On the threshold of beauty: Philips and the origins of electronic music in the Netherlands 1925 - 1965
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Rotterdam
V2_Publ.
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 314 S. Ill., graph. Darst. |
| ISBN: | 9789462080652 9462080658 |
Internformat
MARC
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| 245 | 1 | 0 | |a On the threshold of beauty |b Philips and the origins of electronic music in the Netherlands 1925 - 1965 |c Kees Tazelaar |
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Datensatz im Suchindex
| _version_ | 1804152053806661632 |
|---|---|
| adam_text | Contents
Foreword by Daniel Teruggi
7
Introduction
9
Part I
Electroacoustics and Electronic Music at
Philips Research Laboratories
1
Developments in Electroacoustics at Philips before
1945 17
Philips Research Laboratories
■ 17
Radios and Loudspeaker Development
■ 18
Film Sound: The Loetafoon and the Film Philips Radio
■ 22
The Philips-Miller Recording System
■ 26
Stereophonic Sound
■ 28
Synthetic Sound
■ 33
The Philiolist Loudspeaker Violins
■ 36
2
After World War II: Towards Electronic Music
38
Canned Music and a Music Laboratory
■ 38
Collaboration with Leopold Stokowski
■ 40
Leopold Stokowski and
Roelof Vermeulen
at the
Concertgebouw
· 45
Multiplication of Concerts
· 50
Ambiophonics and Reverberation
■ 53
The Gravesano Music and Electroacoustics Conference
■ 59
Electronic Musical Instruments for the Fair of Science
■ 62
3
The Studio at Philips Research Laboratories
64
Henk Badings
and the
Nederlandse
Radio
Unie
■ 64
Henk
Badings
Kain
en Abel and the Studio Equipment in Room
306 ■ 66
Variations
électroniques
and Philips Commercial Animation Films
■ 72
The Electronic Popular Music of Dick Raaijmakers, aka Kid
Baltan
■ 77
Tom Dissevelt s Electronic Movements
■ 80
More Electronic Music by
Henk
Badings
■ 83
Ton
de Leeuw s
Antiphonie for Wind Quintet and Electronic Sounds
■ 86
The Composer Dick Raaijmakers
■ 87
The End of the Studio in Eindhoven
■ 93
Partii
Electronic
Music for the Philips Pavilion
4
Preliminary Technical and Artistic Outline
*
Initial Concept
■ 101
The EJectroacoustics Division
(ELA)
and Its Studio
■ 106
ELA
at the
1958
World s Fair
■ 109
Sound and Light Spectacles
■
111
5
Realizing the Music for the Philips Pavilion
Le Corbusier, Edgard
Várese,
lannis Xenakis: Artistic Considerations
■ 114
Philips Doubts about
Edgard
Várese
■ 118
The Garage atStrijp III and
Willem Tak s
Test Scenario
■ 120
Edgard Varèse in
Eindhoven and Preparations for Musical Production
■ 127
The
Labonous
Recording of
Le poème électronique
■ 139
Anton Buczynski s Contribution
■ 144
The Integration of Reverberation and Panning
■ 147
lannis Xenakis Interlude
sonore
■ 153
6
Le poème électronique
in Brussels
The Sound Installation
■ 157
Edgard Varèse
in Brussels
■ 166
Presenting
Le poème électronique
to the Public
■ 168
Part III
Electronic Music Pervades Public Culture:
Organizations, Studios, Concerts, Education
1 72
7
The First Steps towards a Dutch Electronic Music Studio
Walter
Maas
and the Founding of
Gaudeamus ■ 172
Werner Meyer-Eppler s Lectures
■ 174
Electronic Music at the
Nederlandse
Radio
Unie
■ 175
8
An Organization for the Promotion of Electronic Music
The
Contactorgaan Elektronische Muziek
■ 177
Defining Electronic Music and Staging the First Concerts
180
The International Days of
Expérimental
Music at the
1958
World s Fair
■ 185
9
A Temporary Studio for Electronic Music Education and Production
188
A Studio at
Technische
Hogeschool Delft
■ 188
Electronic Music for Film and Theater
■ 192
The Composers
Jan Boerman
