Popular music and the new auteur: visionary filmmakers after MTV
Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-vid...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
2013
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-video-induced changes to infiltrate their feature films, and defines these filmmakers' relation to the soundtrack as their key authorial gesture |
| Beschreibung: | Published to Oxford Scholarship Online: January 2014 Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9780199369560 |
| DOI: | 10.1093/acprof:oso/9780199827336.001.0001 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV041835988 | ||
| 003 | DE-604 | ||
| 005 | 20171002 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 140508s2013 |||| o||u| ||||||eng d | ||
| 020 | |a 9780199369560 |c Online |9 978-0-19-936956-0 | ||
| 024 | 7 | |a 10.1093/acprof:oso/9780199827336.001.0001 |2 doi | |
| 035 | |a (OCoLC)879842883 | ||
| 035 | |a (DE-599)BVBBV041835988 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 050 | 0 | |a ML2075 | |
| 082 | 0 | |a 781.5/42 | |
| 084 | |a LR 53509 |0 (DE-625)109546: |2 rvk | ||
| 245 | 1 | 0 | |a Popular music and the new auteur |b visionary filmmakers after MTV |c Arved Ashby |
| 264 | 1 | |a New York |b Oxford University Press |c 2013 | |
| 300 | |a 1 Online-Ressource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Published to Oxford Scholarship Online: January 2014 | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-video-induced changes to infiltrate their feature films, and defines these filmmakers' relation to the soundtrack as their key authorial gesture | ||
| 648 | 7 | |a Geschichte 1980- |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Motion picture music |x History and criticism | |
| 650 | 4 | |a Popular music in motion pictures | |
| 650 | 0 | 7 | |a Filmmusik |0 (DE-588)4017129-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Popmusik |0 (DE-588)4046781-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Filmregisseur |0 (DE-588)4154375-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Filmregisseur |0 (DE-588)4154375-0 |D s |
| 689 | 0 | 2 | |a Filmmusik |0 (DE-588)4017129-2 |D s |
| 689 | 0 | 3 | |a Rezeption |0 (DE-588)4049716-1 |D s |
| 689 | 0 | 4 | |a Popmusik |0 (DE-588)4046781-8 |D s |
| 689 | 0 | 5 | |a Geschichte 1980- |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Ashby, Arved Mark |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-0-19-982733-6 |
| 856 | 4 | 0 | |u https://doi.org/10.1093/acprof:oso/9780199827336.001.0001 |x Verlag |3 Volltext |
| 912 | |a ZDB-28-OSM | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027280757 | ||
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 09049 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09048 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 09048 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09049 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 09048 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 09049 |
| 966 | e | |u https://doi.org/10.1093/acprof:oso/9780199827336.001.0001 |l BSB01 |p ZDB-28-OSM |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804152175114321920 |
|---|---|
| any_adam_object | |
| building | Verbundindex |
| bvnumber | BV041835988 |
| callnumber-first | M - Music |
| callnumber-label | ML2075 |
| callnumber-raw | ML2075 |
| callnumber-search | ML2075 |
| callnumber-sort | ML 42075 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 53509 |
| collection | ZDB-28-OSM |
| ctrlnum | (OCoLC)879842883 (DE-599)BVBBV041835988 |
| dewey-full | 781.5/42 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/42 |
| dewey-search | 781.5/42 |
| dewey-sort | 3781.5 242 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1093/acprof:oso/9780199827336.001.0001 |
| era | Geschichte 1980- gnd |
| era_facet | Geschichte 1980- |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02889nmm a2200673zc 4500</leader><controlfield tag="001">BV041835988</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20171002 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">140508s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780199369560</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-19-936956-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1093/acprof:oso/9780199827336.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)879842883</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041835988</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML2075</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.5/42</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 53509</subfield><subfield code="0">(DE-625)109546:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Popular music and the new auteur</subfield><subfield code="b">visionary filmmakers after MTV</subfield><subfield code="c">Arved Ashby</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Published to Oxford Scholarship Online: January 2014</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-video-induced changes to infiltrate their feature films, and defines these filmmakers' relation to the soundtrack as their key authorial gesture</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1980-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music in motion pictures</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmmusik</subfield><subfield code="0">(DE-588)4017129-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmregisseur</subfield><subfield code="0">(DE-588)4154375-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Filmregisseur</subfield><subfield code="0">(DE-588)4154375-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Filmmusik</subfield><subfield code="0">(DE-588)4017129-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1980-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ashby, Arved Mark</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-19-982733-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1093/acprof:oso/9780199827336.001.0001</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OSM</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027280757</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09049</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09048</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09048</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09049</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09048</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09049</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1093/acprof:oso/9780199827336.001.0001</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-28-OSM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV041835988 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:06:32Z |
| institution | BVB |
| isbn | 9780199369560 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027280757 |
| oclc_num | 879842883 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource |
| psigel | ZDB-28-OSM |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Popular music and the new auteur visionary filmmakers after MTV Arved Ashby New York Oxford University Press 2013 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Published to Oxford Scholarship Online: January 2014 Includes bibliographical references and index Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-video-induced changes to infiltrate their feature films, and defines these filmmakers' relation to the soundtrack as their key authorial gesture Geschichte 1980- gnd rswk-swf Motion picture music History and criticism Popular music in motion pictures Filmmusik (DE-588)4017129-2 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Filmregisseur (DE-588)4154375-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Filmregisseur (DE-588)4154375-0 s Filmmusik (DE-588)4017129-2 s Rezeption (DE-588)4049716-1 s Popmusik (DE-588)4046781-8 s Geschichte 1980- z DE-604 Ashby, Arved Mark Sonstige oth Erscheint auch als Druckausgabe 978-0-19-982733-6 https://doi.org/10.1093/acprof:oso/9780199827336.001.0001 Verlag Volltext |
| spellingShingle | Popular music and the new auteur visionary filmmakers after MTV Motion picture music History and criticism Popular music in motion pictures Filmmusik (DE-588)4017129-2 gnd Rezeption (DE-588)4049716-1 gnd Popmusik (DE-588)4046781-8 gnd Filmregisseur (DE-588)4154375-0 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4049716-1 (DE-588)4046781-8 (DE-588)4154375-0 (DE-588)4078704-7 |
| title | Popular music and the new auteur visionary filmmakers after MTV |
| title_auth | Popular music and the new auteur visionary filmmakers after MTV |
| title_exact_search | Popular music and the new auteur visionary filmmakers after MTV |
| title_full | Popular music and the new auteur visionary filmmakers after MTV Arved Ashby |
| title_fullStr | Popular music and the new auteur visionary filmmakers after MTV Arved Ashby |
| title_full_unstemmed | Popular music and the new auteur visionary filmmakers after MTV Arved Ashby |
| title_short | Popular music and the new auteur |
| title_sort | popular music and the new auteur visionary filmmakers after mtv |
| title_sub | visionary filmmakers after MTV |
| topic | Motion picture music History and criticism Popular music in motion pictures Filmmusik (DE-588)4017129-2 gnd Rezeption (DE-588)4049716-1 gnd Popmusik (DE-588)4046781-8 gnd Filmregisseur (DE-588)4154375-0 gnd |
| topic_facet | Motion picture music History and criticism Popular music in motion pictures Filmmusik Rezeption Popmusik Filmregisseur USA |
| url | https://doi.org/10.1093/acprof:oso/9780199827336.001.0001 |
| work_keys_str_mv | AT ashbyarvedmark popularmusicandthenewauteurvisionaryfilmmakersaftermtv |