Making and unmaking in early modern English drama: spectators, aesthetics and incompletion
Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English dram...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Manchester [u.a.]
Manchester Univ. Press
2013
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Ausgabe: | 1. publ. |
Schriftenreihe: | Knowledge unlatched pilot collection
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to "begin" or "end" a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history |
Beschreibung: | 1 Online-Ressource (VIII, 230 S.) Ill. |
ISBN: | 9781847798916 |
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Datensatz im Suchindex
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any_adam_object | |
author | Porter, Chloe |
author_GND | (DE-588)1048525155 |
author_facet | Porter, Chloe |
author_role | aut |
author_sort | Porter, Chloe |
author_variant | c p cp |
building | Verbundindex |
bvnumber | BV041833137 |
classification_rvk | HI 1250 HK 1210 |
collection | ebook ZDB-119-KNU |
ctrlnum | (OCoLC)874882110 (DE-599)BVBBV041833137 |
dewey-full | 810/820 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 810 - American literature in English |
dewey-raw | 810/820 |
dewey-search | 810/820 |
dewey-sort | 3810 3820 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
edition | 1. publ. |
era | Geschichte 1500-1700 gnd |
era_facet | Geschichte 1500-1700 |
format | Electronic eBook |
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isbn | 9781847798916 |
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physical | 1 Online-Ressource (VIII, 230 S.) Ill. |
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spelling | Porter, Chloe Verfasser (DE-588)1048525155 aut Making and unmaking in early modern English drama spectators, aesthetics and incompletion Chloe Porter 1. publ. Manchester [u.a.] Manchester Univ. Press 2013 1 Online-Ressource (VIII, 230 S.) Ill. txt rdacontent c rdamedia cr rdacarrier Knowledge unlatched pilot collection Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to "begin" or "end" a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history Geschichte 1500-1700 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Unvollständigkeit (DE-588)4509185-7 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Unvollständigkeit (DE-588)4509185-7 s Geschichte 1500-1700 z DE-604 http://www.oapen.org/search?identifier=469309 Resolving-System kostenfrei Volltext |
spellingShingle | Porter, Chloe Making and unmaking in early modern English drama spectators, aesthetics and incompletion Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Unvollständigkeit (DE-588)4509185-7 gnd |
subject_GND | (DE-588)4014777-0 (DE-588)4012899-4 (DE-588)4509185-7 |
title | Making and unmaking in early modern English drama spectators, aesthetics and incompletion |
title_auth | Making and unmaking in early modern English drama spectators, aesthetics and incompletion |
title_exact_search | Making and unmaking in early modern English drama spectators, aesthetics and incompletion |
title_full | Making and unmaking in early modern English drama spectators, aesthetics and incompletion Chloe Porter |
title_fullStr | Making and unmaking in early modern English drama spectators, aesthetics and incompletion Chloe Porter |
title_full_unstemmed | Making and unmaking in early modern English drama spectators, aesthetics and incompletion Chloe Porter |
title_short | Making and unmaking in early modern English drama |
title_sort | making and unmaking in early modern english drama spectators aesthetics and incompletion |
title_sub | spectators, aesthetics and incompletion |
topic | Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Unvollständigkeit (DE-588)4509185-7 gnd |
topic_facet | Englisch Drama Unvollständigkeit |
url | http://www.oapen.org/search?identifier=469309 |
work_keys_str_mv | AT porterchloe makingandunmakinginearlymodernenglishdramaspectatorsaestheticsandincompletion |