Heinrich Schenker and Beethoven's "Hammerklavier" sonata:
In 1912 Heinrich Schenker contracted with the Viennese publisher Universal Edition to provide an 'elucidatory edition' (Erlauterungsausgabe) of Beethoven's last five piano sonatas. Each publication would comprise a score, newly edited by Schenker and using the composer's autograp...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2013
|
| Schriftenreihe: | Royal Musical Association monographs
23 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In 1912 Heinrich Schenker contracted with the Viennese publisher Universal Edition to provide an 'elucidatory edition' (Erlauterungsausgabe) of Beethoven's last five piano sonatas. Each publication would comprise a score, newly edited by Schenker and using the composer's autograph manuscript as principal source, together with a substantial commentary combining analytical, text-critical and performance-related matter. Four of the five editions appeared between 1913 and 1921, but that of the 'Hammerklavier' Sonata, op. 106, was never published. It has generally been assumed that this was simply because Schenker was unable to locate the autograph manuscript, which remains missing to this day. But as Nicholas Marston shows in a detailed history of the Erlauterungsausgabe project, other factors were involved also, including financial considerations, Schenker's health concerns, and his broader theoretical ambitions. Moreover, despite the missing autograph he nevertheless developed a voice-leading analysis of the complete sonata during the years 1924-1926, a crucial period in the development of his mature theory of tonal music. Marston's book provides the first in-depth study of this rich analysis, which is reproduced in full in high-quality digital images. The book draws on hundreds of letters and documents from Schenker's Nachla ; it both adds to our biographical knowledge of Schenker and illuminates for the first time the response of this giant of music theory to one of the most significant masterworks in all music. |
| Beschreibung: | Includes bibliographical references (pages 151-154) and index |
| Beschreibung: | XVII, 165 S. Ill., Notenbeisp. CD-ROM (12 cm) |
| ISBN: | 9780754652274 |
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| 520 | |a In 1912 Heinrich Schenker contracted with the Viennese publisher Universal Edition to provide an 'elucidatory edition' (Erlauterungsausgabe) of Beethoven's last five piano sonatas. Each publication would comprise a score, newly edited by Schenker and using the composer's autograph manuscript as principal source, together with a substantial commentary combining analytical, text-critical and performance-related matter. Four of the five editions appeared between 1913 and 1921, but that of the 'Hammerklavier' Sonata, op. 106, was never published. It has generally been assumed that this was simply because Schenker was unable to locate the autograph manuscript, which remains missing to this day. But as Nicholas Marston shows in a detailed history of the Erlauterungsausgabe project, other factors were involved also, including financial considerations, Schenker's health concerns, and his broader theoretical ambitions. Moreover, despite the missing autograph he nevertheless developed a voice-leading analysis of the complete sonata during the years 1924-1926, a crucial period in the development of his mature theory of tonal music. Marston's book provides the first in-depth study of this rich analysis, which is reproduced in full in high-quality digital images. The book draws on hundreds of letters and documents from Schenker's Nachla ; it both adds to our biographical knowledge of Schenker and illuminates for the first time the response of this giant of music theory to one of the most significant masterworks in all music. | ||
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Datensatz im Suchindex
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| adam_text | HEINRICH SCHENKER AND BEETHOVEN S HAMMERKLAVIER SONATA
/ MARSTON, NICHOLAS [AUTHOR]
: 2013
TABLE OF CONTENTS / INHALTSVERZEICHNIS
THE ERLAEUTERUNGSAUSGABE PROJECT AND OP. 106 : 1912-1926
FIRST MOVEMENT : ALLEGRO
SECOND MOVEMENT : SCHERZO : ASSAI VIVACE
THIRD MOVEMENT : ADAGIO SOSTENUTO
FOURTH MOVEMENT : LARGO ; ALLEGRO RISOLUTO : FUGA A TRE VOCI CON ALCUNE
LICENZE
AFTER 1926.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
