African film: looking back and looking forward
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publ.
2014
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | IX, 284 S. Ill. |
| ISBN: | 9781443854979 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents q
Introduction
.................................................................................................1
Foluke Ogunleye
Chapter 1
......................................................................................................5
Ghanaian Cinema: A Historical Appraisal
Kwaw Ansah
Chapter II
...................................................................................................13
Nigerian Film: Looking Backward and Looking Forward
Afolabi Adesanya
Chapter III
.................................................................................................20
South African Film: Looking Back and Looking Forward
John R. Botha
Chapter IV
.................................................................................................35
Nolly wood: The Audience as Merchandise
Hyginus Ekwuazi
Chapter V
..................................................................................................46
Recapturing a Nation s Fading Memory through Video: An Analysis
of Chimurenga Videos
Tendai Chari
Chapter VI
.................................................................................................66
Filmmaking in Kenya: An Appraisal
Foluke Ogunleye
Chapter
VII
................................................................................................69
A Historical Voyage through Kenyan Film
Wanjiru Kinyanjui
Chapter VUI
..............................................................................................75
Unpacking the
Hoteľ
:
A Study of the Cinematic Politics
of Hotel Rwanda
Nyasha Mboti
viii Contents
Chapter IX
.................................................................................................95
Women in Moroccan Cinema: Between Tradition and Modernity
Aziz Chahir
Chapter X
................................................................................................108
Counter-Hegemony in Ghanaian Video-Film Practice
Vitus Nanbigne
Chapter XI
...............................................................................................125
Nigerian Video-Films on History: Love in Vendetta and the
1987
Kano
Riots
Francoise
Ugochukwu
Chapter
XII..............................................................................................136
Women and Politics in Nolly wood: A Challenge to Film Producers
in the 21st Century
Agatha Ukata
Chapter
ΧΙΠ
............................................................................................156
A Nation s Present in the Past: Lighting the Blurred Future
through Filming
Busuyi Mekussi
Chapter
XIV............................................................................................171
Migrating Nolly wood: Melting Borders in
Tunde Kelani s
Abeni
Jendele Hungbo
Chapter XV
..............................................................................................183
Issues of Picture-Right Ownership in Nigerian Video-Film
Julius-Adeoye
Ramimi
Jays
Chapter
XVI............................................................................................192
Racism in the Jungle Adventure Film
Charles
Uji
and Oluwaseun
Adesina
Chapter
XVII...........................................................................................212
Fashion and Films: The Nigerian Example
Toyin Ogundeji
African
Film: Looking Back and Looking Forward
ix
Chapter
XVIII..........................................................................................222
Thematic Developments in Nigerian Video-films
Kwaghkondo
Agber
Chapter
XIX............................................................................................232
A Historical Overview of the Ugandan Film Industry
Dominica Dipio
Notes on Contributors
..............................................................................256
2nd
Ife International Film Festival in Pictures
........................................260
Index
........................................................................................................278
film scholars who, through their productions and theorization, have made a difference
to the filmic universe in Africa. Their substantial contribution reflects our world and
has the potential to change our lives. The book adopts an interdisciplinary character,
traversing, as it does, the diverse subjects of politics, economics and history, among
others. It interrogates Africa s filmic past, analyses current productions, projects into
the future of the film in Africa, and deals with the nature of the filmmaking profession.
This book contributes to the growing literature on the African film and will provide the
opportunity for filmmakers, academics and students to learn about the history, theories,
problems, and various approaches to production, marketing, gender issues, race and
legal issues, and a host of other subjects that impinge upon the African film.
is a Professor at the Department or Dramatic Arts, Obafemi Awolowo
University Ile-Ife. She obtained her BA in Dramatic Arts
ŕrom
the University ot lie (now
Obatemi Awolowo University) in
1982,
and went on to acquire her Master s and Doctorate
degrees in Theatre Arts
írom
the University ot* Ibadan. She is a teacher, filmmaker, producer,
director, actress and writer with a specialization in Theatre and Media Studies. She has directed
and produced such films as The Solid Rack
(1993),
The Broken Hedge
і
1997),
Born to Live
(2000)
and Heavens Gate
( 200 ).
Professor Ogunieye is the author of over sixty book chapters and articles in reputable
international jomraak Her published books include
Јфкал
Video Film Today
(2003),
Theatre
m
Swaziland: The Past, the Present
atui
E&c Future
>■ 2005).
Theatre
m
Nigeria: Different Faces
(200
,
and Africa through the Eye efthe Video Camera
(2008).
She is the recipient of many awards, fellowships and grants, which include the
2006
CODESRLA
Senegal) Textbook Grant to write a book on Video Film in Africa and the
199
Humanities
Institute Fellowship to undertake
α
srudv
ut Aîncan
and African-American Cinema at the
University of Ghana and Northwestern Universitv. Evanstim, USA. At the moment, she serves as
the Editor
oř Humanit
-.e?
.
She is also on the Editorial Board
ai
Journal of African
Media Studies, housed in the
Ihm
.rt
Westminster. England. She held
а
visiting position at
the University ot Swaziland from
2003
to 20QS.
Foluke Ogunieye is the Executive Director of the Ke International Film Festival, and is currently
a Visaing Professor at the Department of Media Studies. University of Botswana.
Cover image: Images
írom
award winning movie. Aramotu. Wntter
Produced by Treasure
Chest Entertainment
L
I nni and Tovin Og
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| title | African film looking back and looking forward |
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