers and singers |
| title_sub | a guide for teachers and singers |
| topic | Mozart, Wolfgang Amadeus, 1756-1791 Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Opera Production and direction Inszenierung (DE-588)4027223-0 gnd Oper (DE-588)4043582-9 gnd |
| topic_facet | Mozart, Wolfgang Amadeus, 1756-1791 Mozart, Wolfgang Amadeus 1756-1791 Opera Production and direction Inszenierung Oper |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027283209&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT ferrarawilliaml stagingscenesfromtheoperasofmozartaguideforteachersandsingers |