The enjoyment of music: essential listening
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Norton
2013
|
| Ausgabe: | 2. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes index. |
| Beschreibung: | XXXIII, 456 S. zahlr. Ill., Kt., Notenbeisp. |
| ISBN: | 9780393912555 |
Internformat
MARC
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| 100 | 1 | |a Forney, Kristine |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The enjoyment of music |b essential listening |c Kristine Forney ; Andrew Dell'Antonio ; Joseph Machlis |
| 250 | |a 2. ed. | ||
| 264 | 1 | |a New York [u.a.] |b Norton |c 2013 | |
| 300 | |a XXXIII, 456 S. |b zahlr. Ill., Kt., Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes index. | ||
| 650 | 4 | |a Music appreciation | |
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| 650 | 0 | 7 | |a Klassische Musik |0 (DE-588)4164043-3 |2 gnd |9 rswk-swf |
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| 700 | 1 | |a Machlis, Joseph |d 1906-1998 |e Verfasser |0 (DE-588)1036966518 |4 aut | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 20 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027254497&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Datensatz im Suchindex
| _version_ | 1804152133554012160 |
|---|---|
| adam_text | Thematic Contents
xv
Listening Guides
xx
Online Video and ¡Music Examples
xxi
Preface
xxv
Materials of Music
PŘELUD -
1
Listening to Music Today
........................................4
CHAPTER
1
Melody: Musical Line
.............................................8
Λ:
-.
The Structure of Melody
CHAPTER
2
Rhythm and Meter: Musical Time
..........................12
Metrical Patterns
/
Rhythmic Complexities
CHAPTERS Harmony: Musical Space
...................................... 16
The Organization of Harmony
/
Consonance and Dissonance
CHAPTER
4
The Organization of Musical Sounds
......................19
The Chromatic Scale
/
The Major Scale
/
The Minor Scale
/
Diatonic vs.
Chromatic
/
The Major-Minor System
CHAPTER5 Musical Texture
...................................................25
Types of Texture
/
Contrapuntal Devices
CHAPTER
6
Musical Form
......................................................29
Structure and Design in Music
/
The Building Blocks of Form
CHAPTER
7
Musical Expression: Tempo and Dynamics
.............34
The Pace of Music
/
Loudness and Softness
/
Tempo and Dynamics as
Elements of Expression
CHAPTER
8
Voices and instrument Families
.............................37
Musical Timbre
/
The Voice as Instrument
/
The World of Musical
Instruments
CHAPTER
9
Western Musical Instruments
................................40
String Instruments
/
Woodwind Instruments
/
Brass Instruments
/
Percussion Instruments
/
Keyboard Instruments
CHAPTER
10
Musical Ensembles
............................................49
Choral Groups
/
Chamber Ensembles
/
The Orchestra
/
Wind, Jazz, and
Rock Bands
/
The Role of the Conductor
/
The Orchestra in Action
/
LG
1
Britten: The Young Person s Guide to the Orchestra
CHAPTER
11
Style and Function of Music in Society
................57
The Concept of Style
/
Musical Styles in History
Understanding Historical Style Periods
/
Understanding Categories of Music
61
......... .....,·..: ;.
The Middle Ages and
Renaissance
63
PRELUDE
2
Music as Commodity and Social Activity
................64
From Antiquity to the Middle of Things
/
Markets and Courts
/
httn i:
opening doors TO THE east
/
Looking Out and Looking In
/
Musicians
in Medieval and Renaissance Society
CHAPTER
12
Voice and Worship: Tradition and Individuality
in Medieval Chant
............................................................
Life in the Medieval Cloister
/
Plainchanr. Music of the Church
/
LG
2 Hildegard
of Bingen: Alleluia,
O virga
mediatrix
69
CONTENTS
CHAPÏB
13
Singing
in Friendship: Musical Collaboration in
Early Secular Song
................................................................75
Grounds and Rounds
/
LG
3
Sumer
is icumen in
!
Renaissance Social
Singing: The Madrigal
/
LG
4
Farmer: Fair Phyllis
CHART
¡4
Remember Me: Personalizing the Motet in the
Renaissance
..........................................................................80
Renaissance Sacred Music
/
LG
5
Josquin:
Ave Maña .
