Redefining Hungarian music from Liszt to Bartók:
Some of the most popular works of 19th-century music were labelled either 'Hungarian' or 'Gypsy' in style, including many of the best-known and least-respected of Liszt's compositions. In the early 20th century, Bela Bartok and his colleagues questioned not only the Hungaria...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York
Oxford University Press
2013
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Schlagworte: | |
Online-Zugang: | BSB01 Volltext |
Zusammenfassung: | Some of the most popular works of 19th-century music were labelled either 'Hungarian' or 'Gypsy' in style, including many of the best-known and least-respected of Liszt's compositions. In the early 20th century, Bela Bartok and his colleagues questioned not only the Hungarianness but also the good taste of that style. Bartok argued that it should be discarded in favour of a national style based in the 'genuine' folk music of the rural peasantry |
Beschreibung: | Published to Oxford Scholarship Online: January 2014 Includes bibliographical references and index |
Beschreibung: | 1 Online-Ressource |
ISBN: | 9780199369461 |
DOI: | 10.1093/acprof:oso/9780199739592.001.0001 |
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Datensatz im Suchindex
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any_adam_object | |
author | Hooker, Lynn M. |
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dewey-raw | 780.9439 |
dewey-search | 780.9439 |
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discipline | Musikwissenschaft |
doi_str_mv | 10.1093/acprof:oso/9780199739592.001.0001 |
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spelling | Hooker, Lynn M. Verfasser aut Redefining Hungarian music from Liszt to Bartók Lynn M. Hooker New York Oxford University Press 2013 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Published to Oxford Scholarship Online: January 2014 Includes bibliographical references and index Some of the most popular works of 19th-century music were labelled either 'Hungarian' or 'Gypsy' in style, including many of the best-known and least-respected of Liszt's compositions. In the early 20th century, Bela Bartok and his colleagues questioned not only the Hungarianness but also the good taste of that style. Bartok argued that it should be discarded in favour of a national style based in the 'genuine' folk music of the rural peasantry Geschichte gnd rswk-swf Musik Music Hungary History and criticism Nationalism in music Nationalismus (DE-588)4041300-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Ungarn Hungary Civilization Ungarn (DE-588)4078541-5 gnd rswk-swf Ungarn (DE-588)4078541-5 g Musik (DE-588)4040802-4 s Nationalismus (DE-588)4041300-7 s Geschichte z DE-604 Erscheint auch als Druckausgabe 978-0-19-973959-2 https://doi.org/10.1093/acprof:oso/9780199739592.001.0001 Verlag Volltext |
spellingShingle | Hooker, Lynn M. Redefining Hungarian music from Liszt to Bartók Musik Music Hungary History and criticism Nationalism in music Nationalismus (DE-588)4041300-7 gnd Musik (DE-588)4040802-4 gnd |
subject_GND | (DE-588)4041300-7 (DE-588)4040802-4 (DE-588)4078541-5 |
title | Redefining Hungarian music from Liszt to Bartók |
title_auth | Redefining Hungarian music from Liszt to Bartók |
title_exact_search | Redefining Hungarian music from Liszt to Bartók |
title_full | Redefining Hungarian music from Liszt to Bartók Lynn M. Hooker |
title_fullStr | Redefining Hungarian music from Liszt to Bartók Lynn M. Hooker |
title_full_unstemmed | Redefining Hungarian music from Liszt to Bartók Lynn M. Hooker |
title_short | Redefining Hungarian music from Liszt to Bartók |
title_sort | redefining hungarian music from liszt to bartok |
topic | Musik Music Hungary History and criticism Nationalism in music Nationalismus (DE-588)4041300-7 gnd Musik (DE-588)4040802-4 gnd |
topic_facet | Musik Music Hungary History and criticism Nationalism in music Nationalismus Ungarn Hungary Civilization |
url | https://doi.org/10.1093/acprof:oso/9780199739592.001.0001 |
work_keys_str_mv | AT hookerlynnm redefininghungarianmusicfromliszttobartok |