and Rudolf
Escher
■ 197
10
Continuing the Work of the Philips and TH Delft Studios in Utrecht
and Bilthoven
200
Plans for New Studios in Utrecht and Amsterdam
■ 200
New Studios in Utrecht and Bilthoven
■ 206
Tom
Dissevelťs
Intersection, Dick
Raaijmakers Vijf plastieken,
Jan Boerman s Alchemie
1961
and Rudolf Escher s
Summer Rites at Noon
■ 209
The Battle over Leadership of the Studio in Utrecht
■ 213
Gottfried Michael Koenig at
Gaudeamus:
Critical Remarks on
Sound Spatialization
■ 219
The Bilthoven Electronic Music Course
■ 222
The Utrecht Studio under
Henk Badings
and Rudolf Escher s
Final Attempt
■ 224
Tom
Dissevelťs
Fantasy in Orbit
■ 226
11
Private Projects
230
The Mood Engineering Society
■ 230
The First Private Studios and Their Early Productions:
Jan Boerman,
Ton
Bruynèl,
Dick Raaijmakers
■ 231
12
Towards Stability in Utrecht and The Hague
246
Gottfried
Michael Koenig s Formative Years
■ 246
Koenig at the Cologne Studio
■ 250
Koenig at STEM
■ 255
Kees
van Baaren and the Establishment of a Studio at the
Royal Conservatoire
■ 262
Acknowledgments
266
List of Illustrations
268
Notes
269
References
296
Appendix: Foreign Quotations in Original Languages
300
Index
307
|
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| spelling | Tazelaar, Kees 1962- Verfasser (DE-588)1037769317 aut On the threshold of beauty Philips and the origins of electronic music in the Netherlands 1925 - 1965 Kees Tazelaar Rotterdam V2_Publ. 2013 314 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Zugl.: Berlin, Techn. Univ., Diss., 2013 Philips Research Laboratories Geschichte 1925-1965 gnd rswk-swf Elektronische muziek gtt Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Nederland gtt Niederlande (DE-588)4042203-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Niederlande (DE-588)4042203-3 g Elektronische Musik (DE-588)4014355-7 s Geschichte 1925-1965 z DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027200373&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tazelaar, Kees 1962- On the threshold of beauty Philips and the origins of electronic music in the Netherlands 1925 - 1965 Philips Research Laboratories Elektronische muziek gtt Elektronische Musik (DE-588)4014355-7 gnd |
| subject_GND | (DE-588)4014355-7 (DE-588)4042203-3 (DE-588)4113937-9 |
| title | On the threshold of beauty Philips and the origins of electronic music in the Netherlands 1925 - 1965 |
| title_auth | On the threshold of beauty Philips and the origins of electronic music in the Netherlands 1925 - 1965 |
| title_exact_search | On the threshold of beauty Philips and the origins of electronic music in the Netherlands 1925 - 1965 |
| title_full | On the threshold of beauty Philips and the origins of electronic music in the Netherlands 1925 - 1965 Kees Tazelaar |
| title_fullStr | On the threshold of beauty Philips and the origins of electronic music in the Netherlands 1925 - 1965 Kees Tazelaar |
| title_full_unstemmed | On the threshold of beauty Philips and the origins of electronic music in the Netherlands 1925 - 1965 Kees Tazelaar |
| title_short | On the threshold of beauty |
| title_sort | on the threshold of beauty philips and the origins of electronic music in the netherlands 1925 1965 |
| title_sub | Philips and the origins of electronic music in the Netherlands 1925 - 1965 |
| topic | Philips Research Laboratories Elektronische muziek gtt Elektronische Musik (DE-588)4014355-7 gnd |
| topic_facet | Philips Research Laboratories Elektronische muziek Elektronische Musik Nederland Niederlande Hochschulschrift |
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