Mozart's ghosts: haunting the halls of musical culture
In 'Mozart's Ghosts', author Mark Everist investigates how the composer's past status can be understood as part of today's veneration. Everist forges new paths to reach the composer examining a number of ways in which Western culture has absorbed the idea of Mozart, how vari...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York
Oxford University Press
2013
|
Schlagworte: | |
Online-Zugang: | BSB01 Volltext |
Zusammenfassung: | In 'Mozart's Ghosts', author Mark Everist investigates how the composer's past status can be understood as part of today's veneration. Everist forges new paths to reach the composer examining a number of ways in which Western culture has absorbed the idea of Mozart, how various cultural agents have appropriated, deployed, and exploited Mozart toward both authoritarian and subversive ends, and how the figure of Mozart and his impact illuminate the cultural history of the last two centuries in Europe, England, and America |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 1 Online-Ressource |
ISBN: | 9780199979202 |
DOI: | 10.1093/acprof:oso/9780195389173.001.0001 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV041834457 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 140507s2013 |||| o||u| ||||||eng d | ||
020 | |a 9780199979202 |c Online |9 978-0-19-997920-2 | ||
024 | 7 | |a 10.1093/acprof:oso/9780195389173.001.0001 |2 doi | |
035 | |a (OCoLC)864957947 | ||
035 | |a (DE-599)BVBBV041834457 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
050 | 0 | |a ML410.M9 | |
082 | 0 | |a 780.92 | |
084 | |a LP 40405 |0 (DE-625)106756: |2 rvk | ||
084 | |a 9,2 |2 ssgn | ||
100 | 1 | |a Everist, Mark |d 1956- |e Verfasser |0 (DE-588)131421085 |4 aut | |
245 | 1 | 0 | |a Mozart's ghosts |b haunting the halls of musical culture |c Mark Everist |
264 | 1 | |a New York |b Oxford University Press |c 2013 | |
300 | |a 1 Online-Ressource | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Includes bibliographical references and index | ||
520 | |a In 'Mozart's Ghosts', author Mark Everist investigates how the composer's past status can be understood as part of today's veneration. Everist forges new paths to reach the composer examining a number of ways in which Western culture has absorbed the idea of Mozart, how various cultural agents have appropriated, deployed, and exploited Mozart toward both authoritarian and subversive ends, and how the figure of Mozart and his impact illuminate the cultural history of the last two centuries in Europe, England, and America | ||
600 | 1 | 4 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |x Criticism and interpretation |
600 | 1 | 7 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |0 (DE-588)118584596 |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |0 (DE-588)118584596 |D p |
689 | 0 | 1 | |a Rezeption |0 (DE-588)4049716-1 |D s |
689 | 0 | 2 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-0-19-538917-3 |
856 | 4 | 0 | |u https://doi.org/10.1093/acprof:oso/9780195389173.001.0001 |x Verlag |3 Volltext |
912 | |a ZDB-28-OSM | ||
940 | 1 | |n DHB | |
940 | 1 | |n by | |
940 | 1 | |q DHB_JDG_ISBN_1 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-027279264 | ||
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0905 |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09033 |g 436 |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09033 |g 433 |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09033 |g 43 |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09034 |
966 | e | |u https://doi.org/10.1093/acprof:oso/9780195389173.001.0001 |l BSB01 |p ZDB-28-OSM |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804152172816891904 |
---|---|
any_adam_object | |
author | Everist, Mark 1956- |
author_GND | (DE-588)131421085 |
author_facet | Everist, Mark 1956- |
author_role | aut |
author_sort | Everist, Mark 1956- |
author_variant | m e me |
building | Verbundindex |
bvnumber | BV041834457 |
callnumber-first | M - Music |
callnumber-label | ML410 |
callnumber-raw | ML410.M9 |
callnumber-search | ML410.M9 |
callnumber-sort | ML 3410 M9 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LP 40405 |
collection | ZDB-28-OSM |
ctrlnum | (OCoLC)864957947 (DE-599)BVBBV041834457 |
dewey-full | 780.92 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.92 |
dewey-search | 780.92 |
dewey-sort | 3780.92 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