..
virgo serena
СНАРТГ
.5
Glory Be: Music for the Renaissance Mass
...........85
The Renaissance Mass
/
The Reformation and Counter-Reformation
/
LG
6
Palestrina: Pope
Marcellus
Mass, Gloria
A Comparison of Medieval, Renaissance, and Baroque Styles
91
The Baroque Era
93
PRELUDE
:?
Music as Exploration and Drama
..........................94
Baroque Art and Culture
/
Main Currents in Baroque Music
/
HTTN
2:
THE RISE OF THE PROFESSIONAL FEMALE SINGER
CHAPTER
18
Performing Grief:
Purceii
and Early Opera
..........100
The Components of Opera
/
Early Opera in Italy
/
Opera in England
/
LG
7
Purceii:
Dido and Aeneas, Act III, Dido s Lament
CHAPTER
17
Musical Sermons: Bach and the
Lutheran Cantata
.................................................................105
The Lutheran Chorale and Cantata
/
Bach and the Lutheran Cantata
/
LG
8
Bach: Cantata No.
140, Wachet auf,
Nos.
1
and
4
CHAPTER
18
Textures of Worship: Handel and the
English Oratorio
....................................................................
Ill
The Oratorio
/
LG
9
Handel:
Meciuri,
Rejoice greatly and
Hallelujah
CONTENTS
CHAPTER
19
Grace and Grandeur: The Baroque Dance Suite.,.
117
Baroque Instruments
/
The Baroque Suite
/
LG
10
Handel: Water Music,
Alia hornpipe
CHAPTER
20
Sounding Spring: Vivaldi and the
Baroque Concerto
................................................................122
The Baroque Concerto
/
LG
11
Vivaldi: Spring, from The Four Seasons, I
CHAPTER
21
Process as Meaning: Bach and
The Art of Fugue
.................................................................127
Keyboard Instruments in the Baroque Era
/
The Fugue and Its Devices
/
Bach s Keyboard Fugues
/
LG
12
Bach: Contrapunctus I, from The Art
of Fugue
A Comparison of Baroque and Classical Styles
133
: .-,..—-:,
:·
.- ■ .■
. _.■■■■- ■.: -.. ;:.- .
Eighteenth-Century Classicism
135
PRELUDE
4
Music as Order and Logic
...................................136
Classicism and Enlightenment Culture
/
Elements of Classical Style
/
The Patronage System
CHAPTER
22
Musical Conversations: Haydn and Classical
Chamber Music
....................................................................141
Expanding Musical Ideas
/
Classical Forms
/
The Second Movement:
Theme and Variations
/
LG
13
Haydn: Emperor Quartet, II
CHAPTER
23
The Ultimate Instrument: Haydn and
the Symphony
......................................................................147
The Classical Orchestra
/
The Second Movement: A-B-A
/
LG
14
Haydn:
Symphony No.
100
(Military), II
CHAPTER
24
Expanding the Conversation: Mozart,
Chamber Music, and Larger Forms
........................................151
Mozart s
Eine kleine Nachtmusik
I The First Movement: Sonata-Allegro
Form
/
The Third Movement: Minuet-and-Trio Form
/
LG
15
Mozart:
Eine Meine Nachtmusik,
I and III
CONTENTS
CHAPTER
25
Conversation
with a Leader:
The Classical Concerto
.........................................................158
Movements of the Classical Concerto
/
The Last Movement: Rondo Form
/
LG
16
Haydn: Trumpet Concerto in
Е
-flat Major, III
CHAPTER
¿6
Personalizing the Conversation: Beethoven and
the Classical Sonata
............................................................162
The Sonata in the Classical Era
/
LG
17
Beethoven: Moonlight Sonata, I
CHÄPH 7
Disrupting the Conversation: Beethoven and
the Symphony in Transition
..................................................167
Beethoven s Symphonies
/
httn
3:
beethoven
and the politics
of MUSIC
/
LG
18
Beethoven: Symphony No.
