Documentary media: history, theory, practice
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston [u.a.]
Allyn & Bacon
2010
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | X, 254 S. Ill |
| ISBN: | 0205644554 9780205644551 |
Internformat
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| 100 | 1 | |a Fox, Broderick |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Documentary media |b history, theory, practice |c Broderick Fox |
| 264 | 1 | |a Boston [u.a.] |b Allyn & Bacon |c 2010 | |
| 300 | |a X, 254 S. |b Ill | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
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Datensatz im Suchindex
| _version_ | 1804152074059907072 |
|---|---|
| adam_text | Titel: Documentary media
Autor: Fox, Broderick
Jahr: 2010
CONTENTS
Preface
ix
Chapter
1
Reimagining
Documentary
1
Reality?
2
Objectivity?
3
Truth?
6
The
Subject
of
Documentary
8
The
“Gap”
Between
Subject
and
Filmmaker
8
Countering
Ethnography
9
Pushing
Documentary
Form
and
Function
12
Documentary,
Power,
and
the
Public
Sphere
14
Into
Practice
17
Chapter
2
A
Brief
History
of
Documentary:
Movements
and
Modes
20
Robert
Flaherty:
Character
and
Story
Development
21
Cinema
as
a
Social
Tool:
Soviet
Montage
and
the
Reflexive
Mode
22
Ways
of
Seeing:
Avant-Gardes
and
the
Poetic
Mode
24
Documentary
as
Hammer:
The
Expository
Mode
27
Direct
Cinema:
The
Observational
Mode
29
Cinéma
Vérité:
The
Participatory
Mode
32
The
Emergence
of
Video:
Taking
on
TV
and
Top-Down
Media
34
Body
as
Conduit:
The
Performative
Mode
37
Feminist
Performativity
38
Queer
Performativity
39
Broader
Use
of
the
Performative
Mode
40
Performing
Self:
The
Autobiographical
Mode
40
Third-Wave
Feminism
and
Autobiography
40
Gay
Rights
Media
and
Queer
Autobiography
41
Trying
Out
Reality:
The
Essayistic
Mode
44
Multimodal
Making
46
Into
Practice
47
Chapter
3
Crafting
Your
Story
49
Content:
What’s
It
Really
About?
49
The
Central
Question
50
Theme,
Story,
Plot
51
World
and
Scope
53
Who
is
Your
Intended
Audience?
55
Contents
v
Documentary
Function
57
Rhetoric:
The
Art
of
Persuasion
58
A
Sense
of
Ethos:
Character
Development
58
Feeling
Pathos:
Emotional
Truths
60
Building
With
Logos:
Demonstrative
Proof
62
Choosing
Your
Rhetoric
64
Structure:
Organizing
Reality
64
Back
to
Aristotle
64
Stuck
in
the
Middle
66
Structural
Variations:
Linear,
Episodic,
Thematic
66
Establishing
a
Present
Tense
68
Developing
Character
Arcs
70
Into
Practice
71
Chapter
4
Style:
Audiovisualizing
the
Documentary
75
Visual
Design
75
Shooting
Format
76
Aspect
Ratio
77
Color
versus
Black
and
White
78
Framing
78
Shot
Size
80
Camera
Placement
81
Movement
81
Lighting
83
Visual
Metaphors
and
Structural
Motifs
85
Challenging
Expectations
87
Sound
Design
88
Tracks
89
Smart
Design
90
Sound
Alternatives:
Beyond
Voiceover
and
Talking
Heads
92
The
Big
Picture
96
Into
Practice
97
Chapter
5
Documentary
Ethics:
Focusing
Your
Professional
Gaze
101
The
Gaze
102
The
Accidental
Gaze
102
The
Helpless
Gaze
103
The
Endangered
Gaze
103
The
Interventional
Gaze
104
The
Humane
Stare
105
The
Professional
Gaze
105
Approaching
the
Other
106
vi
Contents
Ethical
Production
Methods
11Q
A
Religious
Mandate?
110
Shame
and
Ridicule
as
Documentary
Strategies?
112
The
Legacies
of
Intervention
114
Watching
Reality
Through
a
Viewfinder
114
To
the
Rescue
116
Sustainable
Intervention?