doi_str_mv | 10.1093/acprof:oso/9780195389173.001.0001 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02610nmm a2200589zc 4500</leader><controlfield tag="001">BV041834457</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">140507s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780199979202</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-19-997920-2</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1093/acprof:oso/9780195389173.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)864957947</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041834457</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML410.M9</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.92</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 40405</subfield><subfield code="0">(DE-625)106756:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Everist, Mark</subfield><subfield code="d">1956-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)131421085</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Mozart's ghosts</subfield><subfield code="b">haunting the halls of musical culture</subfield><subfield code="c">Mark Everist</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In 'Mozart's Ghosts', author Mark Everist investigates how the composer's past status can be understood as part of today's veneration. Everist forges new paths to reach the composer examining a number of ways in which Western culture has absorbed the idea of Mozart, how various cultural agents have appropriated, deployed, and exploited Mozart toward both authoritarian and subversive ends, and how the figure of Mozart and his impact illuminate the cultural history of the last two centuries in Europe, England, and America</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Mozart, Wolfgang Amadeus</subfield><subfield code="d">1756-1791</subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mozart, Wolfgang Amadeus</subfield><subfield code="d">1756-1791</subfield><subfield code="0">(DE-588)118584596</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Mozart, Wolfgang Amadeus</subfield><subfield code="d">1756-1791</subfield><subfield code="0">(DE-588)118584596</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-19-538917-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1093/acprof:oso/9780195389173.001.0001</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OSM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">DHB</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">by</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">DHB_JDG_ISBN_1</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027279264</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">436</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">433</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">43</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1093/acprof:oso/9780195389173.001.0001</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-28-OSM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV041834457 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T01:06:30Z |
institution | BVB |
isbn | 9780199979202 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027279264 |
oclc_num | 864957947 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 Online-Ressource |
psigel | ZDB-28-OSM DHB_JDG_ISBN_1 |
publishDate | 2013 |
publishDateSearch | 2013 |
publishDateSort | 2013 |
publisher | Oxford University Press |
record_format | marc |
spelling | Everist, Mark 1956- Verfasser (DE-588)131421085 aut Mozart's ghosts haunting the halls of musical culture Mark Everist New York Oxford University Press 2013 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index In 'Mozart's Ghosts', author Mark Everist investigates how the composer's past status can be understood as part of today's veneration. Everist forges new paths to reach the composer examining a number of ways in which Western culture has absorbed the idea of Mozart, how various cultural agents have appropriated, deployed, and exploited Mozart toward both authoritarian and subversive ends, and how the figure of Mozart and his impact illuminate the cultural history of the last two centuries in Europe, England, and America Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Geschichte gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Rezeption (DE-588)4049716-1 s Geschichte z DE-604 Erscheint auch als Druckausgabe 978-0-19-538917-3 https://doi.org/10.1093/acprof:oso/9780195389173.001.0001 Verlag Volltext |
spellingShingle | Everist, Mark 1956- Mozart's ghosts haunting the halls of musical culture Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Rezeption (DE-588)4049716-1 gnd |
subject_GND | (DE-588)118584596 (DE-588)4049716-1 |
title | Mozart's ghosts haunting the halls of musical culture |
title_auth | Mozart's ghosts haunting the halls of musical culture |
title_exact_search | Mozart's ghosts haunting the halls of musical culture |
title_full | Mozart's ghosts haunting the halls of musical culture Mark Everist |
title_fullStr | Mozart's ghosts haunting the halls of musical culture Mark Everist |
title_full_unstemmed | Mozart's ghosts haunting the halls of musical culture Mark Everist |
title_short | Mozart's ghosts |
title_sort | mozart s ghosts haunting the halls of musical culture |
title_sub | haunting the halls of musical culture |
topic | Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Rezeption (DE-588)4049716-1 gnd |
topic_facet | Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 Rezeption |
url | https://doi.org/10.1093/acprof:oso/9780195389173.001.0001 |
work_keys_str_mv | AT everistmark mozartsghostshauntingthehallsofmusicalculture |