5
in
С
Minor
CHAPIT
8
Making It Real: Mozart and Classical Opera
........175
Classical Opera
/
LG
19
Mozart: Don Giovanni, Act I, scene
2 /
HTTN
4:
MOZART AND THE WORLD OF OPERA
tí
9
Mourning a Hero: Mozart and the Requiem
........182
Sacred Music in the Classical Era
/
LG
20
Mozart: Dies irae,
from Requiem
A Comparison of Classical and Romantic Styles
187
The Nineteenth Century
1
89
PRELUDE
5
Music as Passion and Individualism
.....................190
An Age
oí
Revolutions
/
Romantic Writers and Artists
/
Romanticism
in Music
CHAPTER
30
Musical Reading: Schubert and the Early
Romantic Lied
.....................................................................195
The Lied
/
Schubert and the Lied
/
LG
21
Schubert:
Elf king (Erlkönig)
CHAPTER
31
Dancing at the Keyboard: Chopin and
Romantic Piano Music
.........................................................201
The Nineteenth-Century Piano
/
The Short Lyric Piano Piece
/
LG
22
Chopin: Mazurka in B-flat Minor, Op.
24,
No.
4
CONTENTS
CHAPTER
32 Musical
Diaries: Hensel and Programmatic
Piano Music
........................................................................207
Women and Music in Nineteenth-Century Society
/
LG
23
Hensel:
September: At the River, from The Year
CHAPTER
33
Marketing Music: Foster and Early
Popular Song
..................................................................212
Music in Early North America: Cultivated and Vernacular
/
Stephen Foster, Parlor Song, and Minstrelsy
/
LG
24
Foster:
Jeanie with the Light Brown Hair
CHAPTER
34
Personal Soundtracks: Berlioz and the
Program Symphony
...........................................................216
Romantic Program Music
/
LG
25
Berlioz:
Symphonie
fantastique,
IV
CHAPTER
35
Sounding a Nation:
Smetana
and the Nationalistic
Symphonic Poem
................................................................221
Varieties of Orchestral Program Music
/
Musical Nationalism
/
LG
26
Smetana:
The
Moldau
I httn
5:
music, folklore, and nationalism
CHAPTER
36
Absolutely Classic: Brahms and the
Nineteenth-Century Symphony
..............................................228
Absolute Music in the Romantic Era
/
LG
27
Brahms: Symphony No.
3
in
F
Major, III
CHAPTER
37
Multimedia Hits: Verdi and Italian
Romantic Opera
..................................................................233
Women and Nineteenth-Century Opera
/
Verdi and Italian Opera
/
LG
28
Verdi: Rigoletto,
Act III, excerpts
CHAPTER
38
Total Art: Wagner and German
Romantic Opera
..................................................................242
Wagner and German Musical Theater
/
LG
29
Wagner: Die
Walküre,
Act III, opening and finale
CHAPTER
39
Dramatic Devotion: Verdi and Romantic
Sacred Music
......................................................................249
Ensemble Vocal Music in the Nineteenth Century
/
httn
6:
verdi
and
the power of music
/
LG
30
Verdi: Libera me
(excerpt), from Requiem
CONTENTS
CHAPTER
40
Mythical Impressions: Program Music at the
End of the Nineteenth Century
.............................................255
Symbolism and Impressionism in Paris
/
Translating Impressions into
Sound
/
HTTN
7:
THE PARIS WORLD EXHIBITION OF 1889: A CULTURAL
awakening
/
LG
31
Debussy: Preluae to The Afternoon of a Faun
A Comparison of Romantic, Impressionist, and Early Twentieth-Century
Styles
261
-...
