Rembrandt's "Saul and David" at the Mauritshuis: a progress report
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
2013
|
| Schlagworte: | |
| Online-Zugang: | Volltext Volltext |
| Beschreibung: | "Saul and David" was regarded as one of Rembrandt's great masterpieces in the past, but its attribution has been questioned by experts. The painting, which is currently undergoing conservation treatment, has recently been the subject of intensive technical research. This "progress report" about ongoing research on Saul and David highlights current thinking about the painting's original format; the use of new technologies to investigate the painting; and the challenges in deciding how to treat the painting. The subject offers a telling perspective on how research and treatment of paintings by Rembrandt has changed since Egbert Haverkamp Begemann was a young scholar |
| Beschreibung: | 1 Online-Ressource |
| DOI: | 10.5092/jhna.2013.5.2.11 |
Internformat
MARC
| LEADER | 00000nma a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV041754941 | ||
| 003 | DE-604 | ||
| 005 | 20201111 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 140325s2013 |||| o||u| ||||||eng d | ||
| 024 | 7 | |a 10.5092/jhna.2013.5.2.11 |2 doi | |
| 035 | |a (OCoLC)888728148 | ||
| 035 | |a (DE-599)BVBBV041754941 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
| 100 | 1 | |a Gordenker, Emilie E. S. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Rembrandt's "Saul and David" at the Mauritshuis |b a progress report |c Emilie E.S. Gordenker and Petria Noble |
| 264 | 1 | |c 2013 | |
| 300 | |a 1 Online-Ressource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a "Saul and David" was regarded as one of Rembrandt's great masterpieces in the past, but its attribution has been questioned by experts. The painting, which is currently undergoing conservation treatment, has recently been the subject of intensive technical research. This "progress report" about ongoing research on Saul and David highlights current thinking about the painting's original format; the use of new technologies to investigate the painting; and the challenges in deciding how to treat the painting. The subject offers a telling perspective on how research and treatment of paintings by Rembrandt has changed since Egbert Haverkamp Begemann was a young scholar | ||
| 600 | 0 | 7 | |a Rembrandt |c Harmensz van Rijn |d 1606-1669 |t David spielt die Harfe vor Saul |0 (DE-588)7826402-9 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 2013 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Gemälderestaurierung |0 (DE-588)4123269-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Zuschreibung |0 (DE-588)4132036-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Künstlerische Technik |0 (DE-588)4165888-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Maltechnik |0 (DE-588)4125812-5 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Rembrandt |c Harmensz van Rijn |d 1606-1669 |t David spielt die Harfe vor Saul |0 (DE-588)7826402-9 |D u |
| 689 | 0 | 1 | |a Zuschreibung |0 (DE-588)4132036-0 |D s |
| 689 | 0 | 2 | |a Gemälderestaurierung |0 (DE-588)4123269-0 |D s |
| 689 | 0 | 3 | |a Maltechnik |0 (DE-588)4125812-5 |D s |
| 689 | 0 | 4 | |a Künstlerische Technik |0 (DE-588)4165888-7 |D s |
| 689 | 0 | 5 | |a Geschichte 2013 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Noble, Petria |e Verfasser |0 (DE-588)136372473 |4 aut | |
| 773 | 1 | 8 | |g volume:5 |g year:2013 |g pages:2 |
| 773 | 0 | 8 | |t Journal of Historians of Netherlandish Art |d [Highland Park, NJ], 2013 |g 5.2013,2 |w (DE-604)BV035619250 |o (DE-600)2504242-7 |
| 856 | 4 | 0 | |q text/html |u http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/205-rembrandts-saul-and-david-at-the-mauritshuis-a-progress-report |x Verlag |z kostenfrei |3 Volltext |
| 856 | 4 | 0 | |u https://doi.org/10.5092/jhna.2013.5.2.11 |x Resolving-System |z kostenfrei |3 Volltext |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-027201209 | ||
| 941 | |b 5 |j 2013 |s 2 | ||
Datensatz im Suchindex
| _version_ | 1804152055068098560 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV035619250 |
| author | Gordenker, Emilie E. S. Noble, Petria |
| author_GND | (DE-588)136372473 |
| author_facet | Gordenker, Emilie E. S. Noble, Petria |
| author_role | aut aut |
| author_sort | Gordenker, Emilie E. S. |
