Delacroix and his forgotten world: the origins of romantic painting
The image of Eugène Delacroix as an august artist with an august oeuvre was initially frozen into place by posthumous tributes and it has continued to the present. He was one of the finest yet least understood painters of the nineteenth0century, the golden age of the French Romantic movement. He is...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Tauris
2015
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The image of Eugène Delacroix as an august artist with an august oeuvre was initially frozen into place by posthumous tributes and it has continued to the present. He was one of the finest yet least understood painters of the nineteenth0century, the golden age of the French Romantic movement. He is remembered best for his masterpiece, La Liberté guidant le people, but few of his works have received the kind of constant, fascinated revisiting that has sealed the iconic status of Théodore Géricaults Le Radeau de la Méduse, for example. This book is one of the first to look carefully at individual paintings by Delacroix, especially at one of his most important works - a crucial but often overlooked painting from early Romanticisms heyday, Scène des massacres de Scio The Scio ostensibly depicts an episodic aftermath of violent events from the Greek War of Independence (1821-32) but its slumped figures and subdued atmosphere do nothing to earn this description. Its defining characteristic - figures that appear simultaneously overwrought and utterly listless - remains unexplained by the attention to political contexts, gender roles, or other concerns that have articulated the reception of Delacroix. Margaret MacNamidhe brilliantly argues that the Scio represents an effort to furnish new models in a tradition that had become increasingly problematic. The paintings mass of bodies arguably defines Delacroixs contribution to French painting: his ebbing0interest in depicting a purposeful, singular subjectivity, his increasing concentration on groups simultaneously trapped by and released from the most anguished of circumstances.0 |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIII, 189 S. zahlr. Ill. 29 cm |
| ISBN: | 9781780769370 |
Internformat
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| 520 | |a The image of Eugène Delacroix as an august artist with an august oeuvre was initially frozen into place by posthumous tributes and it has continued to the present. He was one of the finest yet least understood painters of the nineteenth0century, the golden age of the French Romantic movement. He is remembered best for his masterpiece, La Liberté guidant le people, but few of his works have received the kind of constant, fascinated revisiting that has sealed the iconic status of Théodore Géricaults Le Radeau de la Méduse, for example. This book is one of the first to look carefully at individual paintings by Delacroix, especially at one of his most important works - a crucial but often overlooked painting from early Romanticisms heyday, Scène des massacres de Scio The Scio ostensibly depicts an episodic aftermath of violent events from the Greek War of Independence (1821-32) but its slumped figures and subdued atmosphere do nothing to earn this description. Its defining characteristic - figures that appear simultaneously overwrought and utterly listless - remains unexplained by the attention to political contexts, gender roles, or other concerns that have articulated the reception of Delacroix. Margaret MacNamidhe brilliantly argues that the Scio represents an effort to furnish new models in a tradition that had become increasingly problematic. The paintings mass of bodies arguably defines Delacroixs contribution to French painting: his ebbing0interest in depicting a purposeful, singular subjectivity, his increasing concentration on groups simultaneously trapped by and released from the most anguished of circumstances.0 | ||
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Datensatz im Suchindex
| _version_ | 1804152054663348224 |
|---|---|
| adam_text | CONTENTS
PREFACE VIII
ACKNOWLEDGMENTS XII
CHAPTER 1: DELACROIX S ELUSIVE PAINTINGS 1
CHAPTER 2: ISOLATION IN DAVID AND DELACROIX 37
CHAPTER 3: PAINT THAT DIVIDES AND GATHERS 67
CHAPTER 4: THE LOST ROMANTIC 91
CHAPTER 5: STENDHAL S ART CRITICISM RECONSIDERED 101
ENVOI 119
APPENDIX 1: ETIENNE-JEAN DELECLUZE, LE MECANICIEN ROI 123
APPENDIX 2: DELACROIX, GERICAULT, AND THE HORSE IN THE CHIOS 135
NOTES 151
