Kunst des Übergangs: philosophische Konstellationen zur Musik
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | German |
Veröffentlicht: |
Weilerswist
Velbrück Wiss.
2014
|
Ausgabe: | 1. Aufl. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Literaturverz. S. 355 - 374 |
Beschreibung: | 379 S. 23 cm |
ISBN: | 9783942393546 |
Internformat
MARC
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250 | |a 1. Aufl. | ||
264 | 1 | |a Weilerswist |b Velbrück Wiss. |c 2014 | |
300 | |a 379 S. |c 23 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
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500 | |a Literaturverz. S. 355 - 374 | ||
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Datensatz im Suchindex
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adam_text | Inhalt
Einleitung: Das Problem der Musik....................... 7
Vorspiel:
Both sitting
................................. . 17
I.
Differenzen ...................................... 35
ι.
Stille.......................................... 35
2..
Ton
.......................................... 51
3. Schwellen...................................... 59
П.
Resonanz........................................ 69
ι.
Zwischenphänomene............................. 69
2.. Affektkonturen ................................. 77
3.
Mimesis
auf Distanz ......................„...... 100
4. Dissonanzen.................................... 118
Ш.
Geste und Rhythmus...............................139
1. Sich ereignende Form.............................139
2.. Geste.........................................146
3. Rhythmus .....................................185
4. Melodischer Tanz ...............................zi8
IV.
Raumzeit........................................2.2.5
1. Verunreinigte Zeit...............................2.25
2.. Bewegung und Orientierung .......................2.2.9
3. Ganzheit ......................................2.54
4. Ereignisse......................................2.77
5. Öffnungen.....................................Z93
V.
Materialität......................................303
1. Facetten und Suggestionen.........................303
2.. Das Material der Musik...........................
$τζ
3. Körper........................................32.6
4. Vorrang des Objekts .............................340
VI.
Schluß..........................................35
1
Literatur............................................355
Personenregister......................................375
|
any_adam_object | 1 |
author | Grüny, Christian 1969- |
author_GND | (DE-588)1048702235 |
author_facet | Grüny, Christian 1969- |
author_role | aut |
author_sort | Grüny, Christian 1969- |
author_variant | c g cg |
building | Verbundindex |
bvnumber | BV041773070 |
classification_rvk | CC 6900 LR 56820 |
ctrlnum | (OCoLC)864638999 (DE-599)DNB102972931X |
dewey-full | 780.1 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.1 |
dewey-search | 780.1 |
dewey-sort | 3780.1 |
dewey-tens | 780 - Music |
discipline | Philosophie Musikwissenschaft |
edition | 1. Aufl. |
format | Book |
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id | DE-604.BV041773070 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T01:05:04Z |
institution | BVB |
isbn | 9783942393546 |
language | German |
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oclc_num | 864638999 |
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physical | 379 S. 23 cm |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Velbrück Wiss. |
record_format | marc |
spelling | Grüny, Christian 1969- Verfasser (DE-588)1048702235 aut Kunst des Übergangs philosophische Konstellationen zur Musik Christian Grüny 1. Aufl. Weilerswist Velbrück Wiss. 2014 379 S. 23 cm txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. 355 - 374 Adorno, Theodor W. 1903-1969 (DE-588)118500775 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 s DE-604 Adorno, Theodor W. 1903-1969 (DE-588)118500775 p Digitalisierung BSB Muenchen 21 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027219022&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Grüny, Christian 1969- Kunst des Übergangs philosophische Konstellationen zur Musik Adorno, Theodor W. 1903-1969 (DE-588)118500775 gnd Musikphilosophie (DE-588)4123809-6 gnd |
subject_GND | (DE-588)118500775 (DE-588)4123809-6 |
title | Kunst des Übergangs philosophische Konstellationen zur Musik |
title_auth | Kunst des Übergangs philosophische Konstellationen zur Musik |
title_exact_search | Kunst des Übergangs philosophische Konstellationen zur Musik |
title_full | Kunst des Übergangs philosophische Konstellationen zur Musik Christian Grüny |
title_fullStr | Kunst des Übergangs philosophische Konstellationen zur Musik Christian Grüny |
title_full_unstemmed | Kunst des Übergangs philosophische Konstellationen zur Musik Christian Grüny |
title_short | Kunst des Übergangs |
title_sort | kunst des ubergangs philosophische konstellationen zur musik |
title_sub | philosophische Konstellationen zur Musik |
topic | Adorno, Theodor W. 1903-1969 (DE-588)118500775 gnd Musikphilosophie (DE-588)4123809-6 gnd |
topic_facet | Adorno, Theodor W. 1903-1969 Musikphilosophie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027219022&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT grunychristian kunstdesubergangsphilosophischekonstellationenzurmusik |