Musicality in theatre: music as model, method and metaphor in theatre-making
As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study musicality in the theatre, David Roesner offers a revised view of the nat...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2014
|
| Schriftenreihe: | Ashgate interdisciplinary studies in opera
|
| Schlagworte: | |
| Zusammenfassung: | As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - on the other, he traces a notion of 'musicality' in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metaphors and principles derived from a wide range of genres.Roesner looks in particular at the ways in which those who attempted to experiment with, advance or even revolutionize theatre often sought to use and integrate a sense of musicality in training and directing processes and in performances. His study reveals both the continuous changes in the understanding of music as model, method and metaphor for the theatre and how different notions of music had a vital impact on theatrical innovation in the past 150 years. Musicality thus becomes a complementary concept to theatricality, helping to highlight what is germane to an art form as well as to explain its traction in other art forms and areas of life. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier. |
| Beschreibung: | XIII, 305 S. Ill. |
| ISBN: | 9781409461012 |
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| 505 | 0 | |a Introduction: premises and promises; Appia - musicality and the 'inner essence'; Meyerhold - theatre 'organized according to the music's laws'; Artaud - the musicality of sound, voice and noise; Writing with your ears - the musicality of playwriting; Theatre and jazz; The eclectic musicality of now; Conclusion; bibliography; Index. | |
| 520 | |a As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - on the other, he traces a notion of 'musicality' in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metaphors and principles derived from a wide range of genres.Roesner looks in particular at the ways in which those who attempted to experiment with, advance or even revolutionize theatre often sought to use and integrate a sense of musicality in training and directing processes and in performances. His study reveals both the continuous changes in the understanding of music as model, method and metaphor for the theatre and how different notions of music had a vital impact on theatrical innovation in the past 150 years. Musicality thus becomes a complementary concept to theatricality, helping to highlight what is germane to an art form as well as to explain its traction in other art forms and areas of life. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier. | ||
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Datensatz im Suchindex
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| author | Roesner, David 1972- |
| author_GND | (DE-588)128486171 |
| author_facet | Roesner, David 1972- |
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| author_sort | Roesner, David 1972- |
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| callnumber-label | MT960 |
| callnumber-raw | MT960 |
| callnumber-search | MT960 |
| callnumber-sort | MT 3960 |
| callnumber-subject | MT - Instruction and Study |
| classification_rvk | AP 67600 AP 72500 |
| contents | Introduction: premises and promises; Appia - musicality and the 'inner essence'; Meyerhold - theatre 'organized according to the music's laws'; Artaud - the musicality of sound, voice and noise; Writing with your ears - the musicality of playwriting; Theatre and jazz; The eclectic musicality of now; Conclusion; bibliography; Index. |
| ctrlnum | (OCoLC)884280812 (DE-599)BVBBV041837686 |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV041837686 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:06:34Z |
| institution | BVB |
| isbn | 9781409461012 |
| language | English |
| lccn | 013051048 |
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| physical | XIII, 305 S. Ill. |
| publishDate | 2014 |
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| series2 | Ashgate interdisciplinary studies in opera |
| spelling | Roesner, David 1972- Verfasser (DE-588)128486171 aut Musicality in theatre music as model, method and metaphor in theatre-making David Roesner Farnham [u.a.] Ashgate 2014 XIII, 305 S. Ill. txt rdacontent n rdamedia nc rdacarrier Ashgate interdisciplinary studies in opera Introduction: premises and promises; Appia - musicality and the 'inner essence'; Meyerhold - theatre 'organized according to the music's laws'; Artaud - the musicality of sound, voice and noise; Writing with your ears - the musicality of playwriting; Theatre and jazz; The eclectic musicality of now; Conclusion; bibliography; Index. As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - on the other, he traces a notion of 'musicality' in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metaphors and principles derived from a wide range of genres.Roesner looks in particular at the ways in which those who attempted to experiment with, advance or even revolutionize theatre often sought to use and integrate a sense of musicality in training and directing processes and in performances. His study reveals both the continuous changes in the understanding of music as model, method and metaphor for the theatre and how different notions of music had a vital impact on theatrical innovation in the past 150 years. Musicality thus becomes a complementary concept to theatricality, helping to highlight what is germane to an art form as well as to explain its traction in other art forms and areas of life. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier. Music in the theater Theater Production and direction Musik (DE-588)4040802-4 gnd rswk-swf Theaterproduktion (DE-588)4261186-6 gnd rswk-swf Theaterproduktion (DE-588)4261186-6 s Musik (DE-588)4040802-4 s DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-4724-0731-3 Erscheint auch als Online-Ausgabe, PDF 978-1-4094-6102-9 |
| spellingShingle | Roesner, David 1972- Musicality in theatre music as model, method and metaphor in theatre-making Introduction: premises and promises; Appia - musicality and the 'inner essence'; Meyerhold - theatre 'organized according to the music's laws'; Artaud - the musicality of sound, voice and noise; Writing with your ears - the musicality of playwriting; Theatre and jazz; The eclectic musicality of now; Conclusion; bibliography; Index. Music in the theater Theater Production and direction Musik (DE-588)4040802-4 gnd Theaterproduktion (DE-588)4261186-6 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4261186-6 |
| title | Musicality in theatre music as model, method and metaphor in theatre-making |
| title_auth | Musicality in theatre music as model, method and metaphor in theatre-making |
| title_exact_search | Musicality in theatre music as model, method and metaphor in theatre-making |
| title_full | Musicality in theatre music as model, method and metaphor in theatre-making David Roesner |
| title_fullStr | Musicality in theatre music as model, method and metaphor in theatre-making David Roesner |
| title_full_unstemmed | Musicality in theatre music as model, method and metaphor in theatre-making David Roesner |
| title_short | Musicality in theatre |
| title_sort | musicality in theatre music as model method and metaphor in theatre making |
| title_sub | music as model, method and metaphor in theatre-making |
| topic | Music in the theater Theater Production and direction Musik (DE-588)4040802-4 gnd Theaterproduktion (DE-588)4261186-6 gnd |
| topic_facet | Music in the theater Theater Production and direction Musik Theaterproduktion |
| work_keys_str_mv | AT roesnerdavid musicalityintheatremusicasmodelmethodandmetaphorintheatremaking |