SELECT BIBLIOGRAPHY 173
PHOTO CREDITS 185
INDEX 187
|
| any_adam_object | 1 |
| author | MacNamidhe, Margaret |
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| author_sort | MacNamidhe, Margaret |
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| building | Verbundindex |
| bvnumber | BV041754658 |
| classification_rvk | LI 25750 |
| ctrlnum | (OCoLC)913860767 (DE-599)BVBBV041754658 |
| discipline | Kunstgeschichte |
| format | Book |
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| spelling | MacNamidhe, Margaret Verfasser (DE-588)136889301 aut Delacroix and his forgotten world the origins of romantic painting Margaret MacNamidhe Delacroix and his forgotten world London [u.a.] Tauris 2015 XIII, 189 S. zahlr. Ill. 29 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index The image of Eugène Delacroix as an august artist with an august oeuvre was initially frozen into place by posthumous tributes and it has continued to the present. He was one of the finest yet least understood painters of the nineteenth0century, the golden age of the French Romantic movement. He is remembered best for his masterpiece, La Liberté guidant le people, but few of his works have received the kind of constant, fascinated revisiting that has sealed the iconic status of Théodore Géricaults Le Radeau de la Méduse, for example. This book is one of the first to look carefully at individual paintings by Delacroix, especially at one of his most important works - a crucial but often overlooked painting from early Romanticisms heyday, Scène des massacres de Scio The Scio ostensibly depicts an episodic aftermath of violent events from the Greek War of Independence (1821-32) but its slumped figures and subdued atmosphere do nothing to earn this description. Its defining characteristic - figures that appear simultaneously overwrought and utterly listless - remains unexplained by the attention to political contexts, gender roles, or other concerns that have articulated the reception of Delacroix. Margaret MacNamidhe brilliantly argues that the Scio represents an effort to furnish new models in a tradition that had become increasingly problematic. The paintings mass of bodies arguably defines Delacroixs contribution to French painting: his ebbing0interest in depicting a purposeful, singular subjectivity, his increasing concentration on groups simultaneously trapped by and released from the most anguished of circumstances.0 Delacroix, Eugène / 1798-1863 / Criticism and interpretation Delacroix, Eugène 1798-1863 (DE-588)118524461 gnd rswk-swf Romanticism in art Neoclassicism (Art) / France Malerei (DE-588)4037220-0 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Frankreich Delacroix, Eugène 1798-1863 (DE-588)118524461 p Romantik (DE-588)4050491-8 s Malerei (DE-588)4037220-0 s DE-604 Delacroix, Eugène 1798-1863 Sonstige (DE-588)118524461 oth Erscheint auch als Online-Ausgabe 978-0-85773-600-0 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027200929&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | MacNamidhe, Margaret Delacroix and his forgotten world the origins of romantic painting Delacroix, Eugène / 1798-1863 / Criticism and interpretation Delacroix, Eugène 1798-1863 (DE-588)118524461 gnd Romanticism in art Neoclassicism (Art) / France Malerei (DE-588)4037220-0 gnd Romantik (DE-588)4050491-8 gnd |
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| title | Delacroix and his forgotten world the origins of romantic painting |
| title_alt | Delacroix and his forgotten world |
| title_auth | Delacroix and his forgotten world the origins of romantic painting |
| title_exact_search | Delacroix and his forgotten world the origins of romantic painting |
| title_full | Delacroix and his forgotten world the origins of romantic painting Margaret MacNamidhe |
| title_fullStr | Delacroix and his forgotten world the origins of romantic painting Margaret MacNamidhe |
| title_full_unstemmed | Delacroix and his forgotten world the origins of romantic painting Margaret MacNamidhe |
| title_short | Delacroix and his forgotten world |
| title_sort | delacroix and his forgotten world the origins of romantic painting |
| title_sub | the origins of romantic painting |
| topic | Delacroix, Eugène / 1798-1863 / Criticism and interpretation Delacroix, Eugène 1798-1863 (DE-588)118524461 gnd Romanticism in art Neoclassicism (Art) / France Malerei (DE-588)4037220-0 gnd Romantik (DE-588)4050491-8 gnd |
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