From plantation to paradise?: cultural politics and musical theatre in French slave colonies, 1764 - 1789
In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre-French Revolution performance practices in Guadeloup...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
East Lansing, Mich.
Michigan State Univ. Press
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre-French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers's book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, decor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of creole texts and white actors/singers a visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of "patriotic theatres," and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States. (Klappentext) |
| Beschreibung: | XVI, 256 S. Ill., Kt., Notenbeisp. |
| ISBN: | 9781611861204 |
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| 520 | |a In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre-French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers's book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, decor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of creole texts and white actors/singers a visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of "patriotic theatres," and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States. (Klappentext) | ||
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Datensatz im Suchindex
| _version_ | 1804152174946549760 |
|---|---|
| adam_text | CONTENTS
List of Illustrations
.......................................................ix
Preface
.................................................................xi
Acknowledgments
.......................................................xv
INTRODUCTION
..........................................................
I
chapter i. Establishment or Colonial Hierarchy
...............................25
chapter
2.
Politics and Power
.............................................47
chapter
3.
Colonial Society at the Theatre
...................................65
chapter
4.
Introducing the Stars
...........................................85
chapter
5.
Breaking through the Barrier
.....................................93
chapter
6.
The
Escape from Reality Continues
...............................105
chapter
7.
Finale: The Beginning of the End
................................113
EPILOGUE
.............................................................123
appendix
1.
Glossar)
...................................................127
appendix
2.
La Fauvette
(The Warbler)
....................................133
appendix
3.
Moreau: Effects of Miscegenation
...............................147
appendix
4.
Descriptions of Colonial Theatres
................................149
appendix
5.
Premieres of Plays by
Molière
and Voltaire
.........................157
appendix
6.
Discography
................................................161
appendix
7.
Colonial Productions with Sub-Saharan African Elements
............165
Notes
................................................................193
Bibliography
..........................................................227
Index
................................................................253
Caribbean History/Black Studies/Opera
An important and exciting new work, David Powers s From Plantation to Paradise?
engages the nexus between art and society, documenting not only the elaborately staged, eighteenth-
century performances of French opera in the Caribbean colonies but also the participation of en¬
slaved and freed blacks as musicians (singers and instrumentalists) in this repertoire—even as the
operatic texts supported colonialism and racial stereotypes. Through her entwined examinations of
the music education offered by Jesuit missionaries to the enslaved, the importance of ceremonial
music within the racially segregated military units of whites and free coloreds in the maintenance
of colonial authority, and the lavish productions of French operas that embodied the accepted
racial and social hierarchies, Powers makes significant contributions to African-Caribbean studies,
French colonial history, and French baroque opera.
—
ELLEN T. HARRIS
Class of
1949
Professor Emeritus, Music and Theater Arts, MIT
In
1764
the first printing press was established in the French Caribbean colonies, launching
the official documentation of operas and plays performed there, and marking the inauguration
of the first theatre in the colonies. A rigorous study of
pre—
French Revolution performance
practices in Guadeloupe, Martinique, and
Saint-Domingue
(now Haiti), Powers s book examines
the elaborate system of social casting in these colonies; the environments in which nonwhite artists
emerged; and both negative and positive contributions of the Catholic Church and the military to
operas and concerts produced in the colonies. The author also explores the level of participation of
nonwhites in these productions, as well as theatre architecture,
décor,
repertoire, seating arrange¬
ments, and types of audiences. The status of nonwhite artists in colonial society; the range of operas
in which they performed; their accomplishments, praises, criticisms; and the use of
créole
texts and
white actors/singers
à
visage
noirs
(with blackened faces) present a clear picture of French operatic
culture in these colonies. Approaching the French Revolution, the study concludes with an exami¬
nation of the ways in which colonial opera was influenced by slave uprisings, the French Revolution,
the emergence of patriotic theatres, and their role in fostering support for the king, as well as the
impact on subsequent operas produced in the colonies and in the United States.
