Tchaikovsky's "Pathétique" and Russian culture:
Tchaikovsky's Sixth Symphony (1893), widely recognized as one of the world's most deeply tragic compositions, is also known for the mystery surrounding its hidden programme and for Tchaikovsky's unexpected death nine days after its premiere. While the sensational speculations about th...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Tchaikovsky's Sixth Symphony (1893), widely recognized as one of the world's most deeply tragic compositions, is also known for the mystery surrounding its hidden programme and for Tchaikovsky's unexpected death nine days after its premiere. While the sensational speculations about the composer's possible planned suicide and the suggestion that the symphony was intended as his own requiem have long been discarded, the question of its programme remains. Tchaikovsky's mention of the extreme subjectivity lying behind the work's artistic concept has usually led scholars to seek clues to the programme in his inner emotional world, and some have mooted his homosexuality as the source of personal tragedy that may be at the work's roots. In this close analytical and historical study, Marina Ritzarev argues that viewing a work of such outstanding aesthetic achievement solely as a personal lament is both unsatisfactory and inconsistent with Tchaikovsky's artistic ethics. She looks for the programme instead in the realm of European eighteenth- and nineteenth-century cultural values. Focusing her extensive knowledge of Russian culture on Tchaikovsky's personal reading and social circle, she offers a startling new interpretation of this great work. (Klappentext) |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIV, 169 S. zahlr. Notenbeisp. |
| ISBN: | 9781472424112 |
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| 520 | |a Tchaikovsky's Sixth Symphony (1893), widely recognized as one of the world's most deeply tragic compositions, is also known for the mystery surrounding its hidden programme and for Tchaikovsky's unexpected death nine days after its premiere. While the sensational speculations about the composer's possible planned suicide and the suggestion that the symphony was intended as his own requiem have long been discarded, the question of its programme remains. Tchaikovsky's mention of the extreme subjectivity lying behind the work's artistic concept has usually led scholars to seek clues to the programme in his inner emotional world, and some have mooted his homosexuality as the source of personal tragedy that may be at the work's roots. In this close analytical and historical study, Marina Ritzarev argues that viewing a work of such outstanding aesthetic achievement solely as a personal lament is both unsatisfactory and inconsistent with Tchaikovsky's artistic ethics. She looks for the programme instead in the realm of European eighteenth- and nineteenth-century cultural values. Focusing her extensive knowledge of Russian culture on Tchaikovsky's personal reading and social circle, she offers a startling new interpretation of this great work. (Klappentext) | ||
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Datensatz im Suchindex
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| adam_text | TCHAIKOVSKY S PATHATIQUE AND RUSSIAN CULTURE
/ RITZAREV, MARINA.
: 2014
TABLE OF CONTENTS / INHALTSVERZEICHNIS
SECRECY
BEFORE FEBRUARY 4
MOOD VERY CLOSE TO REQUIEM, BUT FOR WHOM?
TCHAIKOVSKY AND CHRIST
RUSSIAN CULTURE, JESUS CHRIST AND COMPASSION
BEHIND THE PROGRAMME
MOVEMENTS AND THEIR INTERRELATIONS
A SKILLFULLY CONSTRUCTED NOVEL
INTERMEZZO : MYSTERIOUS WALTZ
GREAT AMBIVALENCE
A HOUSE OF MOURNING
AFTERWORD
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
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| dewey-search | 784.2/184 |
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| discipline | Musikwissenschaft |
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| id | DE-604.BV041837746 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:06:34Z |
| institution | BVB |
| isbn | 9781472424112 |
| language | English |
| lccn | 013039367 |
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| spelling | Ritzarev, Marina 1946- Verfasser (DE-588)132765071 aut Tchaikovsky's "Pathétique" and Russian culture Marina Ritzarev Pathétique and Russian culture Farnham [u.a.] Ashgate 2014 XIV, 169 S. zahlr. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Tchaikovsky's Sixth Symphony (1893), widely recognized as one of the world's most deeply tragic compositions, is also known for the mystery surrounding its hidden programme and for Tchaikovsky's unexpected death nine days after its premiere. While the sensational speculations about the composer's possible planned suicide and the suggestion that the symphony was intended as his own requiem have long been discarded, the question of its programme remains. Tchaikovsky's mention of the extreme subjectivity lying behind the work's artistic concept has usually led scholars to seek clues to the programme in his inner emotional world, and some have mooted his homosexuality as the source of personal tragedy that may be at the work's roots. In this close analytical and historical study, Marina Ritzarev argues that viewing a work of such outstanding aesthetic achievement solely as a personal lament is both unsatisfactory and inconsistent with Tchaikovsky's artistic ethics. She looks for the programme instead in the realm of European eighteenth- and nineteenth-century cultural values. Focusing her extensive knowledge of Russian culture on Tchaikovsky's personal reading and social circle, she offers a startling new interpretation of this great work. (Klappentext) Tchaikovsky, Peter Ilich, 1840-1893 Tchaikovsky, Peter Ilich, 1840-1893 Criticism and interpretation Čajkovskij, Pëtr Ilʹič 1840-1893 Sinfonien ČS 27 (DE-588)300033842 gnd rswk-swf Gesellschaft Musik Music Social aspects Russia (Federation) Čajkovskij, Pëtr Ilʹič 1840-1893 Sinfonien ČS 27 (DE-588)300033842 u DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-4724-2413-6 Erscheint auch als Online-Ausgabe, PDF 978-1-4724-2412-9 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027282475&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ritzarev, Marina 1946- Tchaikovsky's "Pathétique" and Russian culture Tchaikovsky, Peter Ilich, 1840-1893 Tchaikovsky, Peter Ilich, 1840-1893 Criticism and interpretation Čajkovskij, Pëtr Ilʹič 1840-1893 Sinfonien ČS 27 (DE-588)300033842 gnd Gesellschaft Musik Music Social aspects Russia (Federation) |
| subject_GND | (DE-588)300033842 |
| title | Tchaikovsky's "Pathétique" and Russian culture |
| title_alt | Pathétique and Russian culture |
| title_auth | Tchaikovsky's "Pathétique" and Russian culture |
| title_exact_search | Tchaikovsky's "Pathétique" and Russian culture |
| title_full | Tchaikovsky's "Pathétique" and Russian culture Marina Ritzarev |
| title_fullStr | Tchaikovsky's "Pathétique" and Russian culture Marina Ritzarev |
| title_full_unstemmed | Tchaikovsky's "Pathétique" and Russian culture Marina Ritzarev |
| title_short | Tchaikovsky's "Pathétique" and Russian culture |
| title_sort | tchaikovsky s pathetique and russian culture |
| topic | Tchaikovsky, Peter Ilich, 1840-1893 Tchaikovsky, Peter Ilich, 1840-1893 Criticism and interpretation Čajkovskij, Pëtr Ilʹič 1840-1893 Sinfonien ČS 27 (DE-588)300033842 gnd Gesellschaft Musik Music Social aspects Russia (Federation) |
| topic_facet | Tchaikovsky, Peter Ilich, 1840-1893 Tchaikovsky, Peter Ilich, 1840-1893 Criticism and interpretation Čajkovskij, Pëtr Ilʹič 1840-1893 Sinfonien ČS 27 Gesellschaft Musik Music Social aspects Russia (Federation) |
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