| author_variant | e e s g ees eesg p n pn |
| building | Verbundindex |
| bvnumber | BV041754941 |
| ctrlnum | (OCoLC)888728148 (DE-599)BVBBV041754941 |
| doi_str_mv | 10.5092/jhna.2013.5.2.11 |
| era | Geschichte 2013 gnd |
| era_facet | Geschichte 2013 |
| format | Electronic Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02850nma a2200493 c 4500</leader><controlfield tag="001">BV041754941</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20201111 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">140325s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5092/jhna.2013.5.2.11</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)888728148</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041754941</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gordenker, Emilie E. S.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Rembrandt's "Saul and David" at the Mauritshuis</subfield><subfield code="b">a progress report</subfield><subfield code="c">Emilie E.S. Gordenker and Petria Noble</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Saul and David" was regarded as one of Rembrandt's great masterpieces in the past, but its attribution has been questioned by experts. The painting, which is currently undergoing conservation treatment, has recently been the subject of intensive technical research. This "progress report" about ongoing research on Saul and David highlights current thinking about the painting's original format; the use of new technologies to investigate the painting; and the challenges in deciding how to treat the painting. The subject offers a telling perspective on how research and treatment of paintings by Rembrandt has changed since Egbert Haverkamp Begemann was a young scholar</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Rembrandt</subfield><subfield code="c">Harmensz van Rijn</subfield><subfield code="d">1606-1669</subfield><subfield code="t">David spielt die Harfe vor Saul</subfield><subfield code="0">(DE-588)7826402-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2013</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gemälderestaurierung</subfield><subfield code="0">(DE-588)4123269-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zuschreibung</subfield><subfield code="0">(DE-588)4132036-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künstlerische Technik</subfield><subfield code="0">(DE-588)4165888-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Maltechnik</subfield><subfield code="0">(DE-588)4125812-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Rembrandt</subfield><subfield code="c">Harmensz van Rijn</subfield><subfield code="d">1606-1669</subfield><subfield code="t">David spielt die Harfe vor Saul</subfield><subfield code="0">(DE-588)7826402-9</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Zuschreibung</subfield><subfield code="0">(DE-588)4132036-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Gemälderestaurierung</subfield><subfield code="0">(DE-588)4123269-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Maltechnik</subfield><subfield code="0">(DE-588)4125812-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Künstlerische Technik</subfield><subfield code="0">(DE-588)4165888-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 2013</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Noble, Petria</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)136372473</subfield><subfield code="4">aut</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:5</subfield><subfield code="g">year:2013</subfield><subfield code="g">pages:2</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Journal of Historians of Netherlandish Art</subfield><subfield code="d">[Highland Park, NJ], 2013</subfield><subfield code="g">5.2013,2</subfield><subfield code="w">(DE-604)BV035619250</subfield><subfield code="o">(DE-600)2504242-7</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="q">text/html</subfield><subfield code="u">http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/205-rembrandts-saul-and-david-at-the-mauritshuis-a-progress-report</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5092/jhna.2013.5.2.11</subfield><subfield code="x">Resolving-System</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027201209</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">5</subfield><subfield code="j">2013</subfield><subfield code="s">2</subfield></datafield></record></collection> |