DAVID M. POWERS has received several prestigious awards and has published widely. She has
taught at the University of Illinois at Chicago and the University of North Carolina at Chapel Hill.
Michigan State
University Press
ISBN
978-1-61186-120-4
53495
11
lil 53495
fflfP
іііія
MSUmSS.ORG
|
| any_adam_object | 1 |
| author | Powers, David M. |
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| ctrlnum | (OCoLC)889520227 (DE-599)BVBBV041835872 |
| dewey-full | 792.0944/09033 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
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| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1700-1800 Geschichte 1764-1789 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1764-1789 |
| format | Book |
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| spelling | Powers, David M. Verfasser aut From plantation to paradise? cultural politics and musical theatre in French slave colonies, 1764 - 1789 David M. Powers East Lansing, Mich. Michigan State Univ. Press 2014 XVI, 256 S. Ill., Kt., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre-French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers's book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, decor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of creole texts and white actors/singers a visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of "patriotic theatres," and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States. (Klappentext) Geschichte 1700-1800 Geschichte 1764-1789 gnd rswk-swf Alltag, Brauchtum Geschichte Theater and society France History 18th century Theater and society West Indies, French History 18th century Musical theater West Indies, French History 18th century Kultur (DE-588)4125698-0 gnd rswk-swf Musiktheater (DE-588)4040874-7 gnd rswk-swf Kolonie (DE-588)4031790-0 gnd rswk-swf Frankreich West Indies, French Social life and customs 18th century Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Kolonie (DE-588)4031790-0 s Kultur (DE-588)4125698-0 s Musiktheater (DE-588)4040874-7 s Geschichte 1764-1789 z DE-604 Erscheint auch als Online-Ausgabe 978-1-60917-410-1 Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027280644&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027280644&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Powers, David M. From plantation to paradise? cultural politics and musical theatre in French slave colonies, 1764 - 1789 Alltag, Brauchtum Geschichte Theater and society France History 18th century Theater and society West Indies, French History 18th century Musical theater West Indies, French History 18th century Kultur (DE-588)4125698-0 gnd Musiktheater (DE-588)4040874-7 gnd Kolonie (DE-588)4031790-0 gnd |
| subject_GND | (DE-588)4125698-0 (DE-588)4040874-7 (DE-588)4031790-0 (DE-588)4018145-5 |
| title | From plantation to paradise? cultural politics and musical theatre in French slave colonies, 1764 - 1789 |
| title_auth | From plantation to paradise? cultural politics and musical theatre in French slave colonies, 1764 - 1789 |
| title_exact_search | From plantation to paradise? cultural politics and musical theatre in French slave colonies, 1764 - 1789 |
| title_full | From plantation to paradise? cultural politics and musical theatre in French slave colonies, 1764 - 1789 David M. Powers |
| title_fullStr | From plantation to paradise? cultural politics and musical theatre in French slave colonies, 1764 - 1789 David M. Powers |
| title_full_unstemmed | From plantation to paradise? cultural politics and musical theatre in French slave colonies, 1764 - 1789 David M. Powers |
| title_short | From plantation to paradise? |
| title_sort | from plantation to paradise cultural politics and musical theatre in french slave colonies 1764 1789 |
| title_sub | cultural politics and musical theatre in French slave colonies, 1764 - 1789 |
| topic | Alltag, Brauchtum Geschichte Theater and society France History 18th century Theater and society West Indies, French History 18th century Musical theater West Indies, French History 18th century Kultur (DE-588)4125698-0 gnd Musiktheater (DE-588)4040874-7 gnd Kolonie (DE-588)4031790-0 gnd |
| topic_facet | Alltag, Brauchtum Geschichte Theater and society France History 18th century Theater and society West Indies, French History 18th century Musical theater West Indies, French History 18th century Kultur Musiktheater Kolonie Frankreich West Indies, French Social life and customs 18th century |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027280644&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027280644&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT powersdavidm fromplantationtoparadiseculturalpoliticsandmusicaltheatreinfrenchslavecolonies17641789 |