The Twentieth Century
and Beyond
263
PRELlfP;
;
Music as Modern and Postmodern
.......................264
Early Modernism
/
Features of Early Musical Modernism
/
The Postmodern Turn
CHAPTER
41
Calculated Shock: Stravinsky and Modernist
Multimedia
..........................................................................271
Ballet and Western Music
/
LG
32
Stravinsky: The Rite of Spring,
Part I (excerpts)
CHAPTER
42
American Intersections: Jazz and Blues
Traditions
............................................................................278
Ragtime, Blues, and New Orleans Jazz
/
HTTN
8:
the roots of jazz
/
The Jazz Singer
Billie
Holiday
/
LG
33
Holiday: Billie s Blues
CHAPTER
43
Modern America: Still and Musical Modernism
in the United States
............................................................284
The Harlem Renaissance
/
LG
34
Still: Suite for Violin and Piano, III
CHAPTER
44
Folk Opera? Gershwin and Jazz as Art
............289
Tin Pan Alley and Popular Music in the Early Twentieth Century
/
George
Gershwin and Cultivated Jazz
/
LG
35
Gershwin: Summertime, from
Porgy and Bess
I
CONTENTS
CHAPTER
45
Sounds American: Copland and Musical Nationalism
in the United States
............................................................295
Sousa
and the Wind Band Tradition
/
Copland and the American
Orchestral Soundscape
/
LG
36
Copland: Appalachian Spring (excerpts)
CHAPTER
46
Also American:
Revueltas
and Mexican Musical
Modernism
..........................................................................301
Musical Traditions of Mexico
/
Silvestre
Revueltas:
Mestizo Realist
/
Music from the
Mariachi
Tradition
/
LG
37
Revueltas:
Homage to
Federico
Garcia
Lorca,
III
/
httn
9:
preserving Mexico s musical traditions
CHAPTER
47
Staged Sentiment: Bernstein and American
Musical Theater
..................................................................307
Musical Theater in North America
/
Leonard Bernstein and West Side Story I
LG
38
Bernstein: West Side Story (excerpts)
CHAPTER
48
New Sound Palettes: Mid-Twentieth-Century
American Experimentalists
....................................................315
Early Experiments
/
The Music of John Cage
/
LG
39
Cage: Sonatas
and Interludes, V
/
George Crumb and
Avant-Garde
Virtuosity
/
LG
40
Crumb:
Caballito
negro
CHAPTER
49
Returning with Interest: Dylan, Corigliano, and
Postmodern Reworkings
.......................................................321
Bob Dylan as Singer-Songwriter
/
John Corigliano and the Contemporary
Song Cycle
/
LG
41
Corigliano: Prelude, from Mr. Tambourine Man
CHAPTER
50
Neo-Romantic Evocations·. Sheng, Higdon, and
Program Music into the Twenty-first Century
..........................327
Bright Sheng and the Meeting of Musical Cultures
/
LG
42
Sheng:
Prelude, from China Dreams I Jennifer Higdon and Neo-Romantic Ideals
/
LG
43
Higdon: blue cathedral (excerpt)
CHAPTER
51
Less Is More: Part and Spiritual Minimalism
......334
Minimalism
/
LG
44
Part:
Cantate
Domino canticum
novum
CHAPTER
52
Underscoring Meaning: Williams and Music
for Film
..............................................................................339
Sound and Film
/
Star Wars and Beyond
/
LG
45
Williams: Raiders March
CONTENTS
CHAP
53
Reality Shows:
Adams
and Contemporary
Opera
.................................................................................344
John Adams and Post-Minimalism
/
LG
46
Adams: Dr. Atomic,
At the sight of this
/
HTTN
io:
murder, monsters, and mayhem
IN MODERN OPERA
INTERLUDE
1
Music in Sacred Spaces
1-1
INTERLUDE
2
Music for Stage and Screen
1-4
INTERLUDE
3
Music Among Friends
1-8
INTERLUDE
4
Music in Public Spaces
1-12
APPENDIX
1
Musical Notation A-l
APPENDIX
2
Glossary A-7
Credits A-21
Index A-23
SIC IN SACRED SPACES
INTERLUDE I
..........................................................................1-1
CHAPTER ;2 Voice and Worship: Tradition and Individuality
in Medieval Chant
....................................................................69
Hildegard
of Bingen: Alleluia,
O virga
mediatrix
CHAPTER
4
Remember Me: Personalizing the Motet in the
Renaissance
...........................................................................80
Josquin:
Ave
Maria
. . .
virgo serena
CHAPTER
;>
Glory Be: Music for the Renaissance Mass
................. 85
Palestrina: Pope
Marcellus
Mass, Gloria
CHAPTER
17
Musical Sermons: Bach and the Lutheran Cantata
......105
Bach: Cantata No.
140, Wachet auf,
Nos.
1
and
4
CHAPTER
18
Textures of Worship: Handel and the English Oratorio.. Ill
Handel: Messiah, Rejoice greatly and Hallelujah
CHAPTER
29
Mourning a Hero: Mozart and the Requiem
...............182
Mozart: Dies irae, from Requiem
CHAPTER
39
Dramatic Devotion: Verdi and Romantic Sacred Music.