| id | DE-604.BV041754941 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T01:04:37Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027201209 |
| oclc_num | 888728148 |
| open_access_boolean | 1 |
| owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| physical | 1 Online-Ressource |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| record_format | marc |
| spelling | Gordenker, Emilie E. S. Verfasser aut Rembrandt's "Saul and David" at the Mauritshuis a progress report Emilie E.S. Gordenker and Petria Noble 2013 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier "Saul and David" was regarded as one of Rembrandt's great masterpieces in the past, but its attribution has been questioned by experts. The painting, which is currently undergoing conservation treatment, has recently been the subject of intensive technical research. This "progress report" about ongoing research on Saul and David highlights current thinking about the painting's original format; the use of new technologies to investigate the painting; and the challenges in deciding how to treat the painting. The subject offers a telling perspective on how research and treatment of paintings by Rembrandt has changed since Egbert Haverkamp Begemann was a young scholar Rembrandt Harmensz van Rijn 1606-1669 David spielt die Harfe vor Saul (DE-588)7826402-9 gnd rswk-swf Geschichte 2013 gnd rswk-swf Gemälderestaurierung (DE-588)4123269-0 gnd rswk-swf Zuschreibung (DE-588)4132036-0 gnd rswk-swf Künstlerische Technik (DE-588)4165888-7 gnd rswk-swf Maltechnik (DE-588)4125812-5 gnd rswk-swf Rembrandt Harmensz van Rijn 1606-1669 David spielt die Harfe vor Saul (DE-588)7826402-9 u Zuschreibung (DE-588)4132036-0 s Gemälderestaurierung (DE-588)4123269-0 s Maltechnik (DE-588)4125812-5 s Künstlerische Technik (DE-588)4165888-7 s Geschichte 2013 z DE-604 Noble, Petria Verfasser (DE-588)136372473 aut volume:5 year:2013 pages:2 Journal of Historians of Netherlandish Art [Highland Park, NJ], 2013 5.2013,2 (DE-604)BV035619250 (DE-600)2504242-7 text/html http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/205-rembrandts-saul-and-david-at-the-mauritshuis-a-progress-report Verlag kostenfrei Volltext https://doi.org/10.5092/jhna.2013.5.2.11 Resolving-System kostenfrei Volltext |
| spellingShingle | Gordenker, Emilie E. S. Noble, Petria Rembrandt's "Saul and David" at the Mauritshuis a progress report Rembrandt Harmensz van Rijn 1606-1669 David spielt die Harfe vor Saul (DE-588)7826402-9 gnd Gemälderestaurierung (DE-588)4123269-0 gnd Zuschreibung (DE-588)4132036-0 gnd Künstlerische Technik (DE-588)4165888-7 gnd Maltechnik (DE-588)4125812-5 gnd |
| subject_GND | (DE-588)7826402-9 (DE-588)4123269-0 (DE-588)4132036-0 (DE-588)4165888-7 (DE-588)4125812-5 |
| title | Rembrandt's "Saul and David" at the Mauritshuis a progress report |
| title_auth | Rembrandt's "Saul and David" at the Mauritshuis a progress report |
| title_exact_search | Rembrandt's "Saul and David" at the Mauritshuis a progress report |
| title_full | Rembrandt's "Saul and David" at the Mauritshuis a progress report Emilie E.S. Gordenker and Petria Noble |
| title_fullStr | Rembrandt's "Saul and David" at the Mauritshuis a progress report Emilie E.S. Gordenker and Petria Noble |
| title_full_unstemmed | Rembrandt's "Saul and David" at the Mauritshuis a progress report Emilie E.S. Gordenker and Petria Noble |
| title_short | Rembrandt's "Saul and David" at the Mauritshuis |
| title_sort | rembrandt s saul and david at the mauritshuis a progress report |
| title_sub | a progress report |
| topic | Rembrandt Harmensz van Rijn 1606-1669 David spielt die Harfe vor Saul (DE-588)7826402-9 gnd Gemälderestaurierung (DE-588)4123269-0 gnd Zuschreibung (DE-588)4132036-0 gnd Künstlerische Technik (DE-588)4165888-7 gnd Maltechnik (DE-588)4125812-5 gnd |
| topic_facet | Rembrandt Harmensz van Rijn 1606-1669 David spielt die Harfe vor Saul Gemälderestaurierung Zuschreibung Künstlerische Technik Maltechnik |
| url | http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/205-rembrandts-saul-and-david-at-the-mauritshuis-a-progress-report https://doi.org/10.5092/jhna.2013.5.2.11 |
| work_keys_str_mv | AT gordenkeremiliees rembrandtssaulanddavidatthemauritshuisaprogressreport AT noblepetria rembrandtssaulanddavidatthemauritshuisaprogressreport |