Performing authorship in the nineteenth-century transatlantic lecture tour:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2014
|
| Schriftenreihe: | Ashgate series in nineteenth-century transatlantic studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 168 S. Ill. |
| ISBN: | 9781472416643 |
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Datensatz im Suchindex
| _version_ | 1804152102839123968 |
|---|---|
| adam_text | Contents
List of Figures
ix
Acknowledgments
χ
Introduction: The Nineteenth-Century Transatlantic Lecture Tour and the
Case of Frederick Douglass
1
1
Seen and Not Heard: The Transatlantic Tours of Harriet Martineau
and Harriet Beecher Stowe
33
2
Performing Ownership: Dickens, T vain, and Copyright on the
Transatlantic Stage
57
3
Apostles in the Flesh: Arnold, Wilde, and the Reproduction of
Personality in America
85
4
The Voice of the Master: Henry James and the Paradox of
Performance
113
Conclusion: Performing Authorship beyond the Nineteenth Century
141
Works Cited
149
Index
163
|
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| title | Performing authorship in the nineteenth-century transatlantic lecture tour |
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| title_exact_search | Performing authorship in the nineteenth-century transatlantic lecture tour |
| title_full | Performing authorship in the nineteenth-century transatlantic lecture tour Amanda Adams |
| title_fullStr | Performing authorship in the nineteenth-century transatlantic lecture tour Amanda Adams |
| title_full_unstemmed | Performing authorship in the nineteenth-century transatlantic lecture tour Amanda Adams |
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