New Taiwanese cinema in focus: moving within and beyond the frame
This book places Taiwanese cinema from the 1980s onwards in both national and transnational contexts. In the Taiwanese film industry, the dichotomy between arthouse and commercially viable films is heavily emphasized by both scholars and the local media. Ostensibly, this dichotomy stems from two sep...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2014
|
| Schriftenreihe: | Traditions in world cinema
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book places Taiwanese cinema from the 1980s onwards in both national and transnational contexts. In the Taiwanese film industry, the dichotomy between arthouse and commercially viable films is heavily emphasized by both scholars and the local media. Ostensibly, this dichotomy stems from two separate desires on the part of filmmakers. Arthouse filmmakers in Taiwan are largely dependent on international distributors for funding, and, as a result, they aim to reach international audiences. On the other hand, mainstream commercial films in Taiwan tend to be produced without international export in mind. On a textual level, however, this dichotomy is not so clear-cut. Although the opposition between arthouse and commercial film may be very real in financial terms, in the context of the films themselves, the national and transnational (or inter-textual) aspects of Taiwanese cinema are not oppositional. These unlikely relationships create the need for a new way of thinking about transnationalism altogether. It provides a nuanced picture of the Taiwanese film industry since democratization and isolation from the Peoples Republic of China. It features close readings of the films of Tsai Ming-liang, Edward Yang, Hou Hsiaohsien, and others. It connects Taiwanese cinema to the global cinema landscape more generally. It refines the study of transnationalism by positing a new mode for viewing contemporary national cinema movements |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | XII, 187 S. Ill. 24 cm |
| ISBN: | 9780748682010 9781474405577 |
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Datensatz im Suchindex
| _version_ | 1804152101812568064 |
|---|---|
| adam_text | CONTENTS
List of Illustrations vi
Acknowledgements vii
Traditions in World Cinema xi
Introduction 1
1. Charting the Course: Defining the Taiwanese Cinematic ‘Tradition’ 14
2. Taiwanese-Italian Conjugations: The Fractured Storytelling of
Edward Yang’s The Terrorizers and Michelangelo Antonioni’s
Blow-Up 47
3. Mapping Hou Hsiao-hsien’s Visuality: Setting, Silence and the
Incongruence of Translation in Flight of the Red Balloon 76
4. Tsai Ming-liang’s Disjointed Connectivity and Lonely Intertextuality 97
5. The Chinese/Hollywood Aesthetic of Ang Lee: ‘Westernized’,
Capitalist. . . and Box Office Gold 126
6. Filming Disappearance or Renewal? The Ever-Changing
Representations of Taipei in Contemporary Taiwanese Cinema 150
Conclusion 165
Bibliography 170
Filmography 177
Index 179
|
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| spelling | Wilson, Flannery Verfasser (DE-588)1015181503 aut New Taiwanese cinema in focus moving within and beyond the frame Flannery Wilson Edinburgh Edinburgh Univ. Press 2014 XII, 187 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Traditions in world cinema Hier auch später erschienene, unveränderte Nachdrucke This book places Taiwanese cinema from the 1980s onwards in both national and transnational contexts. In the Taiwanese film industry, the dichotomy between arthouse and commercially viable films is heavily emphasized by both scholars and the local media. Ostensibly, this dichotomy stems from two separate desires on the part of filmmakers. Arthouse filmmakers in Taiwan are largely dependent on international distributors for funding, and, as a result, they aim to reach international audiences. On the other hand, mainstream commercial films in Taiwan tend to be produced without international export in mind. On a textual level, however, this dichotomy is not so clear-cut. Although the opposition between arthouse and commercial film may be very real in financial terms, in the context of the films themselves, the national and transnational (or inter-textual) aspects of Taiwanese cinema are not oppositional. These unlikely relationships create the need for a new way of thinking about transnationalism altogether. It provides a nuanced picture of the Taiwanese film industry since democratization and isolation from the Peoples Republic of China. It features close readings of the films of Tsai Ming-liang, Edward Yang, Hou Hsiaohsien, and others. It connects Taiwanese cinema to the global cinema landscape more generally. It refines the study of transnationalism by positing a new mode for viewing contemporary national cinema movements Geschichte 1983-2011 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Taiwan (DE-588)4017875-4 gnd rswk-swf Taiwan (DE-588)4017875-4 g Film (DE-588)4017102-4 s Geschichte 1983-2011 z DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-4744-0814-1 Erscheint auch als Online-Ausgabe, PDF 978-0-7486-8202-7 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027232700&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | New Taiwanese cinema in focus moving within and beyond the frame |
| title_auth | New Taiwanese cinema in focus moving within and beyond the frame |
| title_exact_search | New Taiwanese cinema in focus moving within and beyond the frame |
| title_full | New Taiwanese cinema in focus moving within and beyond the frame Flannery Wilson |
| title_fullStr | New Taiwanese cinema in focus moving within and beyond the frame Flannery Wilson |
| title_full_unstemmed | New Taiwanese cinema in focus moving within and beyond the frame Flannery Wilson |
| title_short | New Taiwanese cinema in focus |
| title_sort | new taiwanese cinema in focus moving within and beyond the frame |
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