249
Verdi: Libera me
(excerpt), from Requiem
CHAPTER
51
Less Is More: Part and Spiritual Minimalism
..............334
Part:
Cantate
Domino canticum
novum
XV
THEMATIC CONTENTS
MUSIC FOR STAGE AND SCREEN
INTERLUDE2
.........................................................................1-4
CHAPTER
16
Performing Grief:
Purceii
and Early Opera
.................100
Purceii:
Dido and Aeneas, Act III, Dido s Lament
CHAPTER
28
Making It Real: Mozart and Classical Opera
..............175
Mozart: Don Giovanni, Act I, scene
2
CHAPTER
37
Multimedia Hits: Verdi and Italian Romantic Opera
.....233
Verdi: Rigoletto,
Act III, excerpts
CHAPTER
38
Total Art: Wagner and German Romantic Opera
.........242
Wagner: Die
Walküre,
Act III, opening and finale
CHAPTER
41
Calculated Shock: Stravinsky and Modernist
Multimedia
............................................................................271
Stravinsky: The Rite of Spring, Part I (excerpts)
CHAPTER
44
Folk Opera? Gershwin and Jazz as Art
...................289
Gershwin: Summertime, from Porgy and Bess
CHAPTER
45
Sounds American: Copland and Musical Nationalism
in the United States
................................................................295
Copland: Appalachian Spring (excerpts)
CHAPTER
47
Staged Sentiment: Bernstein and American
Musical Theater
.....................................................................307
Bernstein: West Side Story (excerpts)
CHAPTER
52
Underscoring Meaning; Williams and Music for Film
...339
Williams: Raiders March
CHAPTER
53
Reality Shows: Adams and Contemporary Opera
........344
Adams: Dr. Atomic, At the sight of this
THEMATIC
CONTENTS
HUSIC
AMONG FRIENDS
INTER).
ОЕЗ
......................................................................... 1-8
F? 13
Singing in Friendship: Musical Collaboration in Early
Secular Song
...........................................................................75
Sumer
is icumen in
Farmer: Fair Phyllis
CHAP -
21
Process as Meaning: Bach and The Art of Fugue
........127
Bach: Contrapunctus I, from The Art of Fugue
CHAP
f
■ ;. 22
Musical Conversations-. Haydn and Classical Chamber
Music
...................................................................................141
Haydn: Emperor Quartet, II
CHART ;i
24
Expanding the Conversation: Mozart, Chamber Music,
and Larger Forms
...................................................................151
Mozart: Eine kleine Nachtmusik,
I and III
CHAPTf-R
26
Personalizing the Conversation: Beethoven and
the Classical Sonata
...............................................................162
Beethoven: Moonlight Sonata, I
CHAPTER
30
Musical Reading: Schubert and the Early
Romantic Lied
.......................................................................195
Schubert: Elf king (Erlkönig)
CHAPTER
31
Dancing at the Keyboard: Chopin and Romantic
Piano Music
..........................................................................201
Chopin: Mazurka in B-flat Minor, Op.
24,
No.
4
CHAPTER
32
Musical Diaries: Hensel and Programmatic
Piano
M
usic
..........................................................................207
Hensel: September: At the River, from The Year
CHAPTER
33
Marketing Music: Foster and Early Popular Song
.....212
Foster: Jeanie with the Light Brown Hair
CHAPTER
42
American Intersections: Jazz and Blues Traditions
......278
Holiday: Billie s Blues
THEMATIC
CONTENTS
CHAPTER
43
Modern America: Still and Musical Modernism in the
United States
........................................................................284
Still: Suite for Violin and Piano, III
CHAPTER
48
New Sound Palettes: Mid-Twentieth-Century American
Experimentalists
.....................................................................315
Cage: Sonatas and Interludes, V
Crumb: Caballito negro
CHAPTER
49
Returning with Interest: Dylan, Corigliano, and
Postmodern Reworkings
...........................................................321
Corigliano: Prelude, from Mr. Tambourine Man
I
.■i1..
. .■■■:■■■ ■..■■■. ■■:■■.■■■■■ ■ , ■ . ■
.................. .
I
I
. .
1-12
Grace and Grandeur: The Baroque Dance Suite
..........117
Handel: Water Music, Alia hornpipe
Sounding Spring:
Vivaldi
and the Baroque Concerto...
122
Vivaldi:
Spring, from The Four Seasons, I
The Ultimate Instrument: Haydn and the Symphony
... 147
Haydn: Symphony No.
100
(Military), II
Conversation with a Leader: The Classical Concerto....
158
Haydn: Trumpet Concerto in
Е
-flat Major, III
я-1-У9 ш{ 2:
Disrupting the Conversation: Beethoven and the
Symphony in Transition
...........................................................167
Beethoven: Symphony No.