116
An
Ethics
of
the
Archive
11S
The
Anonymous
Nazi
Archive
119
The
Power
of
Naming
121
Your
Professional
Gaze
122
Into
Practice
123
Project
Information
Sheet
125
Subject
Release
Form
126
Chapter
6
Capturing
Reality:
Production
Strategies
128
In
for
the
Long
Haul:
Harlan
County,
U.S.A.
129
Planning
Ahead
and
Letting
Go:
Touch
the
Sound
131
A
Vested
Crew:
Dark
days
135
The
Production
Notebook
137
Project
Information
Sheets,
Release
Forms,
and
Emergency
Medical
Forms
137
Location
Releases
and
Permits
138
Production
Insurance
and
Carnets
139
Shooting
Schedule
139
Call
Sheets
140
Treatment
and
Prospectus
140
Technical
Reports
or
Logs
141
The
Right
Tools
for
the
Job:
Camera
and
Sound
Tests
141
Location
Scouting
142
Camera
Tests
142
Lighting
and
Exposure
143
Making
Sound
Decisions
144
Types
of
Microphones
145
Handling
and
Positioning
146
Tethered
or
Wireless
146
Covering
Your
Bases
148
Shooting
on
the
Fly:
Field
Techniques
148
Interviewing
Tips
148
Coverage,
Handles,
and
Transitions
150
Room
Tone
and
Wild
Sound
152
Contents
Developing
a
Routine
153
Into
Practice
153
Chapter
7
Shaping
Reality:
The
Postproduction
Process
155
Editing:
Cutting
Out
the
Bad
Parts?
156
Selects:
One
Man’s
Trash,
Another
Man’s
Treasure
157
Developing
an
Editing
Style
159
Shots,
Scenes,
and
Sequences
159
Transparency
versus
Reflexivity
160
Modes
and
Editing
Style
163
Manipulating
Space
and
Time
164
Suspense
versus
Surprise
166
Teasers
and
Trailers
166
Designing
Sound
168
Track
Organization
169
Sound
Masking
169
Words,
Words,
Words
170
Mickey
Mousing
171
Dynamics
171
Toward
an
Ethics
of
Scoring
and
Sound
Design
172
Music
Rights
175
Working
With
a
Composer
176
A
Grizzly
Man
Case
Study
177
Conclusion:
A
Postproduction
Map
179
Into
Practice
181
Music
Release
Form
182
Chapter
8
Distribution
Strategies:
From
Movie
to
Movement
184
Audience
185
Access
188
Action
190
Community
194
The
Future
of
Documentary
198
Into
Practice
200
Appendices
Appendix
A
Project
1:
Camera-Less
Documentary
203
Appendix
B
Project
2:
Exploring
Modes
of
Representation
206
Appendix
C
Project
3:
Gaining
Perspective
209
Appendix
D
Project
4:
Editing
a
Teaser
and
Trailer
211
wiii
Contents
Appendix
E
Appendix
F
Appendix
G
Appendix
H
Appendix
I
Appendix
J
Appendix
K
Index
247
Project
5:
Establishing
a
Web
Presence
214
Exercise:
Camera
Concepts
218
Exercise:
Sound
Decisions
228
Quick
Reference:
Documentary
Modes
232
Quick
Reference:
Sample
Forms
and
Guidelines
235
Quick
Reference:
Prospectus
Checklist
and
Guidelines
239
Quick
Reference:
Media
Resource
List
241
|
| any_adam_object | 1 |
| author | Fox, Broderick |
| author_facet | Fox, Broderick |
| author_role | aut |
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| ctrlnum | (OCoLC)837176900 (DE-599)GBV607806761 |
| dewey-full | 070.18 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 070 - Documentary, educational, news media; journalism |
| dewey-raw | 070.18 |
| dewey-search | 070.18 |
| dewey-sort | 270.18 |
| dewey-tens | 070 - Documentary, educational, news media; journalism |
| discipline | Allgemeines |
| format | Book |
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| spellingShingle | Fox, Broderick Documentary media history, theory, practice Dokumentarfilm (DE-588)4012653-5 gnd Neue Medien (DE-588)4196910-8 gnd |
| subject_GND | (DE-588)4012653-5 (DE-588)4196910-8 |
| title | Documentary media history, theory, practice |
| title_auth | Documentary media history, theory, practice |
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| title_full | Documentary media history, theory, practice Broderick Fox |
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| title_full_unstemmed | Documentary media history, theory, practice Broderick Fox |
| title_short | Documentary media |
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