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| isbn | 9780754652274 |
| language | English |
| lccn | 013013164 |
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| spelling | Marston, Nicholas Verfasser (DE-588)1036297764 aut Heinrich Schenker and Beethoven's "Hammerklavier" sonata Nicholas Marston Farnham [u.a.] Ashgate 2013 XVII, 165 S. Ill., Notenbeisp. CD-ROM (12 cm) txt rdacontent n rdamedia nc rdacarrier Royal Musical Association monographs 23 Includes bibliographical references (pages 151-154) and index In 1912 Heinrich Schenker contracted with the Viennese publisher Universal Edition to provide an 'elucidatory edition' (Erlauterungsausgabe) of Beethoven's last five piano sonatas. Each publication would comprise a score, newly edited by Schenker and using the composer's autograph manuscript as principal source, together with a substantial commentary combining analytical, text-critical and performance-related matter. Four of the five editions appeared between 1913 and 1921, but that of the 'Hammerklavier' Sonata, op. 106, was never published. It has generally been assumed that this was simply because Schenker was unable to locate the autograph manuscript, which remains missing to this day. But as Nicholas Marston shows in a detailed history of the Erlauterungsausgabe project, other factors were involved also, including financial considerations, Schenker's health concerns, and his broader theoretical ambitions. Moreover, despite the missing autograph he nevertheless developed a voice-leading analysis of the complete sonata during the years 1924-1926, a crucial period in the development of his mature theory of tonal music. Marston's book provides the first in-depth study of this rich analysis, which is reproduced in full in high-quality digital images. The book draws on hundreds of letters and documents from Schenker's Nachla ; it both adds to our biographical knowledge of Schenker and illuminates for the first time the response of this giant of music theory to one of the most significant masterworks in all music. Schenker, Heinrich, 1868-1935 Criticism and interpretation Beethoven, Ludwig van, 1770-1827 Beethoven, Ludwig van 1770-1827 Sonaten op. 106 (DE-588)300016867 gnd rswk-swf Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd rswk-swf Schenkerian analysis Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Schenker, Heinrich 1868-1935 (DE-588)118607154 p Beethoven, Ludwig van 1770-1827 Sonaten op. 106 (DE-588)300016867 u Musikalische Analyse (DE-588)4040814-0 s DE-604 Royal Musical Association monographs 23 (DE-604)BV000617458 23 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027282520&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Marston, Nicholas Heinrich Schenker and Beethoven's "Hammerklavier" sonata Royal Musical Association monographs Schenker, Heinrich, 1868-1935 Criticism and interpretation Beethoven, Ludwig van, 1770-1827 Beethoven, Ludwig van 1770-1827 Sonaten op. 106 (DE-588)300016867 gnd Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd Schenkerian analysis Musikalische Analyse (DE-588)4040814-0 gnd |
| subject_GND | (DE-588)300016867 (DE-588)118607154 (DE-588)4040814-0 |
| title | Heinrich Schenker and Beethoven's "Hammerklavier" sonata |
| title_auth | Heinrich Schenker and Beethoven's "Hammerklavier" sonata |
| title_exact_search | Heinrich Schenker and Beethoven's "Hammerklavier" sonata |
| title_full | Heinrich Schenker and Beethoven's "Hammerklavier" sonata Nicholas Marston |
| title_fullStr | Heinrich Schenker and Beethoven's "Hammerklavier" sonata Nicholas Marston |
| title_full_unstemmed | Heinrich Schenker and Beethoven's "Hammerklavier" sonata Nicholas Marston |
| title_short | Heinrich Schenker and Beethoven's "Hammerklavier" sonata |
| title_sort | heinrich schenker and beethoven s hammerklavier sonata |
| topic | Schenker, Heinrich, 1868-1935 Criticism and interpretation Beethoven, Ludwig van, 1770-1827 Beethoven, Ludwig van 1770-1827 Sonaten op. 106 (DE-588)300016867 gnd Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd Schenkerian analysis Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Schenker, Heinrich, 1868-1935 Criticism and interpretation Beethoven, Ludwig van, 1770-1827 Beethoven, Ludwig van 1770-1827 Sonaten op. 106 Schenker, Heinrich 1868-1935 Schenkerian analysis Musikalische Analyse |
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