5
in
С
Minor
HApîi-R
34
Personal Soundtracks: Berlioz and the
Program Symphony
..............................................................216
Berlioz:
Symphonie
fantastique,
IV
Sounding a Nation:
Smetana
and the Nationalistic
Symphonic Poem
...................................................................221
Smetana:
The
Moldau
THEMATIC
CONTENTS
Absolutely Classic.· Brahms and the Nineteenth-Century
Symphony
.............................................................................228
Brahms: Symphony No.
3
in
F
Major, III
Mythical Impressions: Program Music at the End
of the
N
і
neteenth Century
........................................................255
Debussy: Prelude to The Afternoon of a Faun
Also American:
Revueltas
and Mexican Musical
Modernism
............................................................................301
Revueltas:
Homage to
Federico García
Lorca,
III
Neo-Romantic Evocations: Sheng,
Higdon, and Program
Music into the Twenty-first Century
............................................327
Sheng: Prelude, from China Dreams
Higdon: blue cathedral
|
| any_adam_object | 1 |
| author | Forney, Kristine Dell'Antonio, Andrew Machlis, Joseph 1906-1998 |
| author_GND | (DE-588)1036966518 |
| author_facet | Forney, Kristine Dell'Antonio, Andrew Machlis, Joseph 1906-1998 |
| author_role | aut aut aut |
| author_sort | Forney, Kristine |
| author_variant | k f kf a d ad j m jm |
| building | Verbundindex |
| bvnumber | BV041809115 |
| callnumber-first | M - Music |
| callnumber-label | MT90 |
| callnumber-raw | MT90 |
| callnumber-search | MT90 |
| callnumber-sort | MT 290 |
| callnumber-subject | MT - Instruction and Study |
| ctrlnum | (OCoLC)880633615 (DE-599)BVBBV041809115 |
| dewey-full | 780 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780 |
| dewey-search | 780 |
| dewey-sort | 3780 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 2. ed. |
| format | Book |
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| genre | (DE-588)4151278-9 Einführung gnd-content |
| genre_facet | Einführung |
| id | DE-604.BV041809115 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T01:05:52Z |
| institution | BVB |
| isbn | 9780393912555 |
| language | English |
| lccn | 2012043317 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027254497 |
| oclc_num | 880633615 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XXXIII, 456 S. zahlr. Ill., Kt., Notenbeisp. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Norton |
| record_format | marc |
| spelling | Forney, Kristine Verfasser aut The enjoyment of music essential listening Kristine Forney ; Andrew Dell'Antonio ; Joseph Machlis 2. ed. New York [u.a.] Norton 2013 XXXIII, 456 S. zahlr. Ill., Kt., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes index. Music appreciation Musikhören (DE-588)4075127-2 gnd rswk-swf Klassische Musik (DE-588)4164043-3 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Musikhören (DE-588)4075127-2 s DE-604 Klassische Musik (DE-588)4164043-3 s Dell'Antonio, Andrew Verfasser aut Machlis, Joseph 1906-1998 Verfasser (DE-588)1036966518 aut Digitalisierung BSB Muenchen 20 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027254497&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Forney, Kristine Dell'Antonio, Andrew Machlis, Joseph 1906-1998 The enjoyment of music essential listening Music appreciation Musikhören (DE-588)4075127-2 gnd Klassische Musik (DE-588)4164043-3 gnd |
| subject_GND | (DE-588)4075127-2 (DE-588)4164043-3 (DE-588)4151278-9 |
| title | The enjoyment of music essential listening |
| title_auth | The enjoyment of music essential listening |
| title_exact_search | The enjoyment of music essential listening |
| title_full | The enjoyment of music essential listening Kristine Forney ; Andrew Dell'Antonio ; Joseph Machlis |
| title_fullStr | The enjoyment of music essential listening Kristine Forney ; Andrew Dell'Antonio ; Joseph Machlis |
| title_full_unstemmed | The enjoyment of music essential listening Kristine Forney ; Andrew Dell'Antonio ; Joseph Machlis |
| title_short | The enjoyment of music |
| title_sort | the enjoyment of music essential listening |
| title_sub | essential listening |
| topic | Music appreciation Musikhören (DE-588)4075127-2 gnd Klassische Musik (DE-588)4164043-3 gnd |
| topic_facet | Music appreciation Musikhören Klassische Musik